mcu

Marvel Movies and Middle School

I’ve written a few times about the sweet spot of childhood. Roughly seven to ten. When they’re old enough to converse and plan and understand things, but still believe in the gentleness of humani… 

Oh, who the hell am I kidding. The second bookend is when they turn into shithead tweenagers.

It’s a few years removed from the Santa Phase. Most people think kids love Santa from the get-go, but most pictures of two-year olds sitting on the old dude’s lap look like Martin Scorsese directing a Stephen King movie. Alexa, show me existential terror.

So the Santa sweet spot really doesn’t hit until four or so. When they’re two and three, they realize after the fact that sitting on old men’s laps begets untold rewards. By the time they hit four, they’re fully vested. And by eight, they’re already skeptical if not outright heretical. My daughter still claimed to believe, at ten, but that’s really only because we’ve all politely entered a don’t ask, don’t tell cone of silence on the subject.

She still expects to get paid for losing teeth, though. Back in my day, that racket ended around tooth number four.

I also don’t think any self-respecting fifth grader in 1985 would even toy with the notion of Santa or the Tooth Fairy or dinosaurs. In fact, I remember that at my elementary school, the sixth graders wrote the “response letters” to the letters the first and second graders had sent “to Santa.”

Whereas today, a school district would be sued just for acknowledging a cultural character known as Santa. Or dinosaurs.

So ironically, while Santa might be lingering longer than he had in the past, the “I won’t watch kid’s things” is happening earlier. 

Unfortunately, my daughter seems to be barreling toward teendom with reckless abandon. Even though I, as a high school teacher, have known what’s coming, I still begrudgingly held on to hope.

Then along came Thunderbolts*.

We weren’t parents who plopped their child in front of shit we like long before the kid could follow what was going on. I tried her on a few Star Wars cartoons, but she didn’t watch the actual movies until she was seven or eight, and so far she’s still only seen the first two. Sure, if I just wanted her to “like” the franchise, I could’ve started her with Ewoks or Jar Jar Binks, but knowing Darth Vader is Luke’s father before watching Star Wars is just wrong on so many levels.

We also might be thrown in jail for not allowing her to watch the Harry Potter movies until after she’s read the books. She’s dallying on Goblet of Fire, so she’s still only seen the first three movies. She damn near fell off the couch while watching an episode of The Middle where Brick mentioned Ron and Hermione as one of the top romantic couples.

But Marvel movies were different.

I’ve read comic books to her since she was damn near in the womb. She knew who Spiderman and Captain America were before she knew who Peppa Pig was.

A funny aside about Peppa Pig. Of all the crap she watched when she was younger, this was the most egregious. I’m sure I opined on it at the time, but holy crap. Teletubbies would’ve been better than Peppa Pig, because at least the Teletubbies don’t really talk. When Bluey first came out, I almost wouldn’t let Daughter watch it because it ticked almost all the same boxes as Peppa Pig: animal families speaking in foreign accents with nine-minute episodes. 

Anyway, Daughter was recently playing with/occupying my niece’s three year old daughter. Said toddler loooooves Peppa Pig, so Daughter watched alongside her.

“Oh my God, Dad,” Daughter says to me on a break. “Do you know how hard it is to sit through a bunch of episodes of Peppa Pig? That show is so stupid.”

Huzzah. I thought “Parents knew what they were talking about all along” didn’t come about till kids got into their thirties.

Unfortunately, that probably means the thing she’ll wait twenties years before reversing course on are Marvel movies.

We painstakingly curated her MCU viewing to line up with her ability to understand and be entertained. After going back and forth a million times, we finally broke the seal by letting her watch Ant-Man. It’s funny, not particularly violent, and the final battle taking place on his daughter’s toy train set would giver her buy in. As an added bonus, we live near San Francisco, so the scenery might speak to her more than New York.

She was meh on it. I don’t remember how old she was, but not old enough to follow the plot. Even the final battle didn’t really whet her whistle, because she hadn’t really tracked on how or why they were fighting . I don’t even think she realized that the giant trains flying at them were the same ones on the train set.

And upon second viewing for myself, I guess the funny stuff revolving around Michael Pena recapping capers in a Drunk History-esque voice over, probably wouldn’t land in a seven year old’s sweet spot. Daughter only identified with Cassie.

