short story

Sorry Mario

More flash fiction. The prompt for this week was that the character that the story revolves around can’t appear in the story. Not sure why, but the “Sorry, Mario, but our princess is in another castle” popped into my mind right away. Then it was a matter of getting there.

Sorry Mario

“Are you ready?” Jeff asked.

His wife looked back at him in the darkness.

“Are you sure we shouldn’t go to the police?” Melissa asked in return.

“The note said no police.”

“I doubt an ill-advised rescue attempt is sticking to the ransom, either.”

“It doesn’t matter. We’ll be in and out before they know what’s going on. You just saw the same thing I did. Three of them left. They didn’t have Daniella with them. That means she’s still inside.”

“I just…,” Melissa trailed off, then changed her tact. “You know you’re not Mario, right?”

“Who?”

“Mario. I don’t know, Luigi. This isn’t a video game.”

“Really? You went with Mario? Not Assassin’s Creed? Not James Bond?”

“Whatever. Isn’t Mario the one who’s always saving the princess?”

“That’s Link.”

“Okay, but Mario is the one that changes direction in mid-jump. You know you can’t do that, right? Hell, you can’t really jump, at all.”

“This won’t require jumping.”

The silence between the married couple stretched on.

“This isn’t a video game,” Melissa finally said, returning to the beginning of her argument as summary.

“So are you in or out?” Jeff asked.

“I guess it’s too late to go back now. It’s not like we have the ten grand they’re asking for anyway.”

“Okay then. Let’s go rescue our daughter.”

Jeff climbed through the hole in the fence and began to tiptoe toward the brick building that he had traced the kidnappers to. Melissa followed behind him, carrying the pistol that they had owned for a decade but never used. Melissa had tried to get rid of the thing when Daniella was born, but Jeff would hear nothing of it. He kept it in his bedstand, but kept the bullets up high in their closet, where a child could not accidentally find them or load them or shoot them. Without its bullets, it wouldn’t offer much protection, but Jeff assumed the sight of a gun might be enough to make a home invader flee. Nobody wants to hang around long enough to see if a gun is loaded or not.

Melissa might be right that this wasn’t a video game. But the vast number of heist movies and Liam Neeson thrillers had laid the groundwork for what lay in front of Jeff. Working for the City Comptroller gave him the rest of what he needed. No need to keep the kidnappers on the phone for ten extra seconds in order to triangulate the cell towers if you can just get a listing of the blocked phone number after the fact. From there, all he had to do was check the blueprints of the abandoned book depository, which were public record and available to any citizen of the city, as long as said citizen knew whom to ask.

Don’t fuck with civil servants, Jeff thought, was the moral of the story.

Once he saw the blueprints, it was obvious how this warehouse could be turned into a prison for a kidnapped child. Jeff knew, without even needing to think, where the bastards were holding Daniella. The old manager’s office lay in the back of the open warehouse, and it had a fortified vault in one corner. It didn’t take a criminal mind, or even a dozen watchings of “Ocean’s Eleven,” to know where he needed to go.

And with the three perps having just left, Jeff and Melissa should be able to waltz right in and save their daughter. Jeff patted himself on the back as he padded toward the door the kidnappers had left ten minutes ago.

The room beyond the door was dark. Jeff was happy. That meant none of the kidnappers were still inside. Everything was going to plan.

The booby traps were not part of the plan.

“Ouch.”

“What’s wrong?” Melissa asked from behind, raising the gun in her two hands, as she had been trained to do in the one class Jeff had made her take a decade earlier.

“Nothing. It’s just that the doorknob is warm. Even through these gloves.”

Melissa laughed to release some tension, pointing the gun back toward the ground. “Do people really use the old hot handle trick? I thought that only happened in Bugs Bunny cartoons.”

Jeff laughed, too, in spite of himself. “Ye- yeah. We’ve gone from video games to Looney Tunes. Let’s hope these guys are more Elmer Fudd than Bow-“

Jeff didn’t finish his thought. As he inched the door open, the subtle heat turned into a fireball. Jeff fell backward as flames exploded out of the doorway. Melissa screamed, dropping the gun as she shielded her own face from the conflagration. Her husband crashed to the ground, losing his wind as his back hit the ground.

It was not a continuous spout of fire. Not a flame thrower, nor a blowtorch. Not the type of sustained heat to make a creme brulee. This was just one explosive flame, a barbecue finally lighting after the fourth push of the igniter button. Perhaps more to frighten people away than to actually harm them.

“Further proof there’s nobody here to guard her,” Jeff said as he rolled over on to his stomach.

Melissa nodded, even though she had not been privy to his internal monologue. They had been married for a decade, and dated for an extra five years before that. She could follow his train of thought better than anyone. And she agreed.

Wife helped husband regain his feet. She wiped the dirt off the back of his shirt, while he did the same to the front of his jeans. Tentatively, Jeff reached forward. He grasped the cooling doorknob and pulled on the door, just enough to open it a crack, while ducking to his left, fully prepared to dive for the floor once again. But the fire was a one-time deterrent. The door opened without a hitch.

A dark expanse faced them. The scant light from outside only showed a few feet near the open door. But Jeff knew this room. The blueprint showed a seventy-foot-by-seventy-foot square. Jeff took a confident step forward. Then another. His eyes could still make out the general shape of the grey-brick, windowless walls from the scant light spilling in through the entryway. This was a convenient reinforcement, as the two into darkness as soon as the door closed behind Melissa.

The last picture Jeff had seen, filed by a construction firm filing a “Use of Historic Building” form, showed the room to be empty. All of the bookshelves had been removed to the school district’s newest warehouse. The old storage room was perfectly suited for the air rifle arena that the construction firm had been hoping to open, or an urban-themed disco, but both of those applications had been denied. The Comptroller was holding out for an artist enclave or some other upscale business to begin the gentrification process in this part of town.

His mind’s eye seeing the blueprint and the picture, Jeff took one cautious step forward in the darkness, then another. Within a few steps, Jeff was sure his eyes had adjusted as much as they could. He walked forward with purpose, his mind focused on the distant door to the manager’s office on the blueprint in his head.

Until his foot missed the floor. Or didn’t miss, per se, but came down on something else. A round object. A group of spheres, (Marbles!) rolling out from under his step, toppling him over once again. He tried to fall forward this time, flailing his arms out in front of him. In the end, he thought he pitched to the right, the brunt of the impact hitting his right shoulder. His head came to rest on his assailant. Not spheres, but tubes.

Not marbles.

Jeff thought back to the marbles on Daniella’s floor. He had almost tripped over them. He was always stepping on Daniella’s toys. The marbles weren’t as bad as those damned Legos. Marbles on a carpeted floor won’t cause any harm. But they had been there nonetheless. Sitting on the floor, as if Daniella had just been playing with them. It was all he could focus on at first. Not the open window, outside breeze blowing the tree outside gently against the side of the house. Not the ransom note on the bed. “$10,000. Instructions for delivery in two hours.” Only the marbles on the floor. And an indentation on the carpet. How long ago had Daniella been sitting there, playing with her toys?

When did the two hours begin?

A light switched on. A faint, LED glow illuminating the area in front of him.

“Not sure why we didn’t think of this before,” Melissa said, her phone having replaced the gun in her right hand.

The glow started to fade. She turned it back to her face and double-tapped the screen. Lumens returned, and she turned the screen back toward to scene on the floor.

“Can you turn on the flashlight,” Jeff said into the picture on her screen. A selfie of the three of them, Daniella’s face smiling between her two parents, the “Welcome to Disneyland” sign hovering behind their close-up faces. Jeff never liked that picture. He never knew where to look on a selfie. The other two beamed straight at the camera and he was gazing off to the right as if something had just caught his eye. A naked lady or a terrorist attack or an alien coming down in a flying saucer. Or maybe he was looking into the future, and a kidnapper taking his daughter from his very house while he was busy looking the other direction.

“Isn’t that the app that the Russians were using to steal your identity?” Melissa asked, but turned her phone back around to see if she could find the app in question. She thumbed the safety on her pistol and tucked it into her back pocket.

“I think that’s just an… ow… an old wive’s tale,” Jeff said, finally feeling the impact on his shoulder as he shifted his weight in an attempt to get up off the floor. Although he hadn’t felt any initial impact, he was pretty sure his wrist had lost some of its structural integrity. “Besides, at this point, the Russians can have my fucking identity.”

Three thumb-clicks later, the flash on Melissa’s phone shone down upon her husband as he regained his knees. Around him lay a scattering of white PVC pipes. Moving the light around, she saw them stretch on for five feet or more. It would have been impossible to avoid them in the dark, no lucky, walk-over bypass.

“Who the hell leaves a bunch of pipes laying around in the dark?”

Whether they had been lain there intentionally or leftover from some random inhabitant or potential owner, it was hard to know. But with the flash of a digital camera to lead the way, husband and wife were able to avoid this obstacle, and another batch of PVC pipes twenty feet further on.

“The positioning looks a little too precise to be there randomly,” Melissa opined, and Jeff was forced to agree. Eight pipes in a row, the last two angled to the right and the left, ensuring the whole batch would roll.

“I don’t get it. Did they want us to pay or did they want us to come here?”

It was a question that hung over the two of them as they made their way to the door near the corner of the far wall. Jeff thought he heard sirens in the distance, but it was too hard to be certain. Everything on his body was screaming. His injured wrist, his bruised shoulder, his scorched face. There was enough ringing in his ears to easily mask any exterior sounds. To say nothing of the thick warehouse brick. So instead of straining to make sense of a distant noise, he focused to the only sense that was working: his eyesight following that single trail of cellphone light to the inner office door.

Once there, Jeff and Melissa only stared at the doorknob. Melissa’s phone illuminated it perfectly. An utterly normal sphere of chrome, a simplistic keyhole in the middle. Jeff reached forward, then stopped himself. Once, twice. He finally reached all the way, tapped it with his finger. It didn’t budge, it didn’t melt, it didn’t morph into a evil maw with teeth ready to snap an assailant’s hand off. It did exactly what a doorknob should do when tapped, which is to barely notice, to continue existing precisely as intended. Slowly, ever so gingerly, reaching through a morass as if the ice age might sneak back into this room in time to rescue both father and daughter, Jeff grabbed hold of the knob and turned.

The mechanism released. The door released from the doorjamb. Jeff pulled on it while his wife removed the gun from her back pocket. Both sensed that, make or break, their journey would end on the other side of this barrier. The sirens from the street rose in pitch, adding a sense of urgency and dread. Melissa moved her phone to her left hand, thumbing the small safety nub into its receptacle.

The door swung open.

Nothing was there. Jeff blinked. Melissa blinked. Melissa shone the flashlight left, then right. The dimensions of the room were correct. Ten by ten. No desk. No furniture. And no vault door behind where the desk should have been.

