#amwriting

Sorry Mario

More flash fiction. The prompt for this week was that the character that the story revolves around can’t appear in the story. Not sure why, but the “Sorry, Mario, but our princess is in another castle” popped into my mind right away. Then it was a matter of getting there.

Sorry Mario

“Are you ready?” Jeff asked.

His wife looked back at him in the darkness.

“Are you sure we shouldn’t go to the police?” Melissa asked in return.

“The note said no police.”

“I doubt an ill-advised rescue attempt is sticking to the ransom, either.”

“It doesn’t matter. We’ll be in and out before they know what’s going on. You just saw the same thing I did. Three of them left. They didn’t have Daniella with them. That means she’s still inside.”

“I just…,” Melissa trailed off, then changed her tact. “You know you’re not Mario, right?”

“Who?”

“Mario. I don’t know, Luigi. This isn’t a video game.”

“Really? You went with Mario? Not Assassin’s Creed? Not James Bond?”

“Whatever. Isn’t Mario the one who’s always saving the princess?”

“That’s Link.”

“Okay, but Mario is the one that changes direction in mid-jump. You know you can’t do that, right? Hell, you can’t really jump, at all.”

“This won’t require jumping.”

The silence between the married couple stretched on.

“This isn’t a video game,” Melissa finally said, returning to the beginning of her argument as summary.

“So are you in or out?” Jeff asked.

“I guess it’s too late to go back now. It’s not like we have the ten grand they’re asking for anyway.”

“Okay then. Let’s go rescue our daughter.”

Jeff climbed through the hole in the fence and began to tiptoe toward the brick building that he had traced the kidnappers to. Melissa followed behind him, carrying the pistol that they had owned for a decade but never used. Melissa had tried to get rid of the thing when Daniella was born, but Jeff would hear nothing of it. He kept it in his bedstand, but kept the bullets up high in their closet, where a child could not accidentally find them or load them or shoot them. Without its bullets, it wouldn’t offer much protection, but Jeff assumed the sight of a gun might be enough to make a home invader flee. Nobody wants to hang around long enough to see if a gun is loaded or not.

Melissa might be right that this wasn’t a video game. But the vast number of heist movies and Liam Neeson thrillers had laid the groundwork for what lay in front of Jeff. Working for the City Comptroller gave him the rest of what he needed. No need to keep the kidnappers on the phone for ten extra seconds in order to triangulate the cell towers if you can just get a listing of the blocked phone number after the fact. From there, all he had to do was check the blueprints of the abandoned book depository, which were public record and available to any citizen of the city, as long as said citizen knew whom to ask.

Don’t fuck with civil servants, Jeff thought, was the moral of the story.

Once he saw the blueprints, it was obvious how this warehouse could be turned into a prison for a kidnapped child. Jeff knew, without even needing to think, where the bastards were holding Daniella. The old manager’s office lay in the back of the open warehouse, and it had a fortified vault in one corner. It didn’t take a criminal mind, or even a dozen watchings of “Ocean’s Eleven,” to know where he needed to go.

And with the three perps having just left, Jeff and Melissa should be able to waltz right in and save their daughter. Jeff patted himself on the back as he padded toward the door the kidnappers had left ten minutes ago.

The room beyond the door was dark. Jeff was happy. That meant none of the kidnappers were still inside. Everything was going to plan.

The booby traps were not part of the plan.

“Ouch.”

“What’s wrong?” Melissa asked from behind, raising the gun in her two hands, as she had been trained to do in the one class Jeff had made her take a decade earlier.

“Nothing. It’s just that the doorknob is warm. Even through these gloves.”

Melissa laughed to release some tension, pointing the gun back toward the ground. “Do people really use the old hot handle trick? I thought that only happened in Bugs Bunny cartoons.”

Jeff laughed, too, in spite of himself. “Ye- yeah. We’ve gone from video games to Looney Tunes. Let’s hope these guys are more Elmer Fudd than Bow-“

Jeff didn’t finish his thought. As he inched the door open, the subtle heat turned into a fireball. Jeff fell backward as flames exploded out of the doorway. Melissa screamed, dropping the gun as she shielded her own face from the conflagration. Her husband crashed to the ground, losing his wind as his back hit the ground.

It was not a continuous spout of fire. Not a flame thrower, nor a blowtorch. Not the type of sustained heat to make a creme brulee. This was just one explosive flame, a barbecue finally lighting after the fourth push of the igniter button. Perhaps more to frighten people away than to actually harm them.

“Further proof there’s nobody here to guard her,” Jeff said as he rolled over on to his stomach.

Melissa nodded, even though she had not been privy to his internal monologue. They had been married for a decade, and dated for an extra five years before that. She could follow his train of thought better than anyone. And she agreed.

Wife helped husband regain his feet. She wiped the dirt off the back of his shirt, while he did the same to the front of his jeans. Tentatively, Jeff reached forward. He grasped the cooling doorknob and pulled on the door, just enough to open it a crack, while ducking to his left, fully prepared to dive for the floor once again. But the fire was a one-time deterrent. The door opened without a hitch.

A dark expanse faced them. The scant light from outside only showed a few feet near the open door. But Jeff knew this room. The blueprint showed a seventy-foot-by-seventy-foot square. Jeff took a confident step forward. Then another. His eyes could still make out the general shape of the grey-brick, windowless walls from the scant light spilling in through the entryway. This was a convenient reinforcement, as the two into darkness as soon as the door closed behind Melissa.

The last picture Jeff had seen, filed by a construction firm filing a “Use of Historic Building” form, showed the room to be empty. All of the bookshelves had been removed to the school district’s newest warehouse. The old storage room was perfectly suited for the air rifle arena that the construction firm had been hoping to open, or an urban-themed disco, but both of those applications had been denied. The Comptroller was holding out for an artist enclave or some other upscale business to begin the gentrification process in this part of town.

His mind’s eye seeing the blueprint and the picture, Jeff took one cautious step forward in the darkness, then another. Within a few steps, Jeff was sure his eyes had adjusted as much as they could. He walked forward with purpose, his mind focused on the distant door to the manager’s office on the blueprint in his head.

Until his foot missed the floor. Or didn’t miss, per se, but came down on something else. A round object. A group of spheres, (Marbles!) rolling out from under his step, toppling him over once again. He tried to fall forward this time, flailing his arms out in front of him. In the end, he thought he pitched to the right, the brunt of the impact hitting his right shoulder. His head came to rest on his assailant. Not spheres, but tubes.

Not marbles.

Jeff thought back to the marbles on Daniella’s floor. He had almost tripped over them. He was always stepping on Daniella’s toys. The marbles weren’t as bad as those damned Legos. Marbles on a carpeted floor won’t cause any harm. But they had been there nonetheless. Sitting on the floor, as if Daniella had just been playing with them. It was all he could focus on at first. Not the open window, outside breeze blowing the tree outside gently against the side of the house. Not the ransom note on the bed. “$10,000. Instructions for delivery in two hours.” Only the marbles on the floor. And an indentation on the carpet. How long ago had Daniella been sitting there, playing with her toys?

When did the two hours begin?

A light switched on. A faint, LED glow illuminating the area in front of him.

“Not sure why we didn’t think of this before,” Melissa said, her phone having replaced the gun in her right hand.

The glow started to fade. She turned it back to her face and double-tapped the screen. Lumens returned, and she turned the screen back toward to scene on the floor.

“Can you turn on the flashlight,” Jeff said into the picture on her screen. A selfie of the three of them, Daniella’s face smiling between her two parents, the “Welcome to Disneyland” sign hovering behind their close-up faces. Jeff never liked that picture. He never knew where to look on a selfie. The other two beamed straight at the camera and he was gazing off to the right as if something had just caught his eye. A naked lady or a terrorist attack or an alien coming down in a flying saucer. Or maybe he was looking into the future, and a kidnapper taking his daughter from his very house while he was busy looking the other direction.

“Isn’t that the app that the Russians were using to steal your identity?” Melissa asked, but turned her phone back around to see if she could find the app in question. She thumbed the safety on her pistol and tucked it into her back pocket.

“I think that’s just an… ow… an old wive’s tale,” Jeff said, finally feeling the impact on his shoulder as he shifted his weight in an attempt to get up off the floor. Although he hadn’t felt any initial impact, he was pretty sure his wrist had lost some of its structural integrity. “Besides, at this point, the Russians can have my fucking identity.”

Three thumb-clicks later, the flash on Melissa’s phone shone down upon her husband as he regained his knees. Around him lay a scattering of white PVC pipes. Moving the light around, she saw them stretch on for five feet or more. It would have been impossible to avoid them in the dark, no lucky, walk-over bypass.

“Who the hell leaves a bunch of pipes laying around in the dark?”

Whether they had been lain there intentionally or leftover from some random inhabitant or potential owner, it was hard to know. But with the flash of a digital camera to lead the way, husband and wife were able to avoid this obstacle, and another batch of PVC pipes twenty feet further on.

“The positioning looks a little too precise to be there randomly,” Melissa opined, and Jeff was forced to agree. Eight pipes in a row, the last two angled to the right and the left, ensuring the whole batch would roll.

“I don’t get it. Did they want us to pay or did they want us to come here?”

It was a question that hung over the two of them as they made their way to the door near the corner of the far wall. Jeff thought he heard sirens in the distance, but it was too hard to be certain. Everything on his body was screaming. His injured wrist, his bruised shoulder, his scorched face. There was enough ringing in his ears to easily mask any exterior sounds. To say nothing of the thick warehouse brick. So instead of straining to make sense of a distant noise, he focused to the only sense that was working: his eyesight following that single trail of cellphone light to the inner office door.

Once there, Jeff and Melissa only stared at the doorknob. Melissa’s phone illuminated it perfectly. An utterly normal sphere of chrome, a simplistic keyhole in the middle. Jeff reached forward, then stopped himself. Once, twice. He finally reached all the way, tapped it with his finger. It didn’t budge, it didn’t melt, it didn’t morph into a evil maw with teeth ready to snap an assailant’s hand off. It did exactly what a doorknob should do when tapped, which is to barely notice, to continue existing precisely as intended. Slowly, ever so gingerly, reaching through a morass as if the ice age might sneak back into this room in time to rescue both father and daughter, Jeff grabbed hold of the knob and turned.