But over the next year or so, we dabbled in on some of the others. She liked Thor and the original Avengers movie. She was meh on the Iron Man movies and the first Captain America one. I thought she’d love Guardians of the Galaxy (in fact, I think we tried her on that before Ant-Man) because we have a ton of Rocket and Groot stuff. But she hated it because (again the things I don’t notice when I’m watching as an adult), they start out the movie doing some pretty despicable and violent things. Sure, that’s what makes the redemption arc work, but she didn’t like to see her plushies threatening and beat up people.

This was about the time WandaVision came out, which she loved, so she enjoyed Age of Ultron, and was especially happy that the plot of WandaVision prepared her for the fact that Quicksilver was going to die.

Of course, she mainly only liked the sitcom episodes of WandaVision, not the MCU episodes. Although she begrudgingly became vested in Kat Dennings’s character, who should really be used more.

The one thing I can pinpoint to a year was the first MCU movie she went to the theaters to see, which was the last Spiderman movie. I saw it first and prepped her for Aunt May dying. I thought it would be a good barometer for if she was going to be able to handle Infinity War and Endgame. She did okay with it. Me, not so much. Damn it if that isn’t one of the most painful death scenes in the entirety of the MCU. Marisa Tomei ought to win an Oscar for it. Someone call Jack Palance!

Aunt May’s death was acceptable because by the time she saw that movie in the theater, Daughter knew that the hero’s arc had to have a few low points, in order to heighten the eventual triumph. But she hadn’t seen the last two Avengers yet, so she didn’t know that some movies end with sacrifice. So MJ not remembering Peter probably hit her harder than Aunt May’s death.

But since she hadn’t seen Endgame yet, the second Spiderman was off limits. Sorry, kid, you can’t know how MJ and Peter got together in the first place. You can watch them hint at it in the first movie and forget about it in the third. But the second would tell you that Iron Man is dead, and that’s a no-no.

Even if Iron Man is no longer dead and is now Dr. Doom. Don’t get me started.

So her first MCU movie in the theaters was December, 2021, when she was 7 1/2. Put a pin in that date/age.

Of the movies that have followed that, I think the only other movie I’ve taken her to in the theaters was The Marvels. Partly from parental decisions – don’t really want her seeing her favorite character become an evil zombie in the second Dr. Strange, nor animal torture being a primary storyline of Guardians of the Galaxy Vol 3 – and part of it was the general malaise of Phases IV and V. I’m sure she would’ve been fine with Love and Thunder or Quantumania, but nether seemed destined to drastically improve her appreciation for the genre.

Deadpool & Wolverine might. But if I’m trying to stick to age and maturity appropriateness, I should probably wait another five years. Or look the other way when she watches it at a slumber party, as my generation did with Porkys. 

I thought Thunderbolts* was going to be different. As you can probably tell from its box office: it wasn’t.

It was sold as Marvel’s answer to DC’s Suicide Squad (or was it The Suicide Squad, a separate movie. I honestly don’t know if that’s the one I liked. The one with Starro), featuring a squad of criminals playing heroes, led by a hilarious, mouthy female antihero. I realize Florence Pugh’s Yelena is not in the same stratosphere as Margot Robbie’s Harley Quinn, but she is still far and away the best new character introduced since maybe Phase II. 

Instead, the movie was more of the drivel we’ve gotten for the past few years. The old knock on Marvel movies was they were just quip, quip, punch. Now they’re intense stare, morose introspection, punch. 

But sure, Robert Downey Jr will fix everything. 

Anyway, when I thought Thunderbolts* would be a toned down version of Suicide Squad, replacing the vulgarities with Marvel’s brand of quips, with Florence Pugh carrying every scene like she did in both Black Widow and Hawkeye, I thought it would be right up Daughter’s alley. Unfortunately, I forgot to calibrate Daughter’s preferred alley up from age ten to age eleven. I forgot that she’s on the cusp of middle school. And middle schoolers, far and wide, are terrible. 

I taught middle school once. Once. As in one year. Right now, my commute is about an hour. I could work closer to where I live if I were willing to teach middle school again. Nope. I’d rather put 3,000 miles a month on my car than deal with those cretins.

The one year I taught, I had finally found a groove, started to establish some rapport, until we came back from spring break. It was a complete shitshow. When I mentioned this to one of the experienced middle school teachers she just shrugged. “Sure. It’s fourth quarter of seventh grade. They’re turning into eighth grade bitches.”

My daughter’s not there, yet. Thankfully. But every time I have to repeat her name three times just to get her to look up from her phone, I know she’s hurtling that direction. Her school district starts middle school in sixth grade. While I think it’s a smart idea, because after six years, she needs a change of scenery and an infusion of new friends, the drawback is an impending three years of middle school hell instead of my own two years’ worth. 