Jeff took a giant step to his left, in the direction of the phantom vault, the spot on the wall that showed nothing. Straight forward, no variance. No time to think. Had he slowed down, he might have seen the trip wire. But probably not, strung as it was at shin height, as thin and as taut as an E string on an acoustic guitar.

Gunfire rang out. A bright flash to Jeff’s left. Reverberating crashes, a cacophony in an enclosed place. Four shots in rapid succession. Melissa returned fire without thinking. Bullets flew in both directions over Jeff’s shoulder. His knees gave out and he once again plummeted for the floor. Melissa stood stock still for a moment before belatedly realizing she should have ducked behind the wall.

But it didn’t matter. They were alone in the room. The gun that had fired and, blessedly, missed, had been yet another trap. Not another person in the room. And when Melissa shone the light on the wall opposite the muzzle flashes, they saw, to the right of the doorway where one would expect it, a light switch. In his mind’s eye, Jeff saw himself reaching for the light instead of darting to the left as soon as he entered the room. What any sane person would do.

He started to laugh. Quietly at first, then it grew. The entire idea was absurd. And the two of them were making it through not because they were trained, not because video games and movies had shown them the way to do it. But because they were just strung out enough, just impulsive enough, to ensure they were continually doing what no sane person would be doing at this time.

“I’m Mario!” He finally said between his laughs.

“What?”

“A fireball. A pipe. A bullet flying through space at nothing in particular! Hahaha! You were right! This is Mario. I just lost my third life. How many do I have left?”

Melissa only stared at her husband, through the smoky haze of residual gunpowder, laughing maniacally on the ground. She tried to make sense of what he was saying. Her senses were as overloaded as his. Darkness and light and smoke and gunfire. Sirens getting closer and closer. Only she wasn’t cracking, as her husband clearly was. She needed to stay grounded in reality, where neither of them had any extra lives.

“It’s over there,” Jeff continued between gasps. Melissa shone her light back to him, then followed the direction he was pointing. Her phone showed a vault door. “I was reading the blueprint wrong. I zigged when I should’ve zagged.”

Melissa started to laugh now, too. Seeing the vault door, knowing Daniella lay beyond. They were almost to the end. The end was in sight. The emotion that had been pent up for the last twenty hours finally came out.

“You… You changed the direction of your jump in midair.”

He stepped forward to hug her husband. The two of them laughed and sobbed for what seemed like an eternity. Exhausted and delirious.

“This is the police! You are surrounded!”

The amplified voice permeated through the building. Jeff and Melissa looked at each other in confusion.

“The police are here?” Melissa asked. “For us?”

“Did we set something off?”

“Did the kidnappers send them? No police, the note said.”

How many lives do we have left?” Jeff asked again.

The two blinked at each other in the cone of lightness.

“It’s okay. Just get Daniella out of there. Then we can explain what we’re doing in here.”

Jeff nodded. It would be easy enough to explain. They weren’t trespassing, after all. They were saving a captured little girl. Their daughter. They had every right to be in here. The cops would be very interested to hear about what had prompted this whole endeavor. Jeff took Melissa’s phone and walked toward the vault. At the last minute, he worried about a lock. Maybe the cops would be able to open the vault door and save his daughter from the other side.

He heard the distant door open, and footsteps storming into the building, as he reached the padded door. He turned the handle, this one a long metal bar instead of a chrome sphere, and was relieved when it swung freely. The door swung inward.

“FREEZE!” came a multitude of voices from behind.

Bright light blazed behind Jeff, illuminating the office. He raised his hands in the air, wanting to make sure he was seen complying. He hoped Melissa was doing the same, and he hoped her gun was not in her hand.

“TURN AROUND!”

But Jeff couldn’t turn around. All he could do was stare straight forward. Into the vault, now fully illuminated in the police lamps. He could see every corner of the tiny vault. The tiny, empty vault.

Daniella was nowhere to be seen.

Sorry, Mario, but our princess is in another castle.

For the fourth time today, Jeff fell to his knees. He dipped his head as cops grabbed his hands from behind. He stared straight forward as cold steel clasped his wrists.

The room was empty. Jeff was out of lives.

 

Campfire Story

Don’t let your blog die during NaNoWriMo, I told myself. I’m going to post some old flash fiction, I actually posted in said blong. And here it is the first week of Decemeber and, let me check… one post, three weeks ago. Bang up job, Wombat.

Okay, here you go. Some of my flash fiction that didn’t win any contests. This one was supposed to be a Campfire Story. So I tried to make it read as if it was being spoken aloud in front of some kids. They said I had too many rhetorical questions, and I guess it was too late to say they weren’t supposed to be rhetorical. They were assuming that people were responding to them. But I’m telling you that now. So no complaining!

Enjoy.

And the Queen of England

The night was a night a lot like this.

Do you see the way the moon sits above the tree line? The way it just hangs there, a dull amber hue, lighting up our surroundings. It’s big. It’s bold. Not the type of moon you see in the city. It isn’t hiding behind a skyscraper or around the corner of the church on Third Street.

The farmers call it a harvest moon. It’s closer to the Earth this time of year. It keeps a watchful eye out over you so you can keep a watchful eye out over your crops. It’s a moon that wants to remind you that once upon a time, people thought he was a god. They prayed to him. And, boy howdy, by the time this story is finished, you’ll be praying to the almighty light of that moon, just like those old farmers were. Just like I was.

Because the last time I saw that moon was the first time I saw the half-human, half-…

You know what? I’m getting ahead of myself.

There were four of us out in the woods that night. David, the bald one. And Josh. Well, I guess Josh was bald, too. Mostly, anyway. Not everyone can have locks as luscious as your uncle, here. But I don’t really remember Josh’s hair. I think of him more as the burly guy. Built like a brick sh-, um sorry. Built like a sturdy outhouse. No? No frame of reference for that? A port-a-potty? Although those aren’t very sturdy, I know. Think of a port-a-potty that is made out of brick. Okay, sure, like the bathroom at the park.

And then there was Sonia. Poor, little Sonia. I don’t remember why she was out there with us. She had always just kind of been there. Part little sister, part would-be girlfriend. The glue that held together our motley crew. Whether we were smokin’ in the boys room or home, sweet, home. Ha, ha! Trust me, kids, when one of your college roommates introduces you to that old-school, hair-band rock music, you’ll get what a funny joke I just made.

Although I shouldn’t joke about Sonia. I haven’t seen her since that night. Diminutive little Sonia. Stood maybe five-foot-one, dripping wet. She’d have to stand on her tippy toes to hit a hundred pounds. Pixie-ish is what I used to call her. Now I know how apt that was. She really had no business being out there. None of us did, it turns out. But Sonia, least of all.

The Queen of England was there, too. I don’t quite remember when she got there, but I know she wasn’t there at the beginning. I’ll get to her later.

Have you heard that saying, “you can’t see the forest through the trees?” Well, that’s true. You see those trees right there? I know it’s dark, but that ring that’s illuminated around us. What’ve you got there, a Douglas Fir? A Noble Pine? It’s like a veritable Christmas Tree farm here. Some of them are tall and some of them are short. I mean, short to the other trees. Not short to you or I. Heck. See that one right there? What is it, twenty feet tall? On a Christmas Tree lot, that would be one of the top money getters, but here he’s just a little runt, barely stealing enough sun and nutrients from his big bullies next door.

And speaking of those bullies, check out that bad boy over there. He’s gotta be fifty feet if he’s an inch. Flickering orange in this light, but what do you think he looks like in the light of day. Is his trunk grey, like an elephant, trumpeting its power over the rest of God’s creation? Or is he a meek brown, trying to camouflage himself amongst his brethren. “Hey guys, I may be the one that everyone looks at, but I’m just one of you all. Come on, group tree hug.”

But here’s what I was saying with that whole forest-and-the-trees thing. We’re looking at that tree. But can you see the forest? Can you see what it all means? Can you even see what’s behind it? What could it be hiding? Well, that’s what David wanted to find out. So he got up from around the fire, a fire very much like this, to kill that cat’s curiosity and try to see the forest with his very own eyes.

And what did he see? You want to know what he saw, don’t you? When bald, wiry David tiptoed up to a giant pine tree standing sentinel on the edge of the light, warding off the darkness, or maybe it was vice versa, protecting the darkness from the evils of the light. What did David see, crunch, crunch, crunching through the dried pine needles like a drunken lion on shore leave?

Well, I don’t know. Because as he got to the tree, as he peered behind ever so subtly, I saw him lean in behind the tree, take a step, lean in some more and then…

David was gone.

Gone! A ghost! Like the tree had swallowed him whole. I know. I didn’t believe it at first, either. Thought maybe it was a trick of the eyes. A vantage point kinda thing. But no. David was gone. We called for him. Said his name. No response.

Josh was up first to follow David beyond the tree. That’s the kinda guy Josh is. Was. David was curious, always chasing some tantalizing, ethereal distance. Josh was sturdy. Grounded. Ready to go as soon as the going got going. I followed shortly behind Josh, because for me it was a thought and for him it was instinct.

Now I know what you’re thinking. Josh is going to disappear behind the tree, just like David. They’re going to join each other in some Great Beyond like in that nineteen-eighties Netflix show. But no. Maybe it was a one-time thing, or maybe it was because I was right behind him. The darkness can only take you when you’re lonely.

Whatever the reason, Josh rounded the pine and came out clear on the other side, rounding back out into our clearling, moments before I broke the plane of the forest myself.

But there was nothing behind the tree. It was just the back side of a tree. Or the front side, or the side side, depending on your vantage point, I suppose. My point is that David wasn’t there and David had never been there. No sign of him anywhere. No black, size-eight Converse tennis shoes. No svelte, tan, designer jacket signifying “Dave was here.” If I couldn’t see his tent over by the campfire, I might not think he had joined us on our trip.

Wait, was Sonia still sitting at the fire when I looked back in that direction? She should’ve been, but I don’t remember, definitively.

What I do remember, definitively, was Josh circling the tree, and me circling behind him. Once around. Twice around. The sun and the moon. Like a yin-yang, always on the opposing side. The fighters in the “Beat It” video. Tell me your dads have shown you the “Beat It” video. Good. I don’t want to have to disown my little brothers.

Finally, I came to a stop. Josh plowed into me from behind. I had just rounded the black pine, my field of vision bleary from yet another darkness-to-light transition as the fire came into view.

Was that when I saw the Queen of England sitting in Sonia’s spot by the fire? No. No, I don’t think Her Highness was there yet. I think what had caused me to stop on this particular revolution was the sound. Or rather, the complete lack thereof.

Silence. Too silent. The cackling of the nearby fire was gone. There was no crunching of footsteps or rustling of twigs in the breeze. A silent that shouldn’t exist in a library, much less outside in the woods. I don’t even think Josh stumbling into my backside registered a single decibel. It was as if the world had put those noise-cancelling headphones on, then forgot to push “play.”