The mechanism released. The door released from the doorjamb. Jeff pulled on it while his wife removed the gun from her back pocket. Both sensed that, make or break, their journey would end on the other side of this barrier. The sirens from the street rose in pitch, adding a sense of urgency and dread. Melissa moved her phone to her left hand, thumbing the small safety nub into its receptacle.

The door swung open.

Nothing was there. Jeff blinked. Melissa blinked. Melissa shone the flashlight left, then right. The dimensions of the room were correct. Ten by ten. No desk. No furniture. And no vault door behind where the desk should have been.

Jeff took a giant step to his left, in the direction of the phantom vault, the spot on the wall that showed nothing. Straight forward, no variance. No time to think. Had he slowed down, he might have seen the trip wire. But probably not, strung as it was at shin height, as thin and as taut as an E string on an acoustic guitar.

Gunfire rang out. A bright flash to Jeff’s left. Reverberating crashes, a cacophony in an enclosed place. Four shots in rapid succession. Melissa returned fire without thinking. Bullets flew in both directions over Jeff’s shoulder. His knees gave out and he once again plummeted for the floor. Melissa stood stock still for a moment before belatedly realizing she should have ducked behind the wall.

But it didn’t matter. They were alone in the room. The gun that had fired and, blessedly, missed, had been yet another trap. Not another person in the room. And when Melissa shone the light on the wall opposite the muzzle flashes, they saw, to the right of the doorway where one would expect it, a light switch. In his mind’s eye, Jeff saw himself reaching for the light instead of darting to the left as soon as he entered the room. What any sane person would do.

He started to laugh. Quietly at first, then it grew. The entire idea was absurd. And the two of them were making it through not because they were trained, not because video games and movies had shown them the way to do it. But because they were just strung out enough, just impulsive enough, to ensure they were continually doing what no sane person would be doing at this time.

“I’m Mario!” He finally said between his laughs.

“What?”

“A fireball. A pipe. A bullet flying through space at nothing in particular! Hahaha! You were right! This is Mario. I just lost my third life. How many do I have left?”

Melissa only stared at her husband, through the smoky haze of residual gunpowder, laughing maniacally on the ground. She tried to make sense of what he was saying. Her senses were as overloaded as his. Darkness and light and smoke and gunfire. Sirens getting closer and closer. Only she wasn’t cracking, as her husband clearly was. She needed to stay grounded in reality, where neither of them had any extra lives.

“It’s over there,” Jeff continued between gasps. Melissa shone her light back to him, then followed the direction he was pointing. Her phone showed a vault door. “I was reading the blueprint wrong. I zigged when I should’ve zagged.”

Melissa started to laugh now, too. Seeing the vault door, knowing Daniella lay beyond. They were almost to the end. The end was in sight. The emotion that had been pent up for the last twenty hours finally came out.

“You… You changed the direction of your jump in midair.”

He stepped forward to hug her husband. The two of them laughed and sobbed for what seemed like an eternity. Exhausted and delirious.

“This is the police! You are surrounded!”

The amplified voice permeated through the building. Jeff and Melissa looked at each other in confusion.

“The police are here?” Melissa asked. “For us?”

“Did we set something off?”

“Did the kidnappers send them? No police, the note said.”

How many lives do we have left?” Jeff asked again.

The two blinked at each other in the cone of lightness.

“It’s okay. Just get Daniella out of there. Then we can explain what we’re doing in here.”

Jeff nodded. It would be easy enough to explain. They weren’t trespassing, after all. They were saving a captured little girl. Their daughter. They had every right to be in here. The cops would be very interested to hear about what had prompted this whole endeavor. Jeff took Melissa’s phone and walked toward the vault. At the last minute, he worried about a lock. Maybe the cops would be able to open the vault door and save his daughter from the other side.

He heard the distant door open, and footsteps storming into the building, as he reached the padded door. He turned the handle, this one a long metal bar instead of a chrome sphere, and was relieved when it swung freely. The door swung inward.

“FREEZE!” came a multitude of voices from behind.

Bright light blazed behind Jeff, illuminating the office. He raised his hands in the air, wanting to make sure he was seen complying. He hoped Melissa was doing the same, and he hoped her gun was not in her hand.

“TURN AROUND!”

But Jeff couldn’t turn around. All he could do was stare straight forward. Into the vault, now fully illuminated in the police lamps. He could see every corner of the tiny vault. The tiny, empty vault.

Daniella was nowhere to be seen.

Sorry, Mario, but our princess is in another castle.

For the fourth time today, Jeff fell to his knees. He dipped his head as cops grabbed his hands from behind. He stared straight forward as cold steel clasped his wrists.

The room was empty. Jeff was out of lives.

 

Campfire Story

Don’t let your blog die during NaNoWriMo, I told myself. I’m going to post some old flash fiction, I actually posted in said blong. And here it is the first week of Decemeber and, let me check… one post, three weeks ago. Bang up job, Wombat.

Okay, here you go. Some of my flash fiction that didn’t win any contests. This one was supposed to be a Campfire Story. So I tried to make it read as if it was being spoken aloud in front of some kids. They said I had too many rhetorical questions, and I guess it was too late to say they weren’t supposed to be rhetorical. They were assuming that people were responding to them. But I’m telling you that now. So no complaining!

Enjoy.

And the Queen of England

The night was a night a lot like this.

Do you see the way the moon sits above the tree line? The way it just hangs there, a dull amber hue, lighting up our surroundings. It’s big. It’s bold. Not the type of moon you see in the city. It isn’t hiding behind a skyscraper or around the corner of the church on Third Street.

The farmers call it a harvest moon. It’s closer to the Earth this time of year. It keeps a watchful eye out over you so you can keep a watchful eye out over your crops. It’s a moon that wants to remind you that once upon a time, people thought he was a god. They prayed to him. And, boy howdy, by the time this story is finished, you’ll be praying to the almighty light of that moon, just like those old farmers were. Just like I was.

Because the last time I saw that moon was the first time I saw the half-human, half-…

You know what? I’m getting ahead of myself.

There were four of us out in the woods that night. David, the bald one. And Josh. Well, I guess Josh was bald, too. Mostly, anyway. Not everyone can have locks as luscious as your uncle, here. But I don’t really remember Josh’s hair. I think of him more as the burly guy. Built like a brick sh-, um sorry. Built like a sturdy outhouse. No? No frame of reference for that? A port-a-potty? Although those aren’t very sturdy, I know. Think of a port-a-potty that is made out of brick. Okay, sure, like the bathroom at the park.

And then there was Sonia. Poor, little Sonia. I don’t remember why she was out there with us. She had always just kind of been there. Part little sister, part would-be girlfriend. The glue that held together our motley crew. Whether we were smokin’ in the boys room or home, sweet, home. Ha, ha! Trust me, kids, when one of your college roommates introduces you to that old-school, hair-band rock music, you’ll get what a funny joke I just made.

Although I shouldn’t joke about Sonia. I haven’t seen her since that night. Diminutive little Sonia. Stood maybe five-foot-one, dripping wet. She’d have to stand on her tippy toes to hit a hundred pounds. Pixie-ish is what I used to call her. Now I know how apt that was. She really had no business being out there. None of us did, it turns out. But Sonia, least of all.

The Queen of England was there, too. I don’t quite remember when she got there, but I know she wasn’t there at the beginning. I’ll get to her later.

Have you heard that saying, “you can’t see the forest through the trees?” Well, that’s true. You see those trees right there? I know it’s dark, but that ring that’s illuminated around us. What’ve you got there, a Douglas Fir? A Noble Pine? It’s like a veritable Christmas Tree farm here. Some of them are tall and some of them are short. I mean, short to the other trees. Not short to you or I. Heck. See that one right there? What is it, twenty feet tall? On a Christmas Tree lot, that would be one of the top money getters, but here he’s just a little runt, barely stealing enough sun and nutrients from his big bullies next door.

And speaking of those bullies, check out that bad boy over there. He’s gotta be fifty feet if he’s an inch. Flickering orange in this light, but what do you think he looks like in the light of day. Is his trunk grey, like an elephant, trumpeting its power over the rest of God’s creation? Or is he a meek brown, trying to camouflage himself amongst his brethren. “Hey guys, I may be the one that everyone looks at, but I’m just one of you all. Come on, group tree hug.”

But here’s what I was saying with that whole forest-and-the-trees thing. We’re looking at that tree. But can you see the forest? Can you see what it all means? Can you even see what’s behind it? What could it be hiding? Well, that’s what David wanted to find out. So he got up from around the fire, a fire very much like this, to kill that cat’s curiosity and try to see the forest with his very own eyes.

And what did he see? You want to know what he saw, don’t you? When bald, wiry David tiptoed up to a giant pine tree standing sentinel on the edge of the light, warding off the darkness, or maybe it was vice versa, protecting the darkness from the evils of the light. What did David see, crunch, crunch, crunching through the dried pine needles like a drunken lion on shore leave?

Well, I don’t know. Because as he got to the tree, as he peered behind ever so subtly, I saw him lean in behind the tree, take a step, lean in some more and then…

David was gone.

Gone! A ghost! Like the tree had swallowed him whole. I know. I didn’t believe it at first, either. Thought maybe it was a trick of the eyes. A vantage point kinda thing. But no. David was gone. We called for him. Said his name. No response.

Josh was up first to follow David beyond the tree. That’s the kinda guy Josh is. Was. David was curious, always chasing some tantalizing, ethereal distance. Josh was sturdy. Grounded. Ready to go as soon as the going got going. I followed shortly behind Josh, because for me it was a thought and for him it was instinct.

Now I know what you’re thinking. Josh is going to disappear behind the tree, just like David. They’re going to join each other in some Great Beyond like in that nineteen-eighties Netflix show. But no. Maybe it was a one-time thing, or maybe it was because I was right behind him. The darkness can only take you when you’re lonely.