But I sure got a preview when I excitedly asked her if she wanted to go see Thunderbolts*. And no, I didn’t enunciate the asterisk. Maybe that would’ve helped.

Instead, I got a very tepid “Not really.” I tried to up the ante a bit by offering the theater she likes where they serve a full menu. At the age of eight, she would’ve sat through Gandhi to go to the milk shake theater. At eleven, little could sway her.

Her first counter offer was that we leave her home while we go watch a two-hour movie. Might as well shoot for the stars, huh? The most we’ve ever left her alone has been maybe ten minutes while we go get fast food or gas up the car. But she’s already trying on that eternal teenage game of encouraging the parents to leave the house.

(Editor’s note: Obviously, if you’re an official of the State of California, we’ve never left our 11-year old child home alone for ten minutes. And she still rides in a car seat, as (I shit you not) they now want to make law should continue until the child is sixteen fucking years old. I better make it backward facing, just to be safe. Who cares if she’s over five feet tall.)

She continued her one-sided negotiation by requesting we take her to grandma’s. We countered with “We weren’t really asking if you wanted to go. We were telling you we’re going to the movies.”

So mark the end of her “wants to go see Marvel movies in the theater with her loving parents” phase as Thunderbolts*. From late 2021 to early 2025. And that’s likely only because the writers’ strike meant only one movie came out last year. If we measure in terms of actual movies she wanted to see alongside her Marvel-geek of a father, it was a whopping two. Maybe I should’ve taken her to Quantumaniai while she was still in the sweet spot.

And with Thunderbolts* being closer to Eternals than it was Suicide Squad, my chances of dragging her to the Fantastic Four movie are virtually nil. Unless I can get Mr. Fantastic’s time machine.

The one silver lining of this summer’s blockbusters is that she still wanted to see the new Lilo & Stitch.

I better take advantage of it. By the time she’s an eight grade bitch, she’ll want nothing to do with that “baby shit.”

The sweet spot is over. The middle school spot is approaching. 

Whether we’re ready or not.

Wherein I Fix All of Marvel’s Problems

As the foremost expert on all matters Marvel, I figured I should pipe in on this new/old/revamped/softly-rebooted MCU thingamagig.

(*Disclaimer: “Foremost Expert” is an unofficial title more or less determined by comparing my knowledge of comic books to a) my family members, and b) some of my coworkers. Plus I once blogged about why female superheroes have large breasts

So the MCU has been in a bit of a funk lately. And by “bit of a funk,” I mean it’s been a heap of hot garbage that’s hemorrhaging millions of dollars on each failed attempt to regain relevance. Kevin Feige, the guy in charge of the whole shebang, who as of five years ago was seen as a wunderkind who could film a fart and turn it into a billion-dollar franchise, is licking his wounds and going to that time-honored Hollywood tradition of retreading the same old shit they’ve been shilling out for decades.

The reasons for the recent failures in the MCU can be attributed to a ton of reasons. Some people, evidently including Kevin Feige, think it’s because they’ve used up all their “a-list” heroes and actors. Others think it’s the result of Disney “going woke” and “going broke.” Add to that the effects of Covid and HDTVs on the theater-going experience, plus the desire for Disney+ to have premium content, plus the glut of entertainment options, plus Jonathan Majors’s assault trial, plus the confusing storylines because do I really have to watch Loki, season two before I see Deadpool and Wolverine?

I’m here to confidently assert that each of those explanations is wrong. 

Because, in many ways, they’re all right.

And if Kevin Feige thinks he’s going to solve the problem by giving Robert Downey, Jr. a shit-ton of money, he’s in for a rude awakening. Okay, maybe not the first time he tries that trick, but it ain’t gonna have staying power.

What everybody can agree on is the origin of the MCU’s problems, which started roughly the time between when the Avengers: Endgame afterglow left our hearts and the Covid virus entered our psyches. 

Boy, Endgame only beat out Covid by the skin of its teeth. Remember how painful that year was between Infinity War and Endgame? Imagine if Infinity War had come out in 2019 instead of 2018. Then all the movie theaters would’ve shut down before we got the resolution. And there’s no way Disney would’ve tried that “just release it on Disney+” bullshit they did with Black Widow if it was the pinnacle of a decade of storytelling. Dare I say it, that would’ve made 2020 even worse than it already was.

But I digress. Let me start with the least, or maybe most, obvious problem the MCU is facing: Endgame hangover. 