Until the scream. AHHHHHHH!

A cry. A wail. A scream both natural and unnatural. Super-natural. Like a human wail belted an octave higher than Mariah Carey’s falsetto. Like an animal trying on its human vocals for the first time. The ghost of a cat. The wraith of a raccoon. The role of a human baby’s first wail will be played in tonight’s performance by a demon from Hell.

I ran. Straight forward or left of right, I couldn’t tell you. I just ran. Past the clearing and the fire and the four empty chair, like the points of a compass, containing neither me, nor David, nor Josh, nor Sonia. Nor the Queen of England. Into the forest and the trees and the underbrush and the darkness. Somehow I avoided them all, a pinball maneuvering between every flipper in sight. Unclear about direction or destination, I just ran. Like a blind man racing against Usain Bolt.

Josh was behind me. I could feel his breathing. I could hear his grunting. I could smell his breath on my legs, then my back, then my neck and the top of my head. His hot, humid breath. A mussy, Mississippi windstorm. A slobbering, guttural growl as Josh finally overtook me.

It wasn’t Josh.

I tripped and I pitched, sprawled through the forest, sprawled through the trees, came skidding to a stop on the undergrowth. A soft, mossy landing. A pillow that cushioned me from the landing I deserved. I sent a silent thanks up to whatever spritely spirit had saved me from scratches and worse.

But as the snarls and the groans and the slobbers and the heat pressed down upon my prone form, I wondered if I was being kept whole for a more nefarious reason. A fly taking a well-deserved rest in a comfortable silken web.

AWWWOOOOOOOO!!

The sound was more distinct this time. Closer. So very, very close. Not a wail or a cry, but a call. A triumphant trumpet of victory.

I couldn’t turn around to look. I mustn’t. And yet a voice told me that I must. A tiny voice. Feminine, discreet. Either in my ear or in my head. A heart of resolve. Turn around, it was saying. See what you must see. A defendant must face his accuser. A fly must look into the maw of its spider.

The hairy, crushing, snapping, poisonous mandible of the spider.

The hairy, crushing, snapping, bloody muzzle of a creature most foul.

I’d like to say it was a werewolf. I’d like to say it was a giant rat. I’d like to say it was a rabid wombat. It was all of those things and none of them, so all I can say is what I saw bending over me from its nine-foot height.

Sharp teeth, ragged teeth. Not the precise canines of a predator, but the mangled maw of a scavenger instead. Rat’s teeth dripping with fresh blood that glistened in the near-darkness. The snout above the snarl was rounded, like a marsupial instead of a rodent. But not one of those cute marsupials, like a panda or a wallaby. One of those nasty-looking ones. A snub-nosed opossum. A hairy-nosed wombat. The flat, pale triangle of a nose at the tip of the snout curled up to smell my delicious fear and despair.

The eyes were coal black orbs. No iris, no cornea. One hundred percent pupil, an endless pit into the depths of a scorched soul. Black like soot, the aftermath of a forest fire. The surest sign nature has to tell us of swallowed-up lives.

I tore my eyes away from the slathering face only to be mesmerized anew by its legs. Human legs. Hairier than a human, lankier than a human, but the unmistakable bipedal structure and gait of an upper primate. Human thighs. Human calves.

Human legs in camouflage cargo shorts. And black, size-eight Converse tennis shoes.

The creature was David!

“Hey, Buddy,” I said, trying to crab-walk backward, but finding no grip in the moist, silky moss. A fly caught in the Hotel California. You can check out any time you like, but you can never leave.

“Hey, sorry I took the last hot dog last night, David.”

The monster snarled.

“I promise I’ll get up early tomorrow and percolate some fresh coffee for you.”

It growled.

“I take it back. You’re right. Reese’s make much better s’mores than Hershey’s.”

David opened its mouth wide. It descended toward its prey. Me. Hot saliva scorched my exposed neck.

“You stop that, David.” A high-pitched, high-classed voice rang out. Melodic. Regal. Royal. Large and in charge.

I looked up, and who did I see, hovering above the imposing nine-foot figure of the WereWomRat, shining in the moonlight like the crown jewels herself? Do you know who? No, it wasn’t the Queen of England. It was…

Sonia! Tiny, diminutive Sonia. Spritely little Sonia, towering ten feet in the air.

But not towering. She was hovering. She had wings! Honest-to-goodness wings. A double layer on both sides, strutting out to form a couple of upper-case B’s bordering her body. A body which, if you can believe it, was even smaller than it had been when she had her feet on the ground.

“Now, David, this is not a proper way to greet our host.”

AWWWWWWW!!! The WereDavid screamed. It was not a cry of hunger, or triumph, or even anger. It was a cry of frustration. A wail of disappointment. A child asking for just one more episode of “Dora the Explorer.” But Mommmmeeeee….

“I don’t want to hear it,” Sonia piped. “It might very well be a full moon, but it’s also time for tea. And if you do not come back to the safety of the roost soon, I cannot account for how the Troll might respond to your dalliance.”

A glow, which I had never really realized was always a part of Sonia, grew in luminosity until it was unavoidable. From the cherubic red cheeks that I knew well to the comforting warmth of a sunset over a Hawaiian sea. Then, before my very eyes, the sunset became a sunrise. Then midday. A dazzling sheen of explosive yellows and oranges and whites, with the popping brightness of twenty stars’ luminosity. The glow erupted from the Pixie Queen, who I could swear now had a perfectly apt wand with a, wouldn’t you know it, star-shaped business-end in her hand, right before everything in my sight disappeared into the bright.

She said, or rather sang, something in some long-forgotten tongue. It might have been an “abra cadabra,” or a “ziggity zaggity,” or maybe even a “slainte chugat!” I couldn’t have told you then and I can’t tell you now. Because as the world got brighter, as Sonia’s voice got louder, my consciousness grew dimmer.

And then I was out.

I don’t know how long I was out. It could have been five minutes or five hours or five seconds. The next thing I knew, someone was shaking me awake. The hulking (trolling?) form of my good-friend Josh knelt beside me as I opened my eyes on a bed of green grass. Not a silky trap of moss, just a comfortable grassy mattress.

“You okay, guy?” Josh asked.

I tried to nod through a tight head. I tried to say yes through a mouth full of marbled cotton. Both attempts failed.

Josh lifted me up with a strength that shouldn’t exist in any human being and escorted me back to the campfire. I don’t know how I moved. I merely slumbered on, like the zombie that was missing from this story of the mystical.

When we made it back to the opening, who do you think was there?

No, not her.

It was all of my friends. David, looking just as bald and svelte as he always was. And Sonia, sitting there talking a mile a minute as if nothing had ever happened. Nobody said anything about what had happened, or if anything had happened at all. We just sat down, like all of us are doing now, and busted out the marshmallows and sticks.

And like I said before, I have never seen Sonia since that day. I don’t really know why.

What’s that? Is my wife’s name Sonia? Yes. Your Aunt Sonia. Why do you ask?

Anyway…Here’s the part you’ve been waiting for…. Into the copse of trees and the campfire of friends walked who else but…

No, you know what? I don’t think that was the time we met the Queen of England. That must’ve been a different time. Sorry.

Who’s got some Reese’s?

Poisoned Parlance

I just came back from a vacation, which I’ll be blogging about in the near future. But in the meantime, to assuage all of my fans, or my only fan (HI MOM!!!), here’s another flash fiction.

The theme was facing fear. I wanted to go with a more mundane fear, so I went with public speaking. Then I threw in the stammer, cause they never specified whether it needed to be an irrational fear.

The judges said they wanted more backstory of the main character and his friend. How/why he was invited to be the Best Man/Toast Giver. They might have a point. I certainly made it up as I was going along, and by the time I was done, I could really only edit for errors, not add a shit-ton of content and context.

So now you, intrepid explorer, get…

Poison Parlance

My adversary stands before me as I rise from security. Legs tremble, ready to pounce, fight or flight instinct fully engaged. Except there’s no place to go but forward. Into the face of evil.

It rises in front of me. Solid, erect, pockmarked visage eyeing me warily. ​A soft, guttural hiss emanates from its mouth.

“Snakes. Why did it have to be s-s-snakes?”

It’s not a snake. But I hoped an Indiana Jones line might calm me down. It didn’t.

I wish it was a snake. I could throw a fucking brick at a snake. Not that I have a brick. But at least a snake is a mortal being that can be killed.

I inch toward it. Dragging every ounce of my body, every ounce of time, in an effort to put off the inevitable as long as I can, despite knowing this goes against the priority of getting it all over with as quickly as possible.

Bright silver in the blinding spotlight, hissing and spitting and crackling, stands a microphone. Why did it have to be a microphone? Why the hell did it have to involve me, standing in front of a group of people who I barely now, who I can’t really see, and delivering a canned speech?

Thanks a lot, Ron.

My great aversion to public speaking came during adolescence. All the great social phobias do, right? Kids will take the stage at all-ages karaoke, belting out that song from Frozen at the top of their lungs, completely oblivious to the faces in the audience cocking to one side like a dog, one eye pinched in the universal sign for “you’re a half-note flat.” The kids just keep singing like they’re Idina fucking Menzel.

Hey, remember that time John Travolta butchered Idina Menzel’s name at the Oscars? He called her Adell Dazeem, or some shit like that. That should make me feel better, knowing that even people who do this type of thing for a living can make a faux pas in front of a microphone. But all I can think is that if John fucking Travolta can’t deliver a prepared speech without fucking up, what the hell chance do I have?

“Thuh” I say into the microphone. “Thanks.”

The reverberating echo of my voice sounds tinny, unnatural as it comes back to my ear. I hate recordings of my voice on phone recordings, too. But at least an answering machine doesn’t come with threat of feedback.

“Ron asked me to…”

My tongue tastes desert. Arid, dry, probing for moisture that should exist somewhere in its environ. But all it finds is the jarring back of teeth and a palate as dusty as the cratered surface of the moon. Or the soundstage where Martin Scorsese directed Neil Armstrong to bounce around a bunch. Whatever. Right about now, I’m thinking if scientists haven’t figured out a very basic hydration formula for the inside of a mouth that is trying to speak into a microphone there’s no way in hell they actually made it to the moon.

Or maybe it’s the alcohol’s fault. I have a friend who is afraid of flying. She drinks before a flight. Suggested I do the same here. Plenty of free booze at this place. Except that she can pass out on a flight. If I pass out right here, in front of this microphone, as I desperately want to do, it would probably put a damper on the mood of the crowd. My mood be damned.