Whatever the reason, Josh rounded the pine and came out clear on the other side, rounding back out into our clearling, moments before I broke the plane of the forest myself.

But there was nothing behind the tree. It was just the back side of a tree. Or the front side, or the side side, depending on your vantage point, I suppose. My point is that David wasn’t there and David had never been there. No sign of him anywhere. No black, size-eight Converse tennis shoes. No svelte, tan, designer jacket signifying “Dave was here.” If I couldn’t see his tent over by the campfire, I might not think he had joined us on our trip.

Wait, was Sonia still sitting at the fire when I looked back in that direction? She should’ve been, but I don’t remember, definitively.

What I do remember, definitively, was Josh circling the tree, and me circling behind him. Once around. Twice around. The sun and the moon. Like a yin-yang, always on the opposing side. The fighters in the “Beat It” video. Tell me your dads have shown you the “Beat It” video. Good. I don’t want to have to disown my little brothers.

Finally, I came to a stop. Josh plowed into me from behind. I had just rounded the black pine, my field of vision bleary from yet another darkness-to-light transition as the fire came into view.

Was that when I saw the Queen of England sitting in Sonia’s spot by the fire? No. No, I don’t think Her Highness was there yet. I think what had caused me to stop on this particular revolution was the sound. Or rather, the complete lack thereof.

Silence. Too silent. The cackling of the nearby fire was gone. There was no crunching of footsteps or rustling of twigs in the breeze. A silent that shouldn’t exist in a library, much less outside in the woods. I don’t even think Josh stumbling into my backside registered a single decibel. It was as if the world had put those noise-cancelling headphones on, then forgot to push “play.”

Until the scream. AHHHHHHH!

A cry. A wail. A scream both natural and unnatural. Super-natural. Like a human wail belted an octave higher than Mariah Carey’s falsetto. Like an animal trying on its human vocals for the first time. The ghost of a cat. The wraith of a raccoon. The role of a human baby’s first wail will be played in tonight’s performance by a demon from Hell.

I ran. Straight forward or left of right, I couldn’t tell you. I just ran. Past the clearing and the fire and the four empty chair, like the points of a compass, containing neither me, nor David, nor Josh, nor Sonia. Nor the Queen of England. Into the forest and the trees and the underbrush and the darkness. Somehow I avoided them all, a pinball maneuvering between every flipper in sight. Unclear about direction or destination, I just ran. Like a blind man racing against Usain Bolt.

Josh was behind me. I could feel his breathing. I could hear his grunting. I could smell his breath on my legs, then my back, then my neck and the top of my head. His hot, humid breath. A mussy, Mississippi windstorm. A slobbering, guttural growl as Josh finally overtook me.

It wasn’t Josh.

I tripped and I pitched, sprawled through the forest, sprawled through the trees, came skidding to a stop on the undergrowth. A soft, mossy landing. A pillow that cushioned me from the landing I deserved. I sent a silent thanks up to whatever spritely spirit had saved me from scratches and worse.

But as the snarls and the groans and the slobbers and the heat pressed down upon my prone form, I wondered if I was being kept whole for a more nefarious reason. A fly taking a well-deserved rest in a comfortable silken web.

AWWWOOOOOOOO!!

The sound was more distinct this time. Closer. So very, very close. Not a wail or a cry, but a call. A triumphant trumpet of victory.

I couldn’t turn around to look. I mustn’t. And yet a voice told me that I must. A tiny voice. Feminine, discreet. Either in my ear or in my head. A heart of resolve. Turn around, it was saying. See what you must see. A defendant must face his accuser. A fly must look into the maw of its spider.

The hairy, crushing, snapping, poisonous mandible of the spider.

The hairy, crushing, snapping, bloody muzzle of a creature most foul.

I’d like to say it was a werewolf. I’d like to say it was a giant rat. I’d like to say it was a rabid wombat. It was all of those things and none of them, so all I can say is what I saw bending over me from its nine-foot height.

Sharp teeth, ragged teeth. Not the precise canines of a predator, but the mangled maw of a scavenger instead. Rat’s teeth dripping with fresh blood that glistened in the near-darkness. The snout above the snarl was rounded, like a marsupial instead of a rodent. But not one of those cute marsupials, like a panda or a wallaby. One of those nasty-looking ones. A snub-nosed opossum. A hairy-nosed wombat. The flat, pale triangle of a nose at the tip of the snout curled up to smell my delicious fear and despair.

The eyes were coal black orbs. No iris, no cornea. One hundred percent pupil, an endless pit into the depths of a scorched soul. Black like soot, the aftermath of a forest fire. The surest sign nature has to tell us of swallowed-up lives.

I tore my eyes away from the slathering face only to be mesmerized anew by its legs. Human legs. Hairier than a human, lankier than a human, but the unmistakable bipedal structure and gait of an upper primate. Human thighs. Human calves.

Human legs in camouflage cargo shorts. And black, size-eight Converse tennis shoes.

The creature was David!

“Hey, Buddy,” I said, trying to crab-walk backward, but finding no grip in the moist, silky moss. A fly caught in the Hotel California. You can check out any time you like, but you can never leave.

“Hey, sorry I took the last hot dog last night, David.”

The monster snarled.

“I promise I’ll get up early tomorrow and percolate some fresh coffee for you.”

It growled.

“I take it back. You’re right. Reese’s make much better s’mores than Hershey’s.”

David opened its mouth wide. It descended toward its prey. Me. Hot saliva scorched my exposed neck.

“You stop that, David.” A high-pitched, high-classed voice rang out. Melodic. Regal. Royal. Large and in charge.

I looked up, and who did I see, hovering above the imposing nine-foot figure of the WereWomRat, shining in the moonlight like the crown jewels herself? Do you know who? No, it wasn’t the Queen of England. It was…

Sonia! Tiny, diminutive Sonia. Spritely little Sonia, towering ten feet in the air.

But not towering. She was hovering. She had wings! Honest-to-goodness wings. A double layer on both sides, strutting out to form a couple of upper-case B’s bordering her body. A body which, if you can believe it, was even smaller than it had been when she had her feet on the ground.

“Now, David, this is not a proper way to greet our host.”

AWWWWWWW!!! The WereDavid screamed. It was not a cry of hunger, or triumph, or even anger. It was a cry of frustration. A wail of disappointment. A child asking for just one more episode of “Dora the Explorer.” But Mommmmeeeee….

“I don’t want to hear it,” Sonia piped. “It might very well be a full moon, but it’s also time for tea. And if you do not come back to the safety of the roost soon, I cannot account for how the Troll might respond to your dalliance.”

A glow, which I had never really realized was always a part of Sonia, grew in luminosity until it was unavoidable. From the cherubic red cheeks that I knew well to the comforting warmth of a sunset over a Hawaiian sea. Then, before my very eyes, the sunset became a sunrise. Then midday. A dazzling sheen of explosive yellows and oranges and whites, with the popping brightness of twenty stars’ luminosity. The glow erupted from the Pixie Queen, who I could swear now had a perfectly apt wand with a, wouldn’t you know it, star-shaped business-end in her hand, right before everything in my sight disappeared into the bright.

She said, or rather sang, something in some long-forgotten tongue. It might have been an “abra cadabra,” or a “ziggity zaggity,” or maybe even a “slainte chugat!” I couldn’t have told you then and I can’t tell you now. Because as the world got brighter, as Sonia’s voice got louder, my consciousness grew dimmer.

And then I was out.

I don’t know how long I was out. It could have been five minutes or five hours or five seconds. The next thing I knew, someone was shaking me awake. The hulking (trolling?) form of my good-friend Josh knelt beside me as I opened my eyes on a bed of green grass. Not a silky trap of moss, just a comfortable grassy mattress.

“You okay, guy?” Josh asked.

I tried to nod through a tight head. I tried to say yes through a mouth full of marbled cotton. Both attempts failed.

Josh lifted me up with a strength that shouldn’t exist in any human being and escorted me back to the campfire. I don’t know how I moved. I merely slumbered on, like the zombie that was missing from this story of the mystical.

When we made it back to the opening, who do you think was there?

No, not her.

It was all of my friends. David, looking just as bald and svelte as he always was. And Sonia, sitting there talking a mile a minute as if nothing had ever happened. Nobody said anything about what had happened, or if anything had happened at all. We just sat down, like all of us are doing now, and busted out the marshmallows and sticks.

And like I said before, I have never seen Sonia since that day. I don’t really know why.

What’s that? Is my wife’s name Sonia? Yes. Your Aunt Sonia. Why do you ask?

Anyway…Here’s the part you’ve been waiting for…. Into the copse of trees and the campfire of friends walked who else but…

No, you know what? I don’t think that was the time we met the Queen of England. That must’ve been a different time. Sorry.

Who’s got some Reese’s?

NaNoWriMo check-in

Quick NaNoWriMo break to throw out a few paragraphs from my work in progress. Not because it’s the most beautiful prose ever written. Not because it perfectly encapsulates the quintessential character as he confronts/surmounts his conflict of self vs self and self vs world in only one sentence.

No, I just thought this passage was particularly funny. It still makes me giggle almost a week after I wrote it. And from an existential sense, I feel like I need to put more humor in my writing. I can do it in flash fiction or blog posts, but as soon as I sit down to write something longer than 2,000 words, I cue the inner Tolstoy.

Plus, I can’t disappear for the entire month. That would be FOUR wasted dollars going to WordPress. So here you go:

Katherine Christie, known to most of the world as Miss Kitty, hears a knock on the door. She isn’t open for business yet. The sign on the door clearly says they open at noon. This isn’t one of those twenty-four affairs, like you might find in one of the bigger towns that allow her particular style of business to exist. But wherever they exist, in any of the seven counties, nighttime is the right time for her kind of business. So the mornings are her downtime. Downtime for her workers, who desperately need to rest. Downtime for her to do some of the business of staying in business. Accounting and payroll and deposits and deliveries all detract from the magic of this place. Nobody wants to see the garbage trucks running down Main Street in Disneyland, and nobody wants to see hookers on their hands and knees polishing knobs.