Don’t get me wrong. Endgame is one of the greatest cinematic accomplishments of all time. So much fan service, so many callbacks, wrapped up in a prefect send-off of characters we’d come to know for a decade or more. 

Can I be honest? When I was in the theater, I didn’t even hear the dialogue when Dr. Strange’s teleportation circley things (told you I was a Marvel expert) all appeared on the air, because I was in one of those theaters where everyone was cheering at the top of their lungs. 

Of course, the line, spoken by Falcon to Captain America, is “On your left,” which was what Captain America kept saying to Falcon when they were running around Capitol Mall and Cap kept lapping him in Falcon’s first appearance. 

It’s details like this that set it apart. James Bond movies (pre-Daniel Craig) were always standalones. The Star Wars trilogies are mostly independent, and when they try to self-refer, it’s ham-handed and pisses off half the audience. Endgame was catharsis.

Unfortunately, with Endgame being such an accomplishment, Disney kinda forgot what brought us to the MCU in the first place. Endgame wouldn’t have worked in place of Iron Man in 2008. Just ask DCU, which continues to try (and fail) to reboot their own comic universe with deep gut-punches of movies. The MCU, by contrast, was light-hearted and fun. But now they think all of reality has to hang in the balance for every damn movie. Endgame worked because we were vested in the characters. We knew “On your left” and “I could do this all day” and “I am Iron Man,” so we were rooting for them as much as we were rooting for Earth or half of humanity. 

In The Eternals, do we really give a shit about Ikarus or Sersei or Crystal?

(That was a test: Crystal is in the Inhumans, not the Eternals, and if you don’t know the difference, that’s the point.)

Now, Kevin Feige and the rest of the Disney brass would look at my last statement as proof that they need to bring back Iron Man and Captain America, but I call bullshit. Nobody knew who the hell the Guardians of the Galaxy were before 2014, but I guarantee that if I’d thrown Groot in my fake Eternals lineup instead of Crystal, everyone would have caught it immediately.

Before they follow this new “only big names” path, maybe they should find a single human who prefered Thor: Love and Thunder over Shang-Chi. Then put that huan in prison, because they are clearly a sociopath.

It’s not about the star power, either. Sure, Robert Downey, Jr. was always a star (albeit one who was known more for his off-screen misdeeds than any particular role), but Chris Evans and Chris Hemsworth were hardly household names before they hit gold. It’s hilarious to look back on critics haranguing Disney for putting the original Thor movie in the hands of a couple of unknown lightweights named Chris Hemsworth and Tom Hiddleston. 

Never forget that Shang-Chi begat Barbie, not the other way around.

This whole “just use the major characters” approach isn’t only a movie problem. For sixty years now, the Marvel Comics mantra has been, “If a comic isn’t selling, make Spider-Man and Wolverine guest star.” The only entity more egregious is DC Comics, who seem contractually obligated to put Batman in fifty percent of their printed comics each month.

It’s why I fear Wolverine being part of the MCU now. I really, really hope Hugh Jackman retires the character after the next Deadpool movie. Not because I dislike Hugh Jackman or Wolverine, but because if the MCU gets their way, he’ll replace Stan Lee in the cameo department.

Thank God Marvel can’t use Spider-Man with impunity. If Sony ever sells the rights back, assume the next seven MCU titles will be Spider-Man and Wolverine.

Where I started to lose interest in the MCU was when they transitioned from the (allegedly) minor characters of Vision and Scarlet Witch to the (again, allegedly) major characters of Falcon and Winter Soldier. Of all the decisions they’ve made over the past five years, moving WandaVision into the pole position of the Disney+ shows, was probably their worst. It showed how groundbreaking the new format could be. Wow, we can have a time-bending, reality-bending show steeped in pop-culture with painstaking attention to detail encompassing seventy years of pop culture? Cool! 

Then they followed it up with stretching a two-hour movie into six episodes.

One thing everyone can agree on is that the glut needed to stop. I understand why Disney felt they needed a shit-ton of TV series right away. It’s hard to compete with Netflix if you’ve only got two or three properties. But, honestly, they could’ve waited more than a couple weeks in between each of those initial series. I watched almost every series, but if you put a gun to my head and asked if a particular scene happened in Hawkeye, Moon Knight, or She-Hulk, I might not be able to tell you. Unless it was in Egypt, in which case my answer it Moon Knight.