“Ron asked me to…”

I did some reading in preparation for this. Don’t make eye contact, the website said. Look above their heads. Except I had a teacher in junior college who did that. And it’s pretty fucking obvious when someone’s looking at the top of your head. Maybe someone in the front row might think you’re making eye contact with someone in the back row. But if you’re sitting near the back, where the people who are most likely going to mock you are sitting, it’s obvious that you’re just staring at the back wall. Hell, sometimes my professor’s eyes rolled up in her head like the goddamned Exorcist, staring straight at the ceiling. Half of us could have snuck out of the room without her noticing. She’d probably just respond by spinning her head around and projectile vomiting.

And trust me, noticing all the miscues of other public speakers does wonders for somebody with public speaking foibles himself.

“Ron wanted me to s-s-say… ssssome things about how him. And, um, J-J-Jake.”

The presentations in middle school were bad. I think that’s where it started. Who the hell decided that middle school students should have to do class presentations? Hey, you’re going through puberty! Acne up the wazoo! No control over your body odor, not to mention all of those other bodily functions! How about you stand in front of a group of your peers, who will continue reminding you of your failures and foibles every day for the next six years?

I didn’t pee my pants that time, at least. I saved that particular reaction for high school. Romeo and Juliet can go fuck itself. Because, again, freshman year doesn’t have enough shit to weigh a fourteen year-old down. Let’s add a mortifying incident that will consign him to the hallway shadows for every passing period in the next three years.

No, in middle school, it was only a profuse sweating. Just enough to make me never want to do this shit again. Yet here I am, a decade later.

“I’ve, um, I’ve  known Ron since middle school. But we didn’t really hang out till high school.”

I seriously thought of telling Ron no. It wouldn’t be the first time. I’ve had a chance to be a groomsman before. I’ve always said no. They act like being a groomsman is such an honor. Stand up there and make me look good. Tell some carefully-sculpted anecdote that Aunt Gertrude, whom I haven’t spoken to since I was eight, can go home and tell her knitting circle that her nephew’s living a full life. 

Not that anyone with half a brain would want my sorry ass standing up for them. Best Man? More like worst. Nothing brings a party to a screeching halt like a minute of dead silence, broken by an occasional stammer. Stammer is sexy. Just ask all of the zero girlfriends I had before alcohol became involved.

But Ron was one of the few people who didn’t hold it all against me. High school as much hell for him as it was for me, just for different reasons. He hadn’t come out yet. Maybe he didn’t know himself yet. But he knew he didn’t fit the mold. Neither of us did. Me, because I couldn’t talk about Romeo and Juliet. Ron, because he liked Romeo and Juliet way more than any ninth grader should.

“Ssssso. I know Ron doesn’t have a l-l-lot of friends from high school. Neither do I. High school kinda suh-sucked. For both of us.”

Way to go, asshole. That’ll slay the crowd. Aunt Gertrude’s gonna have her girders in a bunch after this shitshow.

Imagine all the people in the audience naked, they say. Except, looking around, I really don’t know that I want to see any of these people naked. Except for maybe the bridesmaid, but that’s clearly never going to happen.

I guess she’s not a bridesmaid. There’s no bride. Best maid? Does that make me the Man of Honor? Semantics are stupid. Maybe I should just say that into the microphone.

I never understood how the whole “imagine them naked” thing is supposed to work. Am I supposed to be clothed? Like that episode of “Westworld,” where they’re having perfectly normal conversations in front of an orgy?  I imagine if I was the only clothed person in a room with a hundred naked people, that would be weird. That would not calm me down. I would assume I got the invitation wrong, and if I’m already self-conscious about standing in front of them, then being the only one that didn’t get the memo isn’t going to make me feel more comfortable.

You know what? Probably not the best time to be thinking about “Westworld” and orgy scenes.

Or maybe the “everybody naked” thing is supposed to have me naked, too. Like, we’re all in this together. They’re just as humiliated as I am. Except they’re sitting down, legs crossed, privates underneath a wedding program, and I’m standing in front of them, behind this crackling, feedback-prone microphone, and now I’ve got my shwantz out for the whole world to see. One more thing to be self-conscious about.

“S-s-sorry. I, um, this isn’t about, um, ssschool. It’s about, um, Ron and… um, Ron and Jake.”

I’m off script. Good thing, too, because I can’t read the fucking script., because it’s crumpled in my hand. I’m shaking like a Parkinson’s patient. That eighth-grade, puberty sweat is coming back. Sure, I know about deodorant now, but I didn’t have to wear a tuxedo in middle school. It’s a wash, at best, but thinking of a wash just makes me perspire more.

Off script. What made me think I would be able to read pre-written remarks, anyway? Do I even know my own cadence, or lack thereof?

Like in theater. My dad made me do the school play in tenth grade. He was one of those “make the kid smoke a carton to get over his interest in cigarettes” kind of guys. Figured if I was gonna be a pansy-ass when it came to speaking, he’d get it out of me by humiliating me. I stammer because I can, right, dad? If I’m put on a stage and forced to sing along with the chorus, I’ll spit it out, right?

Or I’ll just knock my fucking knees and faint on stage. Right at the front, near the orchestra pit. Thank God for the gong player. That cushioned mallet raised above his head for the big strike really helped break my fall. The gong player definitely wasn’t thanking God for me though, that’s for sure.

Ron’s father isn’t here, either. He’s probably still back at home, praying the gay away. Maybe that’s what drew the two of us together. A couple of ripe old assholes taking care of us in our formative years.

“Ron met J-j-jake at one of those… after the G-g-giants won.”

Oh shit, they might not know what I mean.

“Not the football. B-b-baseball. The Wuh. The Wwworld Suh, suh.”

No shit, dumbass. We’re in Northern California. Who the hell would think we were all out celebrating Eli Manning. And maybe I shouldn’t add in how Ron had spent the whole game gushing over the abs and thighs Buster Posey must have to be able to squat behind the plate for three hours and still leg out an infield single. Or maybe I should add that anecdote in. That’s real life. Shows his mindset. How the only two gay guys in a sports bar of toxic masculinity can find each other when they’re least looking.

Except that’s not how it would come out. Yeah, I can come up with wonderful lines about toxic masculinity inside my own head. People assume I’m dumb because I can’t enunciate my thoughts. Or just because I’ve now been standing in front of this microphone, radio silence, for what has probably been ten minutes now.

Why the hell did Ron even want me here? Sure, I’m one of his best friends. Yeah, I was there when he met Jake, but is that really a vital piece of information? I already fucked up the delivery of it once. So now all I can do is fumble over part two of their relationship. The bridesmaid is here for a reason, too. Can’t she add anything to the “how wonderful you guys are together” story?

Or Ron could come up here. Or Jake. Aunt Gertrude will talk about how strong of a public speaker he is after that debacle of a cavalier.

I know what I want to say. I want to talk about the change that has come over Ron since he met Jake. The sparkle in his eye, the new way he sees the world. The subtle, little optimisms where there would’ve been sarcasm. His propensity to talk about plans in weeks and months instead of minutes and hours. How the true Ron, the one who I always knew was there because I’m the only one who doesn’t interrupt him or talk over him, is finally out for the whole world to see.

Instead, I just stumble over his damned husband’s name.

Screw it. I’m not talking to all of these judgmental fucks in the audience. I’m here as a best man for  Ron. And for Jake, his real-life best man. I’ll just turn around and talk to the two of them. Ignore Aunt Gertrude and the bridesmaid and the bartender. Okay, maybe not the bartender. But the bartender can wait. But I definitely can’t look at the bridesmaid.

For now, it’s just me and the two grooms.

“Hu-Hey Ron. Juh, juh… You know what? I’m nnnnot gonna say your name. I love what you d-d-done for my guy, but I fucking hate your name.”

There’s a smattering of laughs in the audience behind me. Fuck. Are they laughing at me? Mocking me because I can’t stand looking at them? Turned my back? Fuck you, Aunt Gertrude.

Or do they think I just made a joke? Did I just make a joke? Timing’s never been my strong suit.

Ron and Jake are both smiling at me. Jake is nodding. I’ve told him I hate his fucking name before. He usually thinks I’m joking. I guess I am. I mean, it would be a hell of a lot easier if his name was Aaron or something, but I don’t begrudge a dude his name. And Ron had enough trouble finding someone he could be happy with. It’s not worth throwing a fish back into the pond for his name.

Maybe I should say something along those lines.

“Yeah. J-j-jake. You’ve been the best thing that’s ever happened to m-m-my boy, Ron. I wuh. I wish you had a du-, a different name, but Ron won’t let me, let me call you Aaron.”

More laughter from behind me. That one was intentional. I think for a brief moment about turning around and mugging for the crowd. A wink to let them know I got this. But that would be a really, really bad idea. Like, pee my pants, pass out kind of bad.

“At least your nnname isn’t B-b-buster P-p-posey.”

Less laughter that time. I need to leave the stand-up to Kevin Hart. Just speak from the heart.

“Anyway, I’ve never. Never s-s-seen Ron s-s-so happy. It’s like. It’s like he always had s-s-so much to give and it p-p-pissed me off that he c-c-couldn’t find anyone. Probably mmmy fault. I kuh, I kept taking him to sports bars. Not a lot of gay dudes there. Not a lot of straight girls, either. Hey Ron, I thu, I think I… fffigured out my problem.”

Ron smiles, chuckles a little, gives me a thumbs up. I think this is what he was looking for from me. Time to finish before I fuck it up.

“Anyway. Juh, uh, Jake. You’ve made Ron happy. He acts like himself when he’s with you, which is… sssomething he hasn’t always done with boyfriends in the past. You guh. You guys are guh, great together. I’m sssso guh-glad you found each other. Even if you’re an A’s fan.”

A few more laughs. A thumbs up from Jake. Better pass this snake off before it bites me.

“Okay, I nnneed to get rid of this m-m-microphone before I fuck things up worse.”

The DJ takes the microphone from me. I sit back down and breathe for the first time in a half-hour. I stare down at the table, trying to find my composure. According to my Fitbit, my heartrate is only 110, but that can’t be. It must be at least double that.

The table looks very interesting. The table is my one solace as the DJ introduces the Maid of Honor. Not sure how I couldn’t come up with that moniker myself.

After she gives her speech, a much more eloquent recounting of her life with Jake, filled with beautiful anecdotes from grade school through high school placed naturally throughout, I finally look up. Nobody’s looking at me. My flush slowly recedes. After five minutes, my Fitbit finally drops below ninety, and I take that as a sign that I can have another drink.

I slink off to the bar for my deserved  free drink. Then another one. I’m perfectly content to stay on this stool the rest of the night. I’ve already signed the marriage certificate, so they don’t need me upright for anything.

“That was a nice speech you gave.”

I’m about to haul off and tell the person where they can shove their sarcasm, when I look up and see the Maid of Honor. She’s smiling. I think she’s serious. Or, at the very least, sincere.

“Th-Thank you.”