But this isn’t the first time she’s had a rather insistent customer. When you’re dealing with addiction, noon is a little too far away. And even though she doesn’t like to think of herself as a pusher, sometimes she has to admit that she caters to customers who suffer from some rather specific psychological compulsions. Sometimes when the men show up, bleary-eyed with trembling hands, she tries her best to placate them. Sometimes they just want to know the schedule of their favorite worker. Other times they need a quick pick-me-up before a vital job interview. In instances such as that, Kitty doesn’t admit out loud, she’s been known to serve the haggard man out of her own regard. Once you master a certain technique, you rarely lose it. 

And if you’ve got time to clean, as the saying goes, you’ve got time to lean.

Except the man knocking at the door this time isn’t looking for a handjob.

“Hi, Miss Kitty, can I use your phone?”

So there you go. Enjoy. I’ll try to post some more of my failed flash fictions to keep engaging for the rest of the month, too. But apart from that, see you in December.

Awaiting Delivery

Ye Olde “Locked Room” Story.

Well, the room isn’t really locked. Characters could leave the room, but the story couldn’t.

The judges said they liked it, but I think they wanted more backstory. They said they wanted details as to precisely when it was happening. Evidently, “thirty years after the Austro-Prussian War” and “The Bavarian (Chlodwig Carl Viktor) is chancellor of Germany” weren’t big enough hints. Are they saying not every reader that will ever view my writing isn’t an expert in late nineteenth century German politics?

They also wanted more backstory with the father. But the contest runners had said backstory shouldn’t be outside of the room, so I tried to toe the line a little.

Here ya go:

Awaiting Delivery

The room is sparse. The only real furniture is a small writing desk in the corner and a twin-sized bed along the opposite wall. The bed and its frame are locked in a competition to be the most lackluster. The latter is a collection of four steel legs with a few black splotches to indicate that, somewhere in its distant past, it might have attempt to provide some hospitality. The former is a stripped-down, flat piece of cloth with a permanent indentation down the middle, representing those countless prior inhabitants who might have seen the frame in its former glory.

Grey, clinical walls. Or perhaps not clinical, but regulation. Everything about this room is uniform and regulation. Nothing extravagant. Nothing inviting. No indication that the visitor is welcome.

Which is a shame, Margaret  thinks she will spend a fair amount of time here. How long, she is not quite sure. The strange, alien language being thrown around in her presence conveys little information Margaret can use. But the clipboard and the inspections and the pointings tell her this is her new home.

Not much to look at inside the room. But the view outside the room is simultaneously majestic and infuriating. Visible through a thick, warbled window, both a bit too thick to give a true sense of its view, but opaque enough that the sight cannot be ignored. The most inviting sight in all the world, mocking her by denying entry.

“Ha famiglia in l’America?”

Margaret looks up at the new entrant, confused. She doesn’t understand, but she is closer to understanding than before. This language is not quite as foreign as the one that everyone else is speaking.

The speaker of the new language looks back at Margaret in equal confusion. Her dark eyes, curtained by two, even darker, locks of hair that have broken free from the tight bun atop her head. It has been a long day for her, yet her white smock is as pristine as the moment she got off the boat this morning, a short boat ride by comparison. The only evidence of the day’s stress is those two strands of hair out of place.

Still, the worker can’t worry about her hair right now. Her days are always long, and this day will be longer if she can’t communicate with the residents. That is precisely her job, her profession. And her experience tells her that the last question should have produced a response. She looks down at the clipboard in her hand, looks back up at Margaret.

“Mi hai capito, Senora Maguerita?”

French? Margaret doesn’t think so. It sounds close, similarly sonorous. But the French don’t enunciate the way this olive-skinned girl does. Which probably means one of the other Latin languages.

“Keine Franzosisch,” Margaret says.

They are the first words Margaret has spoken since arriving. Words don’t have much meaning when nobody understands. Everything about this place is designed to avoid verbal communication. Solid yellow lines, signs with pictures, drawings with numbers attached, clipboards.

And pointing.

Pointing, pointing, and more pointing.

Margaret followed the yellow lines and the signs and the pointing. She nodded when the workers, in their white smocks or their grey shirts or their black jackets, said things to her in their alien tongue. She was starting to wonder if this new land was nothing but silent compliance.

Except this woman addressed her differently. No pointing, but a pen poised above the clipboard. She was waiting for a response. Expecting a response. So Margaret responded.

“Keine Lateinish.”

“Tadesco?”

The social worker with the two strands of loose hair turns to the other official in the room. This one, a gaunt man wearing a grey coat over a crisp white shirt and regulation-red tie, looks back at the woman in the smock, then to Margaret. There is no understanding between any of them. Here they are, three people in the same room, speaking three different languages.

“Scusi,” White Smock says. “I meant German. I think she is German.”

Finally, a word Margaret knows. She is German. Not that she calls herself that. None of her people think of themselves as German. Her language is Deutsch. And, increasingly since the unification, people are calling Deutsch their nationality, too. But it is slow going. Margaret still thinks of herself as Bavarian most often, even if that particular state ceased to exist when she was three years old.

But German, she knows, is the word that the English called the Deutsch. And Americas is just a mini-England. Typical of English arrogance to not call a people what they prefer to be called. Bismarck had been wrong about a number of things, for which the Kaiser had rightly fired him and finally, after one more misfire, replaced him with a proper Bavarian. But one thing Bismarck had been correct about was how the rest of the world saw the upstart Deutsch. Like little kids, only capable of breaking things.

“Ja.” Margaret seizes upon the word she knows, even if it is insulting and diminutive. “Ja, ich bin deutsch. Um, German.”

The man with the regulation tie and regulation shirt and regulation coat raised his bushy eyebrows above his bushy mustache. The mustache was not regulation, and had been out of the norm since the Chester Arthur administration, but government officials are not always known for being up on fashion.

“You’re German?” He asked. When Margaret doesn’t immediately respond, he points to her. Always with the pointing. “German?”

“Ja. Yes.” Margaret follows suit, pointing at herself. “German.”

Mustache Man and White Smock both lean in to look at the woman’s clipboard. The man scratches his head.

“Well then I guess you should go get a German translator.”

The man pats the social worker on the rump in an act of dismissal. The woman takes the gesture for what it is and turns to leave. Margaret now assumes she must have been Italian. She used the word Tadesco for German. That is not a reference Margaret knows, but she is at least cognizant enough to know that the French refer to her people as Allemand. One cannot grow up in the aftermath of the Franco-Prussian War without knowing some of the words used on each side.

Tadesco. Allemand. German. Every country has their own word for her people. Just as long as nobody respects them enough to call them by their own name. Here she is, barely considering herself German, but now fiercely defensive of the idea. Immigrants are always much more unified in America than they were back home, she has heard. You may not be Deutsch now but you will be when you’re off the boat. And here she is, off the boat and separated into a room from which she may never escape, and she finds herself more Deutsch, more German, than ever before.

Nationalism at its finest.

Margaret feels awkward being alone in the room with the man. She wonders if he is going to pat her on the rump like he did the Italian woman. What would she do? There isn’t anywhere to go. And this man holds her future in his hand.

But the man doesn’t move. Perhaps he only touches those he works with. Those he is superior to in an official sense, as a superior and a worker, and not just superior in a generic sense, as a native to an immigrant.

Or perhaps Margaret’s current state is working as an agent in dissuasion. It has been months since a man has looked at her with any sort of lust. Not when she is so clearly lusted out.

The man merely stands near the doorway in something akin to attention, albeit with his hands clasped in front of his stomach instead of rigid at his side. His eyes stare straight forward from between the two forests warring on his face, his gaze encompassing all of the room and none of it at the same time. He will stop her from trying to dart past him, but short of that, he will let her have the run of the room. And in Margaret’s current state, she won’t be darting past any guards or doors.

Feeling secure, if not safe, Margaret puts her hand on her lower back and turns away from the government worker and all of his facial hair. She once again looks around the room, her new home for the foreseeable future. It remains sparse. The desk has a chair, which looks much more inviting than comfortable, but there will be plenty of time to sit there later. And to lie on the bed.

For now, the only thing worth seeing is through the window. Margaret walks closer, hoping to get a better view of the azure heaven lying beyond. Warbled as it is through the window, it still sends a clear message of potential. Painted above a deeper indigo sea beneath, the two blues meet together at a not-too-distant horizon, where another island, a larger island with buildings and people and commerce, lay.

And between Margaret and this land stands the guardian. This Statue, Lady Liberty, shows her profile to Margaret and all of the previous and future residents of her well-worn room.  She looks out to sea, to all of the incoming immigrants, her hand raised in the international sign for “Stop!” The torch in her hand might be a firearm, preparing to shoot any trespassers who deign to sneak behind her billowing bronze skirt into the land beyond. The book in her hand, so similar to the clipboard in the hands of the various smocked and suited and coated officials in the officialdom Margaret finds herself in. Like the Italian lady who had left Margaret alone in the room with the mustachioed statue behind her, guarding the exit from the room as surely as Liberty on her pedestal in the ocean guarded the exit from the island.

“Frau Marguerita?”

The new voice pries Margaret’s gaze away from the locked gates of Heaven. Another woman in another white smock with another clipboard stands next to the government official now. This woman has blonde hair and blue eyes, but other than that she might be the same person. Same age, experienced enough to be fluent in two languages, but young enough for a mustachioed man to pat on the rump. The smock fits her the same way, hanging loosely to avoid any personality being exhibited from bodily proportions, the same way Liberty’s dress falls around her own steel frame.

“Heisen sie Frau Marguerita?” The new arrival asks in German. “Is your name Mrs. Marguerita?”

Finally, something Margaret can respond to.

No, I am Mrs. Shengel.” ,” Margaret answers, also in her native tongue.

So sorry.” The woman writes something down on her clipboard. “Someone copied your last name down as Marguerita, so they assumed you were Italian.”

My first name is Margaret. Margaret Shengel.”