Speaking of the glut of Disney+ offerings, stop calling the cartoons part of the MCU. I’m sick of headlines saying “Iron Man returning to MCU” or “Tom Holland replaced as Spider-Man” only to find out it’s about Zombie Iron Man or Spidey and his Amazing Friends. Hell, I’m not even sure how I feeel about Deadpool and Wolverine being the only MCU movie coming out this year. Sure, Deadpool is a Disney property now, but does anyone actually feel, after seeing the first two movies, that this is a natural connector between The Marvels and Captain America: Brave New World? Even in the comics, Deadpool barely works in continuity. I worry the character will lose a lot of his appeal once he has to fit into MCU’s multiple convolusions.

I’m kinda bummed that The Marvels bombed. It was actually a good movie. So was Fall Guy, which also bombed, because somehow Hollywood still hasn’t figured out what gets people to the theaters. A lot of people blame it on Covid hangover, but theater attendance was down int he decade leading up to 2020, as well. For all properties except Marvel.

I think The Marvels is what the MCU needs more of. But not for the reasons that Disney thinks. And not for the reasons Fox News thinks. 

It has nothing to do with the movie having three female superheroes. It’s because at least two of those three superheroes are interesting, played by actors who aren’t phoning it in. It also has Brie Larsen.

Considering that all three characters have gone by either Ms. Marvel or Captain Marvel in the comics, combining them in a movie called The Marvels makes total sense. Those of us in the know realized where it was going as soon as the last name Rambeau showed up in the original Captain Marvel

If you haven’t seen WandaVision (or Ms. Marvel), it might feel like this was a woke shoe-horning in of three female characters of different ethnicities, but considering the MCUs bread and butter has always been characters showing up in each others’ movies, it would’ve seemd odd had Monica Rambeau and Kamala Khan NOT appeared in the next Captain Marvel movie. But yeah, one of those valid complaints of the MCU is that you shouldn’t have to watch every damn property to know what’s going on. 

But if the reason you didn’t watch Ms. Marvel is because she’s Muslim, suck it up. You lost that worthless argument a couple generations ago. 

Monica Rambeau’s been in the comics since the early 1980s, she’s hardly a woke “tick the box” representation character. Was Kamala Khan? Maybe at first, although I find it interesting that she showed up around the same time as Miles Morales. The complaint about Miles Morales was “if there’s going to be a minority character, make a new one. There’s already a white Spider-man.” Then those same people complained when the Muslim Ms. Marvel was completely different than the white one. Or the blue one, which was the original Mar-Vell. 

With all that being said, Marvel Comics, and by extension the MCU, needs to stop putting “tick the boxes” ahead of character development. While I watched and enjoyed The Marvels, the entity I have no interest in whatsoever was Echo. The character of Echo is, allegedly, interesting because she is a) deaf, and b) Native American. Back story? Nah. Specific powers? Not really. Compelling backstory? Did I mention she was both Native American and deaf?

Two of the most boring Marvel characters are Hulkling and Wiccan. Hulking already has one strike against him because he is not in any way related to the Hulk. Hulk has a son, but that is not Hulkling. Instead, Hulkling is part Skrull, so he is green and can shape-shift into something strong, like Hulk. Wiccan is one of Vision and Wanda’s kids. He’ll show up in the MCU soon, I suppose.

Hulkling and Wiccan are gay and they are married to each other. So every time they’re shown, it’s some sort of date night or some other premise to show nonstop adoration between the two. They never fight, as married couples are wont to do. They never have their own agendas. They are simply in love with each other, at all times, because dammit, that’s good story-telling. Meanwhile, Invisible Woman is banging Namor every time Mr. Fantastic leaves the room for more than five minutes.

Hulking is literally the emperor of the combined Kree & Skrull empires, but somehow the only story of his that’s worth telling is that he’s married to a man and they are perfect together. Hey Marvel, it would feel a lot less like tokenism if you allowed the characters to be more than just a token.

This whole “minority characters can’t have flaws” is going to come back to bite Marvel in the ass before long. Exhibit #1: The Phoenix Force.  Historically, it takes over a character, causes them to kick-ass for a period of time, then turns them insurmountably evil before burning out. The plot of X-Men vs Avengers, one of their most-hyped (and least-payoffed) crossovers of the last twenty years, is that infects six X-Men and runs them through the whole gamut in seven issues. They solve world hunger by issue #2 and are trying to end existence by Issue #6.

Now Echo has the Phoenix Force. Let me remind you, however, that she is Native American. And deaf. If Hulkling can’t have any flaws, that applies doubly to Echo. She can’t ever succumb to baser instincts because the Woke Bible says no Native American has ever had an impure thought in their entire history. Nor have the deaf. The way you humanize someone is by removing their humanity.