“Mind if I sit? I could use a drink, too. These things are daunting.”

“I cuh. I couldn’t have said it b-b-better myself.”

I wave to the barstool next to me.

“I’m Rick,” I say, extending my hand for a shake.

She smiles and takes my hand.

“You can call me Erin.”

 

Polly Esther and the 54 of Clubs

This week’s flash fiction asked for a children’s story. Definitely not the forte of a writer who has trouble writing cock-bursting cunt-bubble every other sentence.

So I went tongue-in-cheek. Never expected to win, and sure enough, I didn’t.

But that doesn’t mean I’m not proud of what I wrote. The judges responded that the humor seemed a bit adult. My response: they haven’t read a lot of children’s books. Like when my daughter makes me read a book seventy fucking times in a row to her. The ones that stay in the rotation are the one’s I find enjoyable, the one’s that have something in it for me. The rest are magically transported to the bottom of the pile (or the bottom of the trash can), I don’t give a shit how precious the fucking pictures are.

So, with that as background, I offer my completely off-color Children’s Book:

POLLY ESTHER AND THE 54 OF CLUBS

A very, very long time ago, further back than anybody can remember, there was a time of turmoil. A time of scary sights, of scary sounds, of scary hairstyles.

It was called the seventies. Ask your parents. Or better yet, your grandparents.

During this long-ago time, a mythical city rose up above the land. Towers of steel and glass reached toward the sky in the merry old town of York. Or rather, the very New town of York. Although, from your perspective, the New York of the 1970s would be Middle York, at best.

In this far-off land, in this very olden time, there lived a happy damsel named Polly Esther.

Polly Esther was known for many things. Her clothes was sleek, made of a magical cloth. Cloth of dazzling colors that don’t appear in nature, paired with other colors in stripes and zig-zags and polka dots. Polly Esther’s cloth was amazingly durable and breathable, but didn’t seem to fit to the form of a body, nor lose its own form, no matter how much she twisted or turned.

And Polly Esther twisted and turned a lot! She loved to dance. Every night, if she could, Polly attended galas and balls. She sang and danced to the falsetto grooves of the Brothers Gibb Bards.

The ballroom she really wanted to atten was the 54 of Clubs, a ball that catered to princes and princesses, and other magical beings, as far as the eye could see. This was the Club, it was rumored, where Cinderella ran away from Prince Charming. Or where Rumpelstiltskin spun himself through the floor. Polly Esther had never seen those things happen, but she was pretty sure she had seen Snow White dancing at the other end of the floor one night. Snow White was very easy to spot, for the seven dwarves dancing around her cleared the area around her face.

Now, 54 is a very big number, indeed. It is probably bigger than your parents are old. And that’s a VERY big number. There had been fifty-three Clubs before the 54 of Clubs. There had also been balls of Hearts and Diamonds. But never of spades. A spade is a shovel, and who wants to have a party with shovels? That’s silly!

Polly Esther had not been to all of the fifty-three Clubs before the 54 of Clubs, but she had been to many. And all of the princes and princesses, the earls and bards, even the dragons, used to love Polly Esther and her strangely static clothing of dazzling colors. But all of a sudden, on this, the fifty-fourth Club, they turned up their nose and turned her away.

“I’m sorry, but you cannot come in,” said the grumbly old gatekeeper at the bumbly entryway. It wasn’t a moat or a drawbridge or a thick prison door, but it might as well have been any or all of those things. Because right now, Polly could not pass through the mean old hag of a man.

“But, but why?” Polly Esther asked.

The dragon dragoon looked Polly Esther up and down with a withering eye. Polly felt like he was casting a spell on her. A spell of judgement. He did not approve of something about her, and because of that, he was barring her entry.

“If you don’t know, I shan’t tell you,” the doorman finally decreed, then turned away from Polly Esther as if he had something else, very important, to tend to, some very important person to allow through the magical portal of entry. Even though nobody could be seen for blocks and blocks.

“But I have always been allowed in before.”

“And that,” the not-so-wizened Wizard of No said, barely offering a glance over his shoulder, “is why you shan’t enter under my watch.”

Polly Esther ran away, crying in shame. She thought about leaving behind a shoe, but knew that no prince would come running after her. Besides, elevator platforms are as difficult to remove as a goblin’s tooth!

“I’m sorry that happened to you,” a voice said from beside Polly when she finally slowed down enough to hear.

She took her hands away from her face, where she had been hiding her tears. Tears can be very harmful in a summer wind, so Polly thought you must always shield them from the world.

Sitting in a doorstep, barely even noticeable if he hadn’t just spoken, was a ghastly monster. He might not have been an actual monster, but his pockmarked skin and crooked nose made him very scary, indeed.

“I have been trying to get into the Club since it was in the twenties,” the monster continued. “It can be frustrating, I know.”

The monster was trying to cheer Polly up, or at least to lessen her pain, but it was no good. The monster didn’t look like he belonged in a club. So now Polly had to wonder if she looked just as monstrous. The doorman had looked at her clothes when he dismissed her. Did her clothes make her look like this imp of a person? This person who, smiling to show Polly his support, showed teeth as mangled as his skin.

“I’m so sorry,” Polly Esther said to the monstrous man hiding in the doorway. “But I have only been barred from the Club by mistake.”

“I’m Guido,” said the monster, sticking out his hand.

In order to not seem mean, Polly shook Guido’s hand. He smiled again and Polly Esther did her best to not to cringe. She had only answered him because he made her feel uncomfortable. She was trying to sound empathetic, but Guido might have mistaken it for compassion. Do you know the difference between empathy and compassion? Empathy is when you try to understand somebody, to put yourself in their shoes. Compassion is when you feel sorry for them, but not in a bad way.

“Forget about what happened,” Guido continued. “Beauty is only skin deep. They only look at what’s on the outside.”

“There must be some mistake,” Polly Esther repeated. “They didn’t send me away because of the way I look. He must have had the wrong list.”

Guido merely shrugged. “That’s what I thought at the twenty-fifth Heart Ball.”

“I have a friend, Jim-Bob,” said Polly. “He never goes to Clubs or balls. Maybe he’ll explain it to me.”

“Jim-Bob?” asked Guido. “That sounds like a peasant name.”

“He comes from the countryside. His daddy is a farmer. But that doesn’t mean anything.”

“If you say so,” Guido said. “See if your friend Jim-Bob agrees.”

Polly Esther decided that was exactly what she would do. She prepared to leave Guido by apologizing for being brisk with him earlier. Guido said he was used to it. Polly said goodbye in a much nicer manner than she had said hello. In fact, after she was away from Guido, she wondered if she had ever said hello to him in the first place.

Polly Esther ran home as fast as her legs, swishing back and forth with an unnatural slickness, would carry her. She knocked on the door next door to her flat, on the 53rd floor of the Castle Gardens residential tower.

“Hey Polly Esther, how ya doin’?” Jim-Bob said when he opened the door.

“I’m doing fine, Jim-Bob.” Polly Esther said. “How are you?”

She wanted to delve right into her problems, but thought it might be rude. Jim-Bob, being from outside the city, enjoyed engaging in small talk first. Small talk is always polite.

“I’m right fine, thank you very much,” Jim-Bob answered, nodding his head and tipping its invisible straw hat in Polly’s direction. “I thought you were dancing tonight.”

“They didn’t let me in,” Polly Esther.

“Well, that’s a right-fine how-do-you-do, isn’t it?” Jim-Bob asked.

Polly Esther nodded. She didn’t really know what a right-fine how-do-you-do was, but she was pretty sure being blocked from the 54 of Clubs was definitely one.

“I never understood why you like going into those dungeons of fashion, any ol’ way.”

“You wouldn’t understand. You’ve never been inside. It’s not a dungeon. It’s a magical land of wonder and delight. Everyone that’s anyone is there. No offense.”

“None taken.”

Polly Esther looked in Jim-Bob’s face to see if there was truly no offense taken. He only smiled back at her. Either he really felt no offense, or he was better at hiding his feelings than a crocodile playing Go Fish with a fox.

Polly wished she could be as easy-going as Jim-Bob, but she just couldn’t let it go. Before long, the 54 of Clubs would be the 55 and then the 56 of Clubs. Would they let her in? Probably not. And what about the Heart and Diamond Balls? Polly Esther was still a single woman in the seventies. How would she find love if she couldn’t go to a Heart Ball?

“You should go talk to Bella,” suggested Jim-Bob.

“Bella, with the golden dress?”

Not THAT Bella-with-the-golden-dress. Or maybe it was. It was the seventies in the Village, after all, so who knows?

“Sure. She usually has a good crystal ball into what’s going on.”

Polly and Jim-Bob traveled to visit Bella. Through the tumultuous hallway, down the interminable elevator, out of the foyer of grime, they finally found themselves out on the streets of not-quite-New York. Two blocks later, they rang the doorbell and waited for the familiar brunette hairdo and the familiar yellow gown.

“I can make a phone call,” Bella said, and invited her two visitors inside.

“Who are you calling?” Polly asked Bella.

“Ringo,” Bella answered.

Not THAT Ringo. Or maybe it was. It was the Village in the seventies, after all, so who knows?

Bella picked up her phone and dialed. A telephone was an ancient device that somebody used to speak to someone far away. Like a teleportation spell for your voice. There were no text messages or Angry Birds or even Google. And it was tied to the wall by a cord. Can you imagine such a horrible device?

“He always knows what’s going on at the Clubs and the Diamonds and the Hearts,” Bella continued, then turned her attention to the phone receiver.

Polly tried to listen in on the phone call, tried to glean what was being said on the other side, based on how Bella was reacting. She couldn’t, and it probably served her right. You should not try to listen in on private conversations. And even worse, you should never base your judgement on only hearing one side of the story.

“I’m sorry,” Bella finally said when she put the phone down on its base (which is  how phone calls ended before there was a big red “END” button). “It was no mistake. They meant for you to be left out.”

“But why?” Polly asked.

“It’s your appearance,” Bella confirmed.

Polly looked down at her clothes. She grabbed her long, straight hair. It felt horrible to be judged for her appearance, and even worse, to be judged poorly. They were calling her a pock-marked monster, like Guido, or an outsider, like Jim-Bob. Or a… actually, Polly realized she didn’t know why Bella-with-the-golden-dress didn’t go to 54. She hadn’t gone to 53 either. Polly wasn’t sure if she had ever seen Bella at any of the Clubs. Or the Diamonds. Had Polly even seen her at a Hearts?

“But I’ve always gone to the clubs before,” Polly tried.

“Ringo says the age of Polly Esther is over. It’s time to move on to something else.”

“Well, how do you like that?”

“Maybe you can change your clothes,” Jim-Bob suggested.