The woman nods without looking up from the clipboard. “Good thing you responded in the negative or else your name would have officially been listed as Stephania Marguerita and you would have been delivered to Brooklyn.”

“They can do that? Just change somebody’s name?”

“We try not to. But it happens.” 

The translator shows her clipboard to Herr Mustache, points at what is written there, and then hands the clipboard to him. He takes the top paper  from the clipboard, returns the clipboard to his co-worker, and leaves the room. Margaret notes that the German-speaking woman doesn’t touch any part of the man on his way out of the room.

I am Anna,” the translator says when the two of them are alone in the room. “Please have a seat.”

She points Margaret toward the desk chair. Margaret hobbles the three steps away from the window and tries to ease herself down but instead plops into a seated position. The chair squeaks.

Anna sits on the edge of the bed, crossing her legs in a friendly, on-your-level stance. The mattress does not shift at all under her weight, and Margaret is impressed she doesn’t sink toward the central indentation.

Was Anna your original name or the name they gave you here?” Margaret says with a smile.

Both,” Anna responds with a smile of her own. “We honestly don’t change too many names here. We try to avoid it.

We. Margret notes the word choice. Anna is part of a “we.” Margaret is still part of a “you” or a “they.” Until she can leave this room, she will always be a “they.”

You say you are going to Milwaukee,” Anna says, looking down at the piece of paper left on the clipboard in her lap. “Do you have family there?

My brother,” Margaret lies. Her brother has been to Milwaukee before, but he is back in Bavaria, back in Germany, now. But there are many Germans in Milwaukee. A community to take care of her and her child. A chance for her to be part of a “we” again.

“Mmm, hmmm.” Anna writes something down. “And that is the Hans you wrote?”

“Yes. Hans Stengel.” Margaret responds, immediately knowing she should not have said it. Would they already know the whereabouts of Hans Stengel? Certainly the name must be common enough. Or perhaps the real danger lie in her and her brother having the same last name.

“And the father?”

Margaret acts confused. She knows where this line of questioning is going, but she hopes to avoid the subject. She decides to be intentionally obtuse, in the hopes of steering the conversation.

“My father died in the war.”

Now Anna is confused. “Is there a war I’m unaware of?”

“The Seven Weeks’ War.” Maybe Anna is too young to have heard of it.

“That was thirty years ago.” One does not work in an immigration station without being up on all of the push and pull factors.

“Yes. My mother was carrying me at the-,”

“No, I’m sorry,” Anna interrupts Margaret’s narrative. “I mean the father of…”

The interpreter points toward Margaret’s enlarged womb. Margaret nods.

“Is the father of your child in Milwaukee?”

“Yes,” Margaret lies again. What else can she say? For all she knows, the father of her child might actually be in Milwaukee. She hasn’t seen him in eight months. If there’s anyone in need of a fresh start, it’s Margaret.

“And his name?”

“Mikkel Jensen.”

This time Margaret need not lie. That snake is assuredly the baby’s father.

“And you are Stengel? Are you to be married?”

Margaret nods and resumes the lie. “That is why I have come. To be married before the baby.”

“How far along are you?”

“Six months.” 

One last lie. Margaret doesn’t want to go back on the boat. There is only one direction she can leave this room in, and it is toward the Statue.

Anna raises her eyebrow at the claim. But fortunately, Anna is young. As was the Italian woman. Margaret’s hope rests on the propensity of mustachioed gentlemen to hire damsels of the younger ilk. If Anna had given birth herself, she’d take one look at Margaret and, in order to preserve the” we,” push her right back on to the next boat back to the Old World.

Margaret wants her child to be born in America. If the child is born here, he will be an American, and so, by extension, will she. She knows the stories, and she knows the customs. If they think she is close, they will put her back on the boat. If they think they have time, they will investigate her claims. Look all over Wisconsin for a Hans and a Mikkel. And by then…

Okay, six months.”

Anna writes something down on her clipboard, and now it is official.

You are being quarantined,” Anna speaks aloud the German translation of the official statement she has recounted numerous times, “pending official investigation of your claims. At that point, so long is there an American resident to claim you, you will be allowed onto the harbor boat for entrance into the United States.”

Margaret pats her stomach. There will be an American resident in a few weeks, she knows. In fact, an American citizen.

“In the meantime, please make yourself at home. This room is yours. The latrine, complete with flushing toilets,” Anna pauses for effect, as many immigrants gasp at this mention, “is across the hall. You may go to the cafeteria at meal time. Or, in your current state, you can request food to be brought to you.”

“Thank you. Thank you very much.”

“You also might want to go see the doctors. To check on the health of your…”

Anna again gestures toward Margaret’s stomach. Margaret silently thanks God for giving her a girl so squeamish about nature as to not even be able to reference the very evidence of said nature right in front of her.

“I know that my child is very healthy,” Margaret says, placing her hand on her stomach again.

Anna stands up. “Welcome to Ellis Island.”

“Thank you.” Margaret strains herself out of her seat and shakes the translator’s hand, a custom she hears is the normal form of greeting in her new home.

“Yes. I am off to file your paperwork. You should have an answer in four to six weeks.”

“Wunderbar!”

Margaret turns back to look out the window. Six to eight weeks? She won’t even need half of that. Within a month, the Statue of Liberty will be admitting her and her child to the land beyond.

And don’t forget,” Ann says from the doorway behind her. “You can see the doctors at any time.”

I most certainly will,” Margaret responds.

Anna leaves the room and shuts the door behind her.

“At the right time,” Margaret says to her womb.

For now, though, she might as well get used to her new room. Her new life. Her new world.

Poisoned Parlance

I just came back from a vacation, which I’ll be blogging about in the near future. But in the meantime, to assuage all of my fans, or my only fan (HI MOM!!!), here’s another flash fiction.

The theme was facing fear. I wanted to go with a more mundane fear, so I went with public speaking. Then I threw in the stammer, cause they never specified whether it needed to be an irrational fear.

The judges said they wanted more backstory of the main character and his friend. How/why he was invited to be the Best Man/Toast Giver. They might have a point. I certainly made it up as I was going along, and by the time I was done, I could really only edit for errors, not add a shit-ton of content and context.

So now you, intrepid explorer, get…

Poison Parlance

My adversary stands before me as I rise from security. Legs tremble, ready to pounce, fight or flight instinct fully engaged. Except there’s no place to go but forward. Into the face of evil.

It rises in front of me. Solid, erect, pockmarked visage eyeing me warily. ​A soft, guttural hiss emanates from its mouth.

“Snakes. Why did it have to be s-s-snakes?”

It’s not a snake. But I hoped an Indiana Jones line might calm me down. It didn’t.

I wish it was a snake. I could throw a fucking brick at a snake. Not that I have a brick. But at least a snake is a mortal being that can be killed.

I inch toward it. Dragging every ounce of my body, every ounce of time, in an effort to put off the inevitable as long as I can, despite knowing this goes against the priority of getting it all over with as quickly as possible.

Bright silver in the blinding spotlight, hissing and spitting and crackling, stands a microphone. Why did it have to be a microphone? Why the hell did it have to involve me, standing in front of a group of people who I barely now, who I can’t really see, and delivering a canned speech?

Thanks a lot, Ron.

My great aversion to public speaking came during adolescence. All the great social phobias do, right? Kids will take the stage at all-ages karaoke, belting out that song from Frozen at the top of their lungs, completely oblivious to the faces in the audience cocking to one side like a dog, one eye pinched in the universal sign for “you’re a half-note flat.” The kids just keep singing like they’re Idina fucking Menzel.

Hey, remember that time John Travolta butchered Idina Menzel’s name at the Oscars? He called her Adell Dazeem, or some shit like that. That should make me feel better, knowing that even people who do this type of thing for a living can make a faux pas in front of a microphone. But all I can think is that if John fucking Travolta can’t deliver a prepared speech without fucking up, what the hell chance do I have?

“Thuh” I say into the microphone. “Thanks.”

The reverberating echo of my voice sounds tinny, unnatural as it comes back to my ear. I hate recordings of my voice on phone recordings, too. But at least an answering machine doesn’t come with threat of feedback.

“Ron asked me to…”

My tongue tastes desert. Arid, dry, probing for moisture that should exist somewhere in its environ. But all it finds is the jarring back of teeth and a palate as dusty as the cratered surface of the moon. Or the soundstage where Martin Scorsese directed Neil Armstrong to bounce around a bunch. Whatever. Right about now, I’m thinking if scientists haven’t figured out a very basic hydration formula for the inside of a mouth that is trying to speak into a microphone there’s no way in hell they actually made it to the moon.

Or maybe it’s the alcohol’s fault. I have a friend who is afraid of flying. She drinks before a flight. Suggested I do the same here. Plenty of free booze at this place. Except that she can pass out on a flight. If I pass out right here, in front of this microphone, as I desperately want to do, it would probably put a damper on the mood of the crowd. My mood be damned.

“Ron asked me to…”

I did some reading in preparation for this. Don’t make eye contact, the website said. Look above their heads. Except I had a teacher in junior college who did that. And it’s pretty fucking obvious when someone’s looking at the top of your head. Maybe someone in the front row might think you’re making eye contact with someone in the back row. But if you’re sitting near the back, where the people who are most likely going to mock you are sitting, it’s obvious that you’re just staring at the back wall. Hell, sometimes my professor’s eyes rolled up in her head like the goddamned Exorcist, staring straight at the ceiling. Half of us could have snuck out of the room without her noticing. She’d probably just respond by spinning her head around and projectile vomiting.

And trust me, noticing all the miscues of other public speakers does wonders for somebody with public speaking foibles himself.

“Ron wanted me to s-s-say… ssssome things about how him. And, um, J-J-Jake.”

The presentations in middle school were bad. I think that’s where it started. Who the hell decided that middle school students should have to do class presentations? Hey, you’re going through puberty! Acne up the wazoo! No control over your body odor, not to mention all of those other bodily functions! How about you stand in front of a group of your peers, who will continue reminding you of your failures and foibles every day for the next six years?