It was very nice of Jim-Bob to offer his advice. He had never been to any of the Clubs. He never seemed interested in the Clubs, and he always told Polly Esther that she shouldn’t be concerned with them. But he was a friend, and a friend supports a friend, even when they have different interests. Polly had gone to baseball games with Jim-Bob, and if the Yankees hadn’t let him into their stadium, she assumed she would help him go to a Mets game.

But the Yankees would never bar Jim-Bob. Only Clubs like 54 barred people like Polly. And Guido and Jim-Bob and…

“Bella, why don’t you go to any of the Clubs?”

“I’m more of a Broadway girl.”

“But you’re such a good dancer.”

“The Clubs don’t have my kind of dancing. Not my kind of music.”

“Would you go to a ball if it had music you liked?”

“Maybe. It depends. I don’t like places that shut my friends out.”

That’s when it hit Polly. She shouldn’t be changing her appearance, or changing the way she acted, just to be allowed into a place that didn’t want her. She had friends here. And music. And even more.

“What if I put on my own ball? We will play whatever music people want to listen to. We will put the Yankees game up on the TV. And best of all, anyone who wants to dance can come and dance.”

“That sounds like fun,” Bella said. “How will we get the word out?”

“I know a guy named Guido,” Polly said. “He’s the first person I’ll invite, and I bet he knows a lot of people who want to attend a ball.”

The following night, Polly Esther made a comeback. She had the biggest party in the entire city. Everyone who was anyone wanted to attend. And everyone, whether they were anyone or not, was allowed to attend. The music varied from the Brothers Gibb to Ringo’s old band (not THAT band) to some of Bella’s theater hits. Some of the older patrons, who hadn’t been allowed into a ball for decades, requested some old song by the King about his Hound Dog. After that, a young pup requested a new sound from the Prince of Minnesota, a purple sound ahead of its time, that the Clubs would not catch onto for another five years.

Some patrons danced the cha-cha. Some danced the polka. Bella twirled a pirouette that was elegant to behold.

Jim-Bob watched the Yankees game on the TV. He REALLY didn’t like dancing.

The called the ball “The First of Spades.” After all, a spade is a shovel. And what better name for a ball that digs up and buries all the outdated and exclusive ideals of all of the other three suits?

 

Not Quite Gilligan

Time for another one of my not-winner flash fiction entries. For this one, the prompt gave us the first line (“They leap from branch to branch, soaring with grace and poise”)  and the last line (“They command attention, leaving their spectators breathless.”). We had to fill the part in the middle. I immediately thought of a zoo-type setting, but wanted to twist it around so that the “breathless” part was literal. Blood and mayhem, baby. I didn’t care for it at first, but by the end I was okay with what I had written. Definitely not my strongest, but I’ve usually struggled getting to the action part, so it was nice for that part to come out okay.

Of course, I was really annoyed when I was 2/3 of the way through and all of a sudden realized that the first and last line were in present tense…

 

NOT QUITE GILLIGAN

They leap from branch to branch, soaring with grace and poise. At least that’s how it appears to their spectators.

“Oooooo.”

The zoo’s visitors gasp as one through the plexiglass that is not quite plexiglass. One of the graceful specimens comes up a little short on this particular soar, and begins a plummet toward the soft grass canopy that doubles as their bedding. The anti-gravitational boosters kick in. The spectators learned the hard way that these specimens do not recover from a fall as easily as the research indicates.

“Why the hell did they give us branches to jump around on?” Chuck asks, sitting up and wiping grass off his tunic.

“We’re primates,” Arthur says, still sitting in the branch above. “They didn’t bother to classify us beyond monkeys.”

“I thought they were supposed to be super smart. They can’t even tell the difference between humans and goddamn monkeys?”

“Would you know the difference between a greyhound and a bulldog?”

“No, but I’m pretty sure I wouldn’t feed Meow Mix to a friggin’ lion.”

Chuck stands back up. Experience tells him that the mild electric tingling he is currently feeling will grow to a legitimate shock and beyond unless he leaves = the grassy canopy. The zoo is open, and during opening hours, they can’t be allowed to rest out of sight. The show happens up on the branches.

He walks over to the nearest tree that is not quite a tree. It looks like wood and acts like wood, but it doesn’t feel like wood. The best route up is a ladder embedded into its back. The spectators don’t seem to notice, or don’t seem to care, how their specimens climb up to the observational branches.

“At least that bought me another ten minutes before I have to make another leap.”

“And what are you going to do with it?” Arthur asks, standing up on his own branch and preparing to make a leap of his own. He flips his foot backward and grasps his ankle, stretching his hamstring. “Flip them the bird again?”

“I just might,” Chuck says, cracking his knuckles and wiggling his fingers toward the customers as if he is a wizard preparing to cast a spell on them instead of throwing up a universal signal that is not quite universal.

“You might as well fling your poo at them.”

Arthur leaps from one branch to the next, soaring with a bit more poise and grace than usual. Seeing a fellow captive stumble often has that effect on the next few leaps. It’s nature to relax a bit on a mundane task, until you are reminded how easily it can be made un-mundane.

“If I thought my poo would get through to those a-holes, I would,” Chuck says. “But it would just splatter on the plexiglass, and I don’t need a reminder that I’m in a cage.”

No one responds, so Chuck feels an impulse to continue.

“Besides, it would probably disintegrate in their poisonous atmosphere. No effect whatsoever except for me with a bunch of dingleberries left in my hand.”

Chuck laughs. He knows he’s made a good one, and screw the rest of the humans if they don’t like it. Besides, they’re all minding their own business. The zookeepers don’t like much fraternizing between the specimens. But Chuck’s already been buzzed once this hour, what’s the harm in getting another tingle?

“Their atmosphere isn’t poisonous,” Arthur responds. “We could breathe it.”

“How the hell do you know that? You been holding out some laptop or something?”

“Not at all. They come in to feed us, clean out our cages.”

Chuck says nothing. No one says anything.

“And what do they have with them when they do?” Arthur probes, enjoying the upper hand.

“Cattle prods and shit.”

“And what don’t they have?”

“Qgrxry.” A disembodied, synthetic voice garbles from the air above, a sound all of the humans have become well aware of. They learned quickly to understand the subtle nuance of an alien language.  

James, the third male prisoner, shakes out of his forlorn spot near the front of the cage, and turns to leap away from the spectators.

“Hey numbnuts, qgrxry doesn’t mean jump. It means-,”

“QGRXRY!” The voice booms everywhere, a god that is not quite a god.

“Silence,” Chuck mutters under his breath, refusing to let E.T. get the last word, but not wanting another shock. His internal bravado meets external reality.

James leaps. Layla leaps. Before too long, it’s Chucks turn to once again leap from branch to branch, soaring with grace and poise. This time, he even manages to stick the landing, one branch away from Arthur.

“I’ll bite.” Chuck tries to look like he is only absorbed in his own thoughts, muttering under his breath. “What don’t they have?”

Chuck picks his nose for effect. He saw a real chimpanzee do it at a real zoo once. He twirls it in between his fingers, acts like he’s talking to the booger.

“They don’t have any environmental protection. The zookeepers look the same as the spectators. If they can breathe the air in here, we can breathe the air out there.”

Chuck pops the booger in his mouth. For effect, of course.

“Not bad, professor. Now can you turn a coconut into a radio and fix the fucking boat?”

Arthur just shakes his head at the amazingly failed allusion. It’s his turn to leap away, and he is all too happy to do it.

Chuck steps up to stretch, and leaps in the opposite direction long before any sort of warning can come from above. A couple times a day, he varies his schedule. Got to keep them on their toes, he thinks. He imagines some bureaucrat alien staring at a spreadsheet, trying to make rhyme or reason of the exercise habits of humans.

Plus this time, he has an idea brewing. The first person he encounters is Layla.

“So if he’s the professor, I guess that makes you Mary Ann. I mean, not that I’d like to see you in a halter top or anything, no offense.”

“None taken,” Layla responds. “I wouldn’t show you my halter top if you were the last… Come to think of it, you are one of the last three, and I still won’t show you.”

“Not the last three on Earth, toots. Earth’s still out there, with plenty of humans on it, and I’m starting to concoct a plan.”

“Oh, sweet Jesus. Try not to get us all killed in the-,”

“GRZYXR,” the disembodied voice calls. Chuck clenches, but then relaxes. It isn’t the silence command, and he was planning on leaping away, anyway. He lands near James.

“Hey Gilligan, I got a plan. Sorry, Jimbo, but I figure, if we’ve got the professor and Mary Ann, and clearly I’m the Skipper, that leaves you as Gilligan. You don’t strike me as much of a Thurston Howell type. Do you mind if I call you Gilligan, Jimbo?”

James looks up, then immediately looks away. He likes neither Gilligan nor Jimbo, so he plots his next two leaps, hoping to get far away, fast. Of the four prisoners, he interacts the least, choosing to perfect his leaping and posing ability in hopes of being promoted.

“So I figure if they can breathe, then we can take their breath away, right? And I don’t mean in some cheesy eighties pop-rock sorta way. I mean kill ’em. Dead. Breathless. Although that sounds like eighties cheese, too. Tin roof rusted, and all that.”

James is astonished, and more than a little ashamed, that not only does he understand all of Chuck’s pop culture references, but the idea behind his misguided drivel, too. Chuck thinks he has a plan. It is not quite a plan, but it is, at least, an idea.

“Okay, so at the next feeding time, and man I hope we’re getting mac and cheese tonight.” Chuck pauses for a moment, thinking of the blue box of Kraft goodness that they’ve somehow perfected on this far away planet. “But at the next feeding time, we-“

“Qgrxry.”

James leaps from branch to branch, soaring with grace and poise. Chuck has to admit that, of all of them, Jimbo has the most grace and poise. Even if he seems to jump away at the wrong commands. Doesn’t seem to know his Qgrxry from his Grzyxr, if Chuck is honest about faults. But he’s a damned fine physical specimen, and he should do well as front-line cannon fodder like the Gilligan he is.

“They brought an egghead and a stud,” Chuck mutters under his breath, a compulsion he often feels after the Qgrxry command. “Then there’s me, the streetwise guy. And the girl rounds it out as a foil, like any good story. Stand by Me, right? No wait, there was no chick in Stand by Me. What’s the other one? Oh yeah, It.”

The four specimens continue to leap in silence. If the bureaucrat with the spreadsheet is paying close attention, he might see a spike in their leaps from branch to branch, although the bureaucrat, not actually in the vicinity of the four humans, would fail to note their additional grace and poise. They leap with a vigor, with a purpose, that they have not had in ages.

While they command the attention of their spectators, their own attention is in a different direction. They leap for different vantage points, always mindful of the entrance. From each direction, the entrance looks the same. No hidden trick, a simple portal that leads to a hallway beyond. An airlock, the chance of breathing true air laying beyond. Although each human, apart from Chuck, rues the man who brought the idea to their attention, they cannot deny the merits of the idea. James and Layla and Arthur share glances with each other as they pass each other in silence. Eventually, they must even share their upraised eyebrows in with the malcontent. Everybody needs to be on the same page.

Not that it matters. The box is open, Pandora is free. Chuck is going to bum-rush the first alien motherfucker that walks through that portal, come hell or high water. The other humans were either going to let him fail, and be guilty by association, or help him succeed. It is no choice at all. No more soaring. It’s time for breathless.

“Chgrchx.”  

Feeding time always comes with anticipation, a moment to be human instead of spectacle. The anticipation of this particular Chgrchx, however, rivals all since their first one, when they weren’t yet sure if their captors could even produce human food. For the first time since that feeding, their survival is again in the balance when the zookeepers walk through the door.

Chuck knows the timing. He arcs through the grass, seemingly random but always with a direct line toward the door. If he is correct, he will be directly in front when they appear. Of course, he is correct. There is nothing to learn in this cell except for the timing between a Qgrxry or a Grzyxr or a Chgrchx and its insequential action, like a primitive culture knowing that the Winter Solstice sunrise will shine through a pillar. And when this Winter Solstice of a feeding comes shining through this particular Stonehenge, Chuck is ready to pounce.

He runs right at the alien, shoulder lowered. The alien is unarmed, holding only a tray with four plates of macaroni and cheese. Chuck’s shoulder makes contact with the tray, slamming it up into the chest that is not quite a chest. The alien stumbles backward, one step, then two, and is about to regain its footing when the second wave hits.

Chuck is vaguely surprised that it is Layla, not James or Arthur, that steps in from the alien’s left. Not a full step, only a half step. Only enough to prevent the alien’s third step, the one that would plant and pivot its gravity back forward, from landing on the grass. The alien’s tottering becomes a sprawl, and the alien sprawls backward through the portal, a spray of neon-orange pasta somersaulting through the air the only proof it had been in this location at all.

“Could’ve waited till the armed guards were in first,” says James, still poised on the branch closest to the door.

“Now what the hell do we do?” Arthur asks, already winded from running in on a diagonal course.

“The portal’s still open,” Layla says, returning upright and attempting to avoid being covered in macaroni. “Do we just run through it?”

“But we know there will be armed guards right behind the-,” Arthur starts.

“We keep the element of surprise,” Chuck says, and barrels into the around the corner into the hallway beyond.

Chuck doesn’t have the element of surprise anymore. Two shock sticks ignite simultaneously, one on each side. Thousands of volts course through his body. Chuck drops to his knee.

Layla kicks out again, this time higher up, knocking one shock stick away. Chuck can at least breathe, but even one shock stick is enough to immobilize him.

James aims his leap at the other weapon, but instead of kicking out at it, he grapples for it. The force of gravity, combined with the element of surprise, gives him enough leverage to seize the stick from the alien body he is tangled with. He rolls onto the ground, a move he was not capable of before his years of forced gymnastics, and comes set as the other two humans follow into the hallway.

Layla kicks again, this time in the direction of a groin that is not quite a groin, incapacitating the alien she had just disarmed. Arthur, in typical Arthur fashion, does not break a sweat as he walks through the portal. He picks up the shock stick the picks up the shock stick Layla kicked out of the first alien’s grasp. He thinks about brandishing it himself, but realizes that would make him a target. Instead, he hands the weapon to Chuck.

Chuck tries to stand, but can only get to his knees. He grabs the weapon and nods his thanks to the nerd. He wheezes and coughs, and pretends the air smells so different now, even if it is stuffier in the hallway than in their cage. He is trying, once again, to find his footing when a new sound comes from the next room.

It is not a new sound, entirely. It is a sound the humans are all too familiar with, but have not heard for years. The click, chink, chunk, of a gun being loaded. And not a gun-that-is-not-quite-a-gun, but an honest-to-goodness, steel assault rifle.

Chuck tries to stand once again. He wants to press the advantage. He knows the cause is lost if they wait until the machine gun makes its way into view. One foot up, dragging his knee behind, he takes one step, that is not quite a step, forward. He uses the shock stick not as a weapon, but as a crutch, dragging himself toward his adversary and his freedom.

Chuck never hears the bracka-bracka-bracka that slices through his body. He is breathless before he even sees the lone gunman, a cowering, diminutive zookeeper that had probably been staring at spreadsheets two moments before.

Chuck doesn’t know that James had already gotten into a defensive position next to the doorway, much as the two aliens guards had lain in wait for him, moments ago. He is long gone before James uses that shock stick to fell the alien and upgrade to an assault rifle. Not that it would have done Chuck any good to be in on the plan. One human was going to be the cannon fodder.

“He never knew he was Gilligan,” says Layla, grabbing a gun of her own from the second room. “Now I have a machine gun. Ho, ho, ho.”

Arthur smiles at the reference. “Old Charles would be so sad to know you waited until he was gone before making a Die Hard reference.”

“That’s why I waited.”

There are only two guns, just as there are only two shock sticks. For emergency purposes only. This is a zoo, after all. The zookeepers, the spectators, even the guards, scarcely need a gun.

“So what do we do now?” James asks.

Arthur ponders for a moment.

“We fight for as long as we can. If we can make it to a spaceport, so much the better. But failing that, we take as many of those spectators with us as possible. They are just as guilty as the one who captured us. Agreed?”

Layla cocks her gun. James cocks his gun. Both nod.

The three humans break out of their confinement. They emerge, guns blazing, into the crowd of zoo-goers.

They command attention, leaving spectators breathless in their presence.

 

Precious Little Treasure

Time for another flash fiction. The prompt for this was to describe how a treasure map was made. A prequel to an Indiana Jones. A Spot Marks the X type of thing. I decided to make it a child’s treasure map because, I don’t know, I thought it would be a fun diversion from the typical “pirate buries treasure.” And I have a three-year old…

PRECIOUS LITTLE TREASURE

“Cooooooool. That’s gonna be so, what was that word? Brawsome?”

“Awesome, Frankie.”

“Yeah, brawsome. It’s gonna be brawsome when I undig that tweasure.”

“When are you planning on digging up your treasure?”

“When I’m all growed up. Like four. Or maybe five.”

“Wow. That’s a long time. Are you going to remember where you buried it?”

“I’ll remember. It’s right by the cat.”

“The cat might not be there when you dig it up.”

“Yes he will. Kitty’s always there.”

“Maybe we should write it down, anyway.”

“Ooooo, a tweasure map! That sounds brawsome!”

Frankie ran inside to his thick-plastic Crayola writing desk. The desk also doubled as an easel, but there was no time for easels now. The memory of his super-secret treasure location was flimsy and fleeting, as was the reason he now stood in front of his thick-plastic Crayola writing desk. The flat portion, a red found nowhere in nature aside from children’s toys, called out to him. He swiveled it up and stared at the slick black chalkboard underneath. Two sheets of paper slid off the suddenly vertical table.

“Paper!”

Frankie remembered. He needed to make a map to the various treasures he had buried in his backyard. A time cat-sule, Daddy had called it.

“What did you put in your capsule, Frankie?” Daddy asked when the toddler returned outside, paper and red crayon in hand.

“Hatchimals. Lotsa Hatchimals. And some fruit snacks.”

“I wonder which will last longer underground,” Daddy mused, “the plastic tchotchkes or the preservative-packed food?”

“Okay, Daddy, how did I made my map?”

“You are going to make your map, little dude,” Daddy corrected.

“Uh huh. I said that, Daddy.”

Frankie placed his blank off-white sheet of paper, made from ninety percent recycled product, on the table outside. He looked up expectantly at his father for instructions, red crayon poised precipitously above the wide-open expanse of beige papyrus.

“Well, since you buried your Hatchimals, maybe you should put the letter H in the middle.”

“I can’t make an H.”

“F for fruit snack?”

The child shook his head.

“I’ve seen you draw an F before. F for Frankie.”

The child shook his head.

“Okay, what letters can you draw?”

“Um… X?”

“That’ll work. X marks the spot. Put an X right there.”

Daddy pointed to the center of the paper. Frankie put the crayon down and moved it in a diagonal motion, approximating a line. He then repeated the motion in the opposite direction, albeit nowhere near the same length or angle-of-ascent as the previous.

“I’ve seen a drunk sailor draw a better X,” Daddy opined.

Frankie didn’t respond, lost in concentration. Finished with the only letter he knew, he moved on to the other locations on the map showing the location of his buried trinkets. The only crayon in his possession, and as far as Frankie was concerned, the only crayon in all of existence at this precise moment, being red, he proceeded to draw the environmental factors in red.

“What are those?” Daddy asked.

“I drawed some trees.”

“In red?”

“Oh yeah. Silly me. Trees are brown.”

Frankie went inside to switch out the colors. He made it all the way to his Crayola table, currently transformed like his Optimus Prime into an easel, without so much as a glance at the various pitfalls awaiting him. He was focused. The prize was in his grasp, he could not take his eyes off it now. Frankie put the red crayon down, picked up the brown.

He looked down at his box, the rainbow of sixty-four distractions sparkling in the halogen glow of the shaded living room, and decided he might need others. Definitely a green, because he was pretty sure that trees have green. And black. Black always comes into play.

And what about those others? Orange? The sun is orange. Purple? I really like purple, there almost has to be some use for purple. The cat is grey, that might as well be purple. Oh wait, where is grey? It’s so hard to find grey amongst all the daffodils and mauves and fuchsias…

Frankie looked up from the shimmering pool of color and saw the door. It was tough to tear himself away, Narcissus looking at his own artistic brilliance instead of his reflection, but he found his focus. The door to the outside shone, a portal to a land of magical trasure, and Frankie would not be deterred. He walked forward, crayons held in a vice-grip. He would not be distracted, would not stray from the clear path to adventure.

Except for the refrigerator, off to his left.

“Daddy? Can I have some milk, please?”

“Sure thing, buddy. Hold on a sec.”

Daddy came in from the outside.

“Can I have some choc-ee milk?”

“Are you sure? Chocolate milk will take some time. Didn’t you want to finish your map?”

“Oh yeah, yeah. I need to finish my map. Choc-ee milk later?”

“Sure, Frankie. Chocolate milk later. You ready to come out?”

Frankie followed Daddy outside and resumed his artistic masterpiece. He looked once again at the straight red lines that he had been drawing, fanning upward in a spread pattern from a common point, and tried to determine how to fix them into the brown tree trunks littering his back yard. Unable to concoct any way to turn the red into brown, he drew new tree trunks, brown this time, stretching in the opposite direction from the same common point.

He lifted the crayon up, and was pleased with the four lines he had drawn, nearly perfect mirror images of the straight red lines above. Excited, he added more brown lines, then more lines and more. Before long, the brown portion looked less like distinct lines, and more like a solid brown triangle beneath a spray of red.