I didn’t pee my pants that time, at least. I saved that particular reaction for high school. Romeo and Juliet can go fuck itself. Because, again, freshman year doesn’t have enough shit to weigh a fourteen year-old down. Let’s add a mortifying incident that will consign him to the hallway shadows for every passing period in the next three years.

No, in middle school, it was only a profuse sweating. Just enough to make me never want to do this shit again. Yet here I am, a decade later.

“I’ve, um, I’ve  known Ron since middle school. But we didn’t really hang out till high school.”

I seriously thought of telling Ron no. It wouldn’t be the first time. I’ve had a chance to be a groomsman before. I’ve always said no. They act like being a groomsman is such an honor. Stand up there and make me look good. Tell some carefully-sculpted anecdote that Aunt Gertrude, whom I haven’t spoken to since I was eight, can go home and tell her knitting circle that her nephew’s living a full life. 

Not that anyone with half a brain would want my sorry ass standing up for them. Best Man? More like worst. Nothing brings a party to a screeching halt like a minute of dead silence, broken by an occasional stammer. Stammer is sexy. Just ask all of the zero girlfriends I had before alcohol became involved.

But Ron was one of the few people who didn’t hold it all against me. High school as much hell for him as it was for me, just for different reasons. He hadn’t come out yet. Maybe he didn’t know himself yet. But he knew he didn’t fit the mold. Neither of us did. Me, because I couldn’t talk about Romeo and Juliet. Ron, because he liked Romeo and Juliet way more than any ninth grader should.

“Ssssso. I know Ron doesn’t have a l-l-lot of friends from high school. Neither do I. High school kinda suh-sucked. For both of us.”

Way to go, asshole. That’ll slay the crowd. Aunt Gertrude’s gonna have her girders in a bunch after this shitshow.

Imagine all the people in the audience naked, they say. Except, looking around, I really don’t know that I want to see any of these people naked. Except for maybe the bridesmaid, but that’s clearly never going to happen.

I guess she’s not a bridesmaid. There’s no bride. Best maid? Does that make me the Man of Honor? Semantics are stupid. Maybe I should just say that into the microphone.

I never understood how the whole “imagine them naked” thing is supposed to work. Am I supposed to be clothed? Like that episode of “Westworld,” where they’re having perfectly normal conversations in front of an orgy?  I imagine if I was the only clothed person in a room with a hundred naked people, that would be weird. That would not calm me down. I would assume I got the invitation wrong, and if I’m already self-conscious about standing in front of them, then being the only one that didn’t get the memo isn’t going to make me feel more comfortable.

You know what? Probably not the best time to be thinking about “Westworld” and orgy scenes.

Or maybe the “everybody naked” thing is supposed to have me naked, too. Like, we’re all in this together. They’re just as humiliated as I am. Except they’re sitting down, legs crossed, privates underneath a wedding program, and I’m standing in front of them, behind this crackling, feedback-prone microphone, and now I’ve got my shwantz out for the whole world to see. One more thing to be self-conscious about.

“S-s-sorry. I, um, this isn’t about, um, ssschool. It’s about, um, Ron and… um, Ron and Jake.”

I’m off script. Good thing, too, because I can’t read the fucking script., because it’s crumpled in my hand. I’m shaking like a Parkinson’s patient. That eighth-grade, puberty sweat is coming back. Sure, I know about deodorant now, but I didn’t have to wear a tuxedo in middle school. It’s a wash, at best, but thinking of a wash just makes me perspire more.

Off script. What made me think I would be able to read pre-written remarks, anyway? Do I even know my own cadence, or lack thereof?

Like in theater. My dad made me do the school play in tenth grade. He was one of those “make the kid smoke a carton to get over his interest in cigarettes” kind of guys. Figured if I was gonna be a pansy-ass when it came to speaking, he’d get it out of me by humiliating me. I stammer because I can, right, dad? If I’m put on a stage and forced to sing along with the chorus, I’ll spit it out, right?

Or I’ll just knock my fucking knees and faint on stage. Right at the front, near the orchestra pit. Thank God for the gong player. That cushioned mallet raised above his head for the big strike really helped break my fall. The gong player definitely wasn’t thanking God for me though, that’s for sure.

Ron’s father isn’t here, either. He’s probably still back at home, praying the gay away. Maybe that’s what drew the two of us together. A couple of ripe old assholes taking care of us in our formative years.

“Ron met J-j-jake at one of those… after the G-g-giants won.”

Oh shit, they might not know what I mean.

“Not the football. B-b-baseball. The Wuh. The Wwworld Suh, suh.”

No shit, dumbass. We’re in Northern California. Who the hell would think we were all out celebrating Eli Manning. And maybe I shouldn’t add in how Ron had spent the whole game gushing over the abs and thighs Buster Posey must have to be able to squat behind the plate for three hours and still leg out an infield single. Or maybe I should add that anecdote in. That’s real life. Shows his mindset. How the only two gay guys in a sports bar of toxic masculinity can find each other when they’re least looking.

Except that’s not how it would come out. Yeah, I can come up with wonderful lines about toxic masculinity inside my own head. People assume I’m dumb because I can’t enunciate my thoughts. Or just because I’ve now been standing in front of this microphone, radio silence, for what has probably been ten minutes now.

Why the hell did Ron even want me here? Sure, I’m one of his best friends. Yeah, I was there when he met Jake, but is that really a vital piece of information? I already fucked up the delivery of it once. So now all I can do is fumble over part two of their relationship. The bridesmaid is here for a reason, too. Can’t she add anything to the “how wonderful you guys are together” story?

Or Ron could come up here. Or Jake. Aunt Gertrude will talk about how strong of a public speaker he is after that debacle of a cavalier.

I know what I want to say. I want to talk about the change that has come over Ron since he met Jake. The sparkle in his eye, the new way he sees the world. The subtle, little optimisms where there would’ve been sarcasm. His propensity to talk about plans in weeks and months instead of minutes and hours. How the true Ron, the one who I always knew was there because I’m the only one who doesn’t interrupt him or talk over him, is finally out for the whole world to see.

Instead, I just stumble over his damned husband’s name.

Screw it. I’m not talking to all of these judgmental fucks in the audience. I’m here as a best man for  Ron. And for Jake, his real-life best man. I’ll just turn around and talk to the two of them. Ignore Aunt Gertrude and the bridesmaid and the bartender. Okay, maybe not the bartender. But the bartender can wait. But I definitely can’t look at the bridesmaid.

For now, it’s just me and the two grooms.

“Hu-Hey Ron. Juh, juh… You know what? I’m nnnnot gonna say your name. I love what you d-d-done for my guy, but I fucking hate your name.”

There’s a smattering of laughs in the audience behind me. Fuck. Are they laughing at me? Mocking me because I can’t stand looking at them? Turned my back? Fuck you, Aunt Gertrude.

Or do they think I just made a joke? Did I just make a joke? Timing’s never been my strong suit.

Ron and Jake are both smiling at me. Jake is nodding. I’ve told him I hate his fucking name before. He usually thinks I’m joking. I guess I am. I mean, it would be a hell of a lot easier if his name was Aaron or something, but I don’t begrudge a dude his name. And Ron had enough trouble finding someone he could be happy with. It’s not worth throwing a fish back into the pond for his name.

Maybe I should say something along those lines.

“Yeah. J-j-jake. You’ve been the best thing that’s ever happened to m-m-my boy, Ron. I wuh. I wish you had a du-, a different name, but Ron won’t let me, let me call you Aaron.”

More laughter from behind me. That one was intentional. I think for a brief moment about turning around and mugging for the crowd. A wink to let them know I got this. But that would be a really, really bad idea. Like, pee my pants, pass out kind of bad.

“At least your nnname isn’t B-b-buster P-p-posey.”

Less laughter that time. I need to leave the stand-up to Kevin Hart. Just speak from the heart.

“Anyway, I’ve never. Never s-s-seen Ron s-s-so happy. It’s like. It’s like he always had s-s-so much to give and it p-p-pissed me off that he c-c-couldn’t find anyone. Probably mmmy fault. I kuh, I kept taking him to sports bars. Not a lot of gay dudes there. Not a lot of straight girls, either. Hey Ron, I thu, I think I… fffigured out my problem.”

Ron smiles, chuckles a little, gives me a thumbs up. I think this is what he was looking for from me. Time to finish before I fuck it up.

“Anyway. Juh, uh, Jake. You’ve made Ron happy. He acts like himself when he’s with you, which is… sssomething he hasn’t always done with boyfriends in the past. You guh. You guys are guh, great together. I’m sssso guh-glad you found each other. Even if you’re an A’s fan.”

A few more laughs. A thumbs up from Jake. Better pass this snake off before it bites me.

“Okay, I nnneed to get rid of this m-m-microphone before I fuck things up worse.”

The DJ takes the microphone from me. I sit back down and breathe for the first time in a half-hour. I stare down at the table, trying to find my composure. According to my Fitbit, my heartrate is only 110, but that can’t be. It must be at least double that.

The table looks very interesting. The table is my one solace as the DJ introduces the Maid of Honor. Not sure how I couldn’t come up with that moniker myself.

After she gives her speech, a much more eloquent recounting of her life with Jake, filled with beautiful anecdotes from grade school through high school placed naturally throughout, I finally look up. Nobody’s looking at me. My flush slowly recedes. After five minutes, my Fitbit finally drops below ninety, and I take that as a sign that I can have another drink.

I slink off to the bar for my deserved  free drink. Then another one. I’m perfectly content to stay on this stool the rest of the night. I’ve already signed the marriage certificate, so they don’t need me upright for anything.

“That was a nice speech you gave.”

I’m about to haul off and tell the person where they can shove their sarcasm, when I look up and see the Maid of Honor. She’s smiling. I think she’s serious. Or, at the very least, sincere.

“Th-Thank you.”

“Mind if I sit? I could use a drink, too. These things are daunting.”

“I cuh. I couldn’t have said it b-b-better myself.”

I wave to the barstool next to me.

“I’m Rick,” I say, extending my hand for a shake.

She smiles and takes my hand.

“You can call me Erin.”