“That’s a pretty cool volcano,” Daddy said.

“No, Daddy. It’s a tree. It’s those trees.” Frankie pointed around his yard.

“Oh, my mistake. Those are great trees. What’s next?”

“I need to draw the kitty cat. He’s sitting right there.”

Although the cat had moved to a different spot, Daddy acquiesced, having already lost this argument once.

“Where are you going to draw the kitty?”

“Right here. Next to the H.”

“The X?”

“Yeah, the X.”

Frankie pulled out his blue crayon. Not that the cat was blue, but he hadn’t been able to find the grey and had already forgotten the previous false-equivalency of purple. He drew a full circle that he hoped would form into Kitty’s face. But it didn’t look right. It wasn’t the right shape. Frankie looked up at the cat and made another solid blue circle, then a third, in the vicinity of the red X.

“Maybe I can put a kitty sticker on it.”

“Good idea. Where are you going to put the sticker?”

Frankie looked at the piece of paper, furrowing his brow to a degree unimaginable in an adult face. He pursued his imagination like his kitty would pursue a prey. Focused, inching along until the moment of action, just as likely to flop over in exhaustion should the prey prove too elusive.

“I’m gonna draw in where the kitty sticker will go.”

Frankie picked his black crayon. His instinct had been correct. Black crayon was always useful. Always bet on black.

He drew one black dash, maybe a quarter-inch long, then lifted the crayon and made another black dash just north of the first. He moved the crayon again, creating a third dash.

“What are you doing, Buddy?”

“I’m making an outline. Then the kitty sticker will go here.”

“That looks more like a path.”

Frankie looked up at his father, a withering reproach in his blue eyes, which then rolled in their sockets, the three-nager in full effect.

“It’s an outline, Daddy. Duh.”

“Okay, it’s an outline,” Daddy responded, sufficiently cowed.

Frankie continued his outline, a staggering and meandering black-dash line that wove through his map. It came around the bottom of the brown, upside-down triangle topped by a spew of red. He wove the black line in between the three solid-blue circles, since that was where the kitty was truly sitting. Continuing through the circles, the outline finished at the spot of the X, because kitty would definitely want to look at Frankie’s Hatchimals.

Pleased with himself, Frankie surveyed his drawing and drew a circle around the entirety of his map.

“Can I go get my sticker now, Daddy?”

“Sure thing, Frank.”

Frankie went inside and moved toward the staircase up to his room. There might be some stickers in with his art supplies, but the vast majority, the mother lode as it were, would be found in a bin in his bedroom, where Mommy had put them all for what she called safekeeping. Frankie was pretty sure the containment of items designed to be flung free served some other purpose, but he (sometimes) kept that idea to himself.

A sharp pierce of pain shot up through Frankie’s foot as he placed it down on the first carpeted stair. Frankie whelped. His knees buckled, dropping him to his knee, tears welling up in his eye. Barely able to move, he still managed to find some inner well of strength and lifted his leg from the trap that had lain in wait. Shining in bright orange lay a Lego construction man. The Lego construction man, in fact. Emmett, the one from the movie.

Everything is awesome, Emmett. Everything is awesome, indeed.

Frankie looked at the underside of his foot and was surprised it was not a bloody mess. A small puncture was the only indication of his mortal wound. Regardless, he would definitely need a Band-Aid. Maybe Paw Patrol, maybe Star Wars. Or maybe, as a fitting bit of irony, he could ask Mommy or Daddy if he had any Lego Band-Aids. There should definitely be Lego Band-Aids. Lego should own stock in the Band-Aid company. And vice versa.

Frankie felt he should definitely go look for a Lego Band-Aid right now.

“No,” Frankie resolved.

The Lego man was a trap, a stone golem, a sentry set guard to stop him his desired goal. He could not be dissuaded, not now. If he could not get that kitty sticker, his entire afternoon was a sham. This minor flesh wound could not dissuade a valiant knight.The goal was in sight. Band-Aids were for losers or finishers. Which one would he be?

Resolved, he planted his good foot past Emmett, then pulled his crippled foot alongside. With a plant-hobble-plant motion, he dragged his way up the stairs, a desperate man struggling toward a desert oasis.

By the time he made it to the top, Frankie had already forgotten the pain, lost to Toddler Attention Span Land. He walked into his room, eternally focused on finding the-

Stuffies! All of Frankie’s stuffies were waiting for him on his bed. There was Kangaroo and Pineapple the Horse and the blue octopus he had named Greenie. Mickey Mouse was lying next to Minnie Mouse, which must mean that Donald and Daisy were buried in the pile. And Snuggle Pumpkin! Frankie swore he had not seen Snuggle Pumpkin in… how long had it been since Halloween? A day or a week, or maybe a lifetime. He couldn’t remember. He only knew that once, Snuggle Pumpkin had been his special favorite, and now Snuggle Pumpkin was lying there, calling to him.

They were all calling to him. Bears and mouses and ducks and kangaroos, all screaming out Frankie’s name. Pleading with him to please forget his current task, to come cuddle with them instead. That task, the task that couldn’t be named, didn’t matter. One thing mattered, and that was cuddling. A wonderful, ginormous pile of cuddling!

“I’m coming,” Frankie shouted and, giggling up a storm that dwarfed the earlier cry of pain, leapt onto the pile of animals on his bed.

He dove deep, letting all form of animal and character swallow him up like quicksand. His giggling mouth filled with cloth and stitching and plush fur. The animals coalesced around their loving owner, sucking his body down into hugs and snuggles and cuddles. Once lying underneath, Frankie reached a dramatic hand up through the pile and screamed out.

“Stuffies!”

All thought of stickers disappeared, as did memory of crayons or papers or buried Hatchimals or a patient father waiting outside for a toddler that would not return.

Daddy left his standpost to follow his child’s route up the perilous stairs, leaving behind a piece of paper.

A sudden gust of wind grasped the paper and blew it out into the world.

Story Part I

Trying to get back into the flash fiction game a bit. This week’s prompt was to write the first quarter of a story. In the coming weeks, I might continue another writer’s story, and hopefully someone will take up the mantle of poor Cyrus…

Spoiled Bacon

Cyrus silently cursed IKEA as the Allen wrench twisted through his fingers and fell to the ground again. Not that this creation was made of flimsy Swedish wood. This was the result of years of research, experimentation, and trial. But every time that damned L-shaped hex key spun too fast or too slow for the screw, he found himself using the furniture store’s name in vain.

“Straightedge and Phillips did fucking fine before those Aryan SOBs showed up in every neighborhood,” he exclaimed before wetting his raw fingers in his mouth.

Three more rightie-tighties, accompanied by one more tiny-tool projectile, and he stepped back to look at his masterpiece.

The time machine. His time machine.

It didn’t look too impressive in the dingy motel room off of Interstate 64. No light came in through the thick curtains drawn over the window that they had probably hung in front of since 1950. The faint illumination came from an incandescent light bulb that might as well have still had Thomas Edison’s initials on it, peeking out from underneath a lamp shade made from that same curtain cloth.

But he had to be here in the 21st century. Because what Cyrus had created was a time machine, not a time and space machine, a fact which had become all too clear on his test run. He went back a week. What could go wrong? Until he missed materializing inside a late-model Buick by a manner of inches.

So it was back to the drawing board. Kept most of the time elements intact, but allowing for objects which might exist in that spot in the past. Cyrus didn’t expect to find any Buicks in 1676, but who knew how the riverbank had grown or moved over the last three-and-a-half centuries.

Regardless, Cyrus needed to be here in Virginia when he went back, because it would be a hell of a lot harder to get to Jamestown back then. No Interstates, no satellites to guide the GPS on his phone. To say nothing of the Native Americans. Or Indians, as he was going to have to get used to calling them.

As he left the dingy motel in the direction of the Historic Jamestown Settlement, his thought shifted from the where of his destination to the when. Seven years after Cyrus, the naïve college senior, proclaimed the election of Barack Obama signaled a new age in race relations, little had changed. They might have gotten worse. Trayvon Martin. Michael Brown. And on a more personal note to Cyrus, the constant skeptical glances, the “Affirmative Action” quips,  at a smart, college-educated black man.

Racism was embedded in America. The only way to change that was to go back to the source. His first thought had been stopping Lincoln’s assassination, but that might be too late. Would an extra three years of “be nice to the south” Reconstruction have made that much of a difference? Segregation and an intrinsic belief of inferiority of the former slaves would still reign.

So maybe he could go all the way to the beginning. Literally. The first black slave coming to America, right here in Jamestown, one year before the Pilgrims even arrived. But what good could he do then? Kill a few slave traders. Then what? The slaves he freed wouldn’t even survive the conditions, probably. And a few months later, the next ship would arrive.

So not too early in race relations, and not too late, he finally decided to split the difference and arrived like a racial Goldilocks and the just-right spot, precisely one hundred years before the hypocritical Declaration of Independence. Bacon’s Rebellion, the great schism between white indentured servants and black slaves. If those two groups could be kept together with common goals, the permanent racial divide might never emerge.

Standing over the back channel of the James River, Cyrus took one last breath of 21st century air and flipped the switch. The machine whirred and whooshed as it attempted to pierce the ether of time, like a 1994 modem making the painstaking connection to AOL. Cyrus wondered about what sight would greet him on the other side, in order to avoid focusing on the vertigo about to hit. Traveling across one week had been bad enough. How nauseating would three hundred years feel?

Then it came, much worse than before, and he no longer cared about what he would see. Only that he would survive.

As Cyrus fought to keep his breakfast and every other meal he had ever eaten down, another stray thought ran across his mind. A suppressed query. When he revamped the space element on the machine, had he re-checked the time component? Before the test run, he had configured and reconfigured every step with time as the only variable. He had triple-checked his math, dotted every imaginary i, crossed every theoretical t.

Had he done that this time? Had he rechecked the time components after fixing the spatial variable? As the world started to shift, as his body began to stretch and condense through time, his mind kept returning to the vague iron-left-on-at-home feeling that something had been overlooked.

Then the constriction of his abdomen stopped all tangential thoughts.

“Definitely gonna hurl.”

Cyrus lurched out of the time vortex onto all fours as heat spewed from his bowels onto the hard forest soil. Twice. A third time before he could even inhale. Stomach still convulsing, he focused on the hard-packed dirt still wobbling under spittle hanging from his mouth like taffy.  The world, reality itself, transitioned from a shake to a swoon as sobriety and sanity fought for control.

After what could have been a minute or could have been a week – what is time, really? – Cyrus pulled his right hand off the ground to wipe his mouth. Then his forehead. He slowly raised his eyes off the vomit-splattered dirt to take in his surroundings.

“Shit,” he muttered.

This was not 1676 Virginia.