 

Polly Esther and the 54 of Clubs

This week’s flash fiction asked for a children’s story. Definitely not the forte of a writer who has trouble writing cock-bursting cunt-bubble every other sentence.

So I went tongue-in-cheek. Never expected to win, and sure enough, I didn’t.

But that doesn’t mean I’m not proud of what I wrote. The judges responded that the humor seemed a bit adult. My response: they haven’t read a lot of children’s books. Like when my daughter makes me read a book seventy fucking times in a row to her. The ones that stay in the rotation are the one’s I find enjoyable, the one’s that have something in it for me. The rest are magically transported to the bottom of the pile (or the bottom of the trash can), I don’t give a shit how precious the fucking pictures are.

So, with that as background, I offer my completely off-color Children’s Book:

POLLY ESTHER AND THE 54 OF CLUBS

A very, very long time ago, further back than anybody can remember, there was a time of turmoil. A time of scary sights, of scary sounds, of scary hairstyles.

It was called the seventies. Ask your parents. Or better yet, your grandparents.

During this long-ago time, a mythical city rose up above the land. Towers of steel and glass reached toward the sky in the merry old town of York. Or rather, the very New town of York. Although, from your perspective, the New York of the 1970s would be Middle York, at best.

In this far-off land, in this very olden time, there lived a happy damsel named Polly Esther.

Polly Esther was known for many things. Her clothes was sleek, made of a magical cloth. Cloth of dazzling colors that don’t appear in nature, paired with other colors in stripes and zig-zags and polka dots. Polly Esther’s cloth was amazingly durable and breathable, but didn’t seem to fit to the form of a body, nor lose its own form, no matter how much she twisted or turned.

And Polly Esther twisted and turned a lot! She loved to dance. Every night, if she could, Polly attended galas and balls. She sang and danced to the falsetto grooves of the Brothers Gibb Bards.

The ballroom she really wanted to atten was the 54 of Clubs, a ball that catered to princes and princesses, and other magical beings, as far as the eye could see. This was the Club, it was rumored, where Cinderella ran away from Prince Charming. Or where Rumpelstiltskin spun himself through the floor. Polly Esther had never seen those things happen, but she was pretty sure she had seen Snow White dancing at the other end of the floor one night. Snow White was very easy to spot, for the seven dwarves dancing around her cleared the area around her face.

Now, 54 is a very big number, indeed. It is probably bigger than your parents are old. And that’s a VERY big number. There had been fifty-three Clubs before the 54 of Clubs. There had also been balls of Hearts and Diamonds. But never of spades. A spade is a shovel, and who wants to have a party with shovels? That’s silly!

Polly Esther had not been to all of the fifty-three Clubs before the 54 of Clubs, but she had been to many. And all of the princes and princesses, the earls and bards, even the dragons, used to love Polly Esther and her strangely static clothing of dazzling colors. But all of a sudden, on this, the fifty-fourth Club, they turned up their nose and turned her away.

“I’m sorry, but you cannot come in,” said the grumbly old gatekeeper at the bumbly entryway. It wasn’t a moat or a drawbridge or a thick prison door, but it might as well have been any or all of those things. Because right now, Polly could not pass through the mean old hag of a man.

“But, but why?” Polly Esther asked.

The dragon dragoon looked Polly Esther up and down with a withering eye. Polly felt like he was casting a spell on her. A spell of judgement. He did not approve of something about her, and because of that, he was barring her entry.

“If you don’t know, I shan’t tell you,” the doorman finally decreed, then turned away from Polly Esther as if he had something else, very important, to tend to, some very important person to allow through the magical portal of entry. Even though nobody could be seen for blocks and blocks.

“But I have always been allowed in before.”

“And that,” the not-so-wizened Wizard of No said, barely offering a glance over his shoulder, “is why you shan’t enter under my watch.”

Polly Esther ran away, crying in shame. She thought about leaving behind a shoe, but knew that no prince would come running after her. Besides, elevator platforms are as difficult to remove as a goblin’s tooth!

“I’m sorry that happened to you,” a voice said from beside Polly when she finally slowed down enough to hear.

She took her hands away from her face, where she had been hiding her tears. Tears can be very harmful in a summer wind, so Polly thought you must always shield them from the world.

Sitting in a doorstep, barely even noticeable if he hadn’t just spoken, was a ghastly monster. He might not have been an actual monster, but his pockmarked skin and crooked nose made him very scary, indeed.

“I have been trying to get into the Club since it was in the twenties,” the monster continued. “It can be frustrating, I know.”

The monster was trying to cheer Polly up, or at least to lessen her pain, but it was no good. The monster didn’t look like he belonged in a club. So now Polly had to wonder if she looked just as monstrous. The doorman had looked at her clothes when he dismissed her. Did her clothes make her look like this imp of a person? This person who, smiling to show Polly his support, showed teeth as mangled as his skin.

“I’m so sorry,” Polly Esther said to the monstrous man hiding in the doorway. “But I have only been barred from the Club by mistake.”

“I’m Guido,” said the monster, sticking out his hand.

In order to not seem mean, Polly shook Guido’s hand. He smiled again and Polly Esther did her best to not to cringe. She had only answered him because he made her feel uncomfortable. She was trying to sound empathetic, but Guido might have mistaken it for compassion. Do you know the difference between empathy and compassion? Empathy is when you try to understand somebody, to put yourself in their shoes. Compassion is when you feel sorry for them, but not in a bad way.

“Forget about what happened,” Guido continued. “Beauty is only skin deep. They only look at what’s on the outside.”

“There must be some mistake,” Polly Esther repeated. “They didn’t send me away because of the way I look. He must have had the wrong list.”

Guido merely shrugged. “That’s what I thought at the twenty-fifth Heart Ball.”

“I have a friend, Jim-Bob,” said Polly. “He never goes to Clubs or balls. Maybe he’ll explain it to me.”

“Jim-Bob?” asked Guido. “That sounds like a peasant name.”

“He comes from the countryside. His daddy is a farmer. But that doesn’t mean anything.”

“If you say so,” Guido said. “See if your friend Jim-Bob agrees.”

Polly Esther decided that was exactly what she would do. She prepared to leave Guido by apologizing for being brisk with him earlier. Guido said he was used to it. Polly said goodbye in a much nicer manner than she had said hello. In fact, after she was away from Guido, she wondered if she had ever said hello to him in the first place.

Polly Esther ran home as fast as her legs, swishing back and forth with an unnatural slickness, would carry her. She knocked on the door next door to her flat, on the 53rd floor of the Castle Gardens residential tower.

“Hey Polly Esther, how ya doin’?” Jim-Bob said when he opened the door.

“I’m doing fine, Jim-Bob.” Polly Esther said. “How are you?”

She wanted to delve right into her problems, but thought it might be rude. Jim-Bob, being from outside the city, enjoyed engaging in small talk first. Small talk is always polite.

“I’m right fine, thank you very much,” Jim-Bob answered, nodding his head and tipping its invisible straw hat in Polly’s direction. “I thought you were dancing tonight.”

“They didn’t let me in,” Polly Esther.

“Well, that’s a right-fine how-do-you-do, isn’t it?” Jim-Bob asked.

Polly Esther nodded. She didn’t really know what a right-fine how-do-you-do was, but she was pretty sure being blocked from the 54 of Clubs was definitely one.

“I never understood why you like going into those dungeons of fashion, any ol’ way.”

“You wouldn’t understand. You’ve never been inside. It’s not a dungeon. It’s a magical land of wonder and delight. Everyone that’s anyone is there. No offense.”

“None taken.”

Polly Esther looked in Jim-Bob’s face to see if there was truly no offense taken. He only smiled back at her. Either he really felt no offense, or he was better at hiding his feelings than a crocodile playing Go Fish with a fox.

Polly wished she could be as easy-going as Jim-Bob, but she just couldn’t let it go. Before long, the 54 of Clubs would be the 55 and then the 56 of Clubs. Would they let her in? Probably not. And what about the Heart and Diamond Balls? Polly Esther was still a single woman in the seventies. How would she find love if she couldn’t go to a Heart Ball?

“You should go talk to Bella,” suggested Jim-Bob.

“Bella, with the golden dress?”

Not THAT Bella-with-the-golden-dress. Or maybe it was. It was the seventies in the Village, after all, so who knows?

“Sure. She usually has a good crystal ball into what’s going on.”

Polly and Jim-Bob traveled to visit Bella. Through the tumultuous hallway, down the interminable elevator, out of the foyer of grime, they finally found themselves out on the streets of not-quite-New York. Two blocks later, they rang the doorbell and waited for the familiar brunette hairdo and the familiar yellow gown.

“I can make a phone call,” Bella said, and invited her two visitors inside.

“Who are you calling?” Polly asked Bella.

“Ringo,” Bella answered.

Not THAT Ringo. Or maybe it was. It was the Village in the seventies, after all, so who knows?

Bella picked up her phone and dialed. A telephone was an ancient device that somebody used to speak to someone far away. Like a teleportation spell for your voice. There were no text messages or Angry Birds or even Google. And it was tied to the wall by a cord. Can you imagine such a horrible device?

“He always knows what’s going on at the Clubs and the Diamonds and the Hearts,” Bella continued, then turned her attention to the phone receiver.

Polly tried to listen in on the phone call, tried to glean what was being said on the other side, based on how Bella was reacting. She couldn’t, and it probably served her right. You should not try to listen in on private conversations. And even worse, you should never base your judgement on only hearing one side of the story.

“I’m sorry,” Bella finally said when she put the phone down on its base (which is  how phone calls ended before there was a big red “END” button). “It was no mistake. They meant for you to be left out.”

“But why?” Polly asked.

“It’s your appearance,” Bella confirmed.

Polly looked down at her clothes. She grabbed her long, straight hair. It felt horrible to be judged for her appearance, and even worse, to be judged poorly. They were calling her a pock-marked monster, like Guido, or an outsider, like Jim-Bob. Or a… actually, Polly realized she didn’t know why Bella-with-the-golden-dress didn’t go to 54. She hadn’t gone to 53 either. Polly wasn’t sure if she had ever seen Bella at any of the Clubs. Or the Diamonds. Had Polly even seen her at a Hearts?

“But I’ve always gone to the clubs before,” Polly tried.

“Ringo says the age of Polly Esther is over. It’s time to move on to something else.”

“Well, how do you like that?”

“Maybe you can change your clothes,” Jim-Bob suggested.

It was very nice of Jim-Bob to offer his advice. He had never been to any of the Clubs. He never seemed interested in the Clubs, and he always told Polly Esther that she shouldn’t be concerned with them. But he was a friend, and a friend supports a friend, even when they have different interests. Polly had gone to baseball games with Jim-Bob, and if the Yankees hadn’t let him into their stadium, she assumed she would help him go to a Mets game.

But the Yankees would never bar Jim-Bob. Only Clubs like 54 barred people like Polly. And Guido and Jim-Bob and…

“Bella, why don’t you go to any of the Clubs?”

“I’m more of a Broadway girl.”

“But you’re such a good dancer.”

“The Clubs don’t have my kind of dancing. Not my kind of music.”

“Would you go to a ball if it had music you liked?”

“Maybe. It depends. I don’t like places that shut my friends out.”

That’s when it hit Polly. She shouldn’t be changing her appearance, or changing the way she acted, just to be allowed into a place that didn’t want her. She had friends here. And music. And even more.

“What if I put on my own ball? We will play whatever music people want to listen to. We will put the Yankees game up on the TV. And best of all, anyone who wants to dance can come and dance.”

“That sounds like fun,” Bella said. “How will we get the word out?”

“I know a guy named Guido,” Polly said. “He’s the first person I’ll invite, and I bet he knows a lot of people who want to attend a ball.”

The following night, Polly Esther made a comeback. She had the biggest party in the entire city. Everyone who was anyone wanted to attend. And everyone, whether they were anyone or not, was allowed to attend. The music varied from the Brothers Gibb to Ringo’s old band (not THAT band) to some of Bella’s theater hits. Some of the older patrons, who hadn’t been allowed into a ball for decades, requested some old song by the King about his Hound Dog. After that, a young pup requested a new sound from the Prince of Minnesota, a purple sound ahead of its time, that the Clubs would not catch onto for another five years.

Some patrons danced the cha-cha. Some danced the polka. Bella twirled a pirouette that was elegant to behold.

Jim-Bob watched the Yankees game on the TV. He REALLY didn’t like dancing.

The called the ball “The First of Spades.” After all, a spade is a shovel. And what better name for a ball that digs up and buries all the outdated and exclusive ideals of all of the other three suits?

 

A Writing Retrospective

A couple weeks ago, I did something I hadn’t done in almost 200 days.

Or rather, I didn’t do something I had done every day, for just under 200 times in a row.

On May 16, I did not write. No blog entry, no flash fiction, no in-progress novel.

Oh, I wrote plenty on May 16. Notes on essays, probably some e-mail responses, but those don’t count.

Prior to that Wednesday, however, I wrote. Every day, all 195 of them from November 2 through May 15, I created some typed content. I wrote on Christmas. I wrote on New Years Day. On Valentine’s Day. On St. Patrick’s Day. The day AFTER St. Patrick’s Day. I wrote the day I flew to Hawaii, and every day when I was there. On the day I flew to a curling bonspiel, and after every game I played while I was there. I wrote while camping (although it was only a one night camping trip, so I wrote before I left and after I got back).

More specifically, during that streak, I typed at least 444 words into the website 4thewords.com. That website is also the reason I know how impressive my streak was. I don’t even know what my best streak was before this. Maybe twenty days? I mean, I know I sure as shit never wrote on Christmas before. Or any of those other dates written above. Except for Camptathalon, of course.

But 4thewords keeps track of my streak, which thereby makes it easier to maintain said streak. My character gets special wings when my streak reaches a certain number of days.

The website and its various carrots are also the reason that the streak was as impressive as it was. I wrote about it after NaNoWriMo. Wow, the number of throwbacks in this blog post makes it feel like those clip shows that sitcoms used to run in April before everything was available on demand.

But because of 4thewords.com, for the first time ever, I continued writing after November was over. Every day. Some days it’s a struggle. Some days, I drudge back downstairs at 10 PM to put down some drivel. Naturally, I get wordier that time of night. Or maybe, since I’m typing this in 4tw, it might be better to say I get as wordy as a talkative wordsmith crafting his wordiness for a living.

What happened on May 16? It was a conscious decision to not write. No, I didn’t wake up with a general “fuck it.” But, with the finite amount of time available to me between the child being put down and my impending crash into unconsciousness, I opted for what was behind Door #2. The AP Test was two days away and I still had a handful of essays I wanted to return  to the students taking the test the following day.

So I said “Fuck it.”

Actually, after I “fucked it” (fuck ited? wordy wordsmithed it?), I logged onto the website to make sure I didn’t lose my streak. They have a special item that extends a streak without needing the 444 words. I had five of them in reserve. Then I got back on the donkey the next day. I’m now up to 216 days, which they count as 195 legitimate days + May 16 + 20 more days since.

So don’t worry, I didn’t lose my wings. Had I not owned one of those items, then I guess my students would’ve just been a little less prepared for a nationwide standardized exam. Gotta have my priorities, after all. Now I have four of the mulligans left. I’ll earn back the one I used next Monday when my streak hits 222. Who knows, maybe I’ll just get a hankerin’ and take a week off from writing. Of course, this is coming from the teacher who has 120 sick days banked, so it’ll take a much more legitimate “fuck it” before I lose that streak.

But still, maybe I should take Christmas off this year.

Oh wait, Christmas is with the in-laws this year? Yeah, I’ll be writing that day.

So what are the results of this newfound verbosity?

On a sidenote, I just looked up verbosity on thesaurus.com, and evidently there’s a word called logorrhea. Like diarrhea, but with words. I definitely need to use that word more.

Okay, here are the stats: I just passed 197,000 words written on the website. Not bad.

They’ve come in all forms: blog posts, which have allegedly become more frequent; flash fiction, and I promise there are more of those on the way, I can only post them after I lose the contest, but I’m 0-for-4 so far, so I’ll start posting them weekly in the summer; e-mails, letters, and Facebook posts (don’t judge); and, of course, the novel-in-progress.

I started the novel way back in NaNoWriMo, 2014. You can read the basis for it here. And a sample chapter that’s four years old. It fizzled out after about 25,000 words, but the idea was still there. Over the next four years, I managed another 15,000 words. In the past 200 days, I’ve added another 75,000+ words to be on the cusp of 120,000 words. That’s too long for a first book, but a lot of those frivolous words will be edited out. I’m guessing it’s closer to 80,000 legitimate words.

How did I triple the output? Well, this will be a shocking answer to some: I actually sat my ass down and wrote. For 200 days. Not always on the book, but I run out of e-mails eventually, and if I want my 444 words, I’m going to have to move that pesky main character along.

I always knew where the book was going. Since I first started, I had this grandiose final scene in my head. Some of the dialogue’s been ready to go for four years. I’ve known where the characters will be placed and exactly how much of the big picture would be revealed (gotta keep a couple things for the sequel, after all).

But getting to that final scene is sometimes a problem. And by sometimes, I mean always. For four years. I’d often get stuck mid-scene. How do I get the characters or narrative through a particular scene? So historically, I would get to a spot, the main character dangling precariously from the precipice, and then I’d take a few days off while I mulled how do get him to the bottom of the cliff. Or a few weeks. Or years.

Then maybe I’d figure it out, and I’d sit down to write the scene, and I’d write 1,000 words and, wouldn’t you know it, the fucker’s still up on his clifftop. Because I forgot I needed a little internal dialogue or a scatological description of how scared he is. And then I’d get frustrated that I spent two months deciding where this scene was going and I finally sat down to do it and I DIDN’T EVEN GET TO THE FUCKING PART I JUST SPENT TWO MONTHS FIGURING OUT!

Here’s how that same scene has played out over the past 200 days: I blog for a day, write a flash fiction over the weekend, and when Tuesday rolls around, I guess I have to write the actual book. So I write 500 words. That’s easy enough. Nothing has to happen in 500 words. He shits himself. Then the next day, he wipes for 500 words. After three or four days, I finally get to the point where I just say “Fuck it” and describe him scrambling down the cliff. Three days later he’s finally engaging in the dialogue I’ve known he was going to get into at the bottom of the cliff.

There are chapters that I know for a fact I will chop 1000 of the first 1500 words. But a lot of times those words were necessary for me at the time, because they helped me work through what the character’s going through. I gain insight into my characters and their world that can be edited to be implied instead of explicit.

It’s the same process I would’ve gone through before, just without the winter of contemplation in between.

So here I am, 120000 words later and guess what? I’m finally to that culminating scene! The one that’s been in my mind since page one. Woo Hoo! Easy sailing from here!

And how’s the scene going? The one that I’ve known the intricacies of forever?

Well, I’m blogging right now.

Because, goddammit, this “easy” scene is just as difficult as any other scene. Maybe moreso because it’s the culmination of four years and 120,000 words of character and plot development. One of the characters who’s supposed to be there is dead. There is a character that showed up around the 70,000 word mark that is vitally important now. rDi I just have him stand around and pick his butt while the corpse of the dead character does something important? Just because I know Darth Vader’s going to reveal he’s Luke’s father doesn’t mean I know how Luke’s going to get there in the first place.

Come to think of it, how the hell is there a Death Star-esque bottomless cylinder in Cloud City? Is everything in the Star Wars universe built by the same contractor?

I think there’s something else hindering my process right now. Do you ever get to the end of a book and slow down your reading? Not sure if you’re ready to be done with it? Well, this book’s been in my thought process for four years. What am I going to write the next day? Sure, I have plenty of new books I could start, but which one should I do? I feel like I’ll be so lost when I don’t have this specific existential weight on me. If I’m not thinking of this specific character and plotline, will I suddenly become aware of a lack of substance in the rest of my life?

Meh. Maybe I’ll take another day off.

But until then, it’s a shit-ton of logorrhea.