And sure enough, Echo has had the Phoenix Force since 2021 and… still has it. Hasn’t saved a planet, hasn’t destroyed one. In fact, she doesn’t really do anything. She’s the same character she’s always been and the Phoenix force is just kinda there. Can’t really flare up and do its Phoenix thing as that might detract from Echo’s primary role of being a) Native American, and b) deaf.

I assume they’ll finally fix it by having the Phoenix Force leave her voluntarily to find someone who is corruptable.

But Echo being a terrible character wasn’t the reason I avoided the TV show. The MCU entities are separate from the comic counterparts. The Thor in the comics has none of the humor of Chris Hemsworth. Tony Stark isn’t nearly as charismatic as Robert Downey, Jr. And Shang-Chi? Find me a Marvel fan who knew who that character was before 2018 and I’ll find you a liar. 

But I did watch Hawkeye. It was mostly a good show. Kate Bishop has huge potential to carry the character forward, probably even better than the morose-as-hell Barton (which totally doesn’t match the way the character is in the comics). And Yelena is the single best character to be introduced post-Rocket Raccoon. And again, Yelena ain’t that big of a deal in the comics.

Most of the time, Hawkeye’s pace popped. The times it didn’t? When Echo was there. It was all Kate investigating her stepfather and Clint stuck in New York and Yelena quipping about what’s in the refrigerator. Then it’s, oh by the way, here’s Echo, dropping in like a “Very Special Episode” of a 1980s sitcom. The pace slowed down, the subject matter got serious, because Echo is not a character we are allowed to approach like every other character. We must understand that she MATTERS. 

And they decided to give her an entire series not based on feedback, not based on an objective review of how the character played out, but on a “Fuck you, racist and ableist fucks!” Seriously, Kate, who was supposed to be taking over the main character, has only shown up one more time, in a cameo at the end of The Marvels, while Echo has received an entire series and is also going to be in the next Daredevil series. So who was the main purpose of Hawkeye? 

Charlie Cox got thrown in the last Spider-Man movie because he was hugely popular and finally able to be in the MCU. Ditto with Hugh Jackman in the upcoming Deadpool flick. Loki wasn’t my cup of tea, but I get that it was quirky and had a following, so it made sense that season two was greenlit. Echo, meanwhile, was the opposite. Almost a dare. We’re gonna make a boring character and you’re all gonna watch it or else we’ll call you racist and ableist.

So I guess I can see why people thought The Marvels was going to go that route. But it didn’t.

Sure, The Marvels was little more than a torch-passing, but the torch was being passed from a stick in the mud who never really brought much to her roll, Brie Larsen, to someone who could not be a better embodiment of what the MCU should be, Iman Vellani. She steals every scene she’s in with her exuberance. She’s every bit what Tom Holland exuded in his early movies, but replace the “striving to impress” with a buttload of “OMG, this is so cool.” I know the MCU keeps looking for its next Robert Downey, Jr, and I’m not saying Benedict Cumberbatch isn’t the correct call on that, but what they really ought to be focusing on is the next Star Lord. The next Kat Dennings.

There’s a scene in The Marvels on a planet where everyone sings. It’s hilarious. At one point, Monica Rambeau asks Kamala Khan how many fanfic chapters she’s going to get out of this. But to me, the funniest line was when plot started happening, requiring the king to speak some lines instead of sing them. Kamala looks confused, but Carol Danvers explains that he’s bilingual.

Oh, and there’s a scene where a whole bunch of Flerkins (those cat aliens that scratched out Nick Fury’s eye) are eating up people in order to expedite the evacuation of a ship. Once on the ground, they’ll cough them all up like hairballs. Daughter couldn’t get over the announcements going over the loudspeakers (“Let the Flerkins eat you.” “Do not run from the Flerkins”) while I kept trying to place the background music. 

It was “Memory.” From Cats.

You won’t find that level of tongue-in-cheek in Echo.

What separates The Marvels from half of the MCU’s drivel in the past half-decade is that it’s fun. Remember fun? It used to be the number one purpose of a Marvel movie. But they ended up convincing themselves that kick-ass was the adjective they were going for. Some of their movies are both, but when you’re shooting for kick-ass and you miss, you just get bloated drivel. They learned that lesson with Thor: Dark World, but seemed to forget it by the time Falcon and Winter Soldier came around.

Iron Man was fun. Avengers was fun. Guardians of the Galaxy was fun. Even Endgame was fun, in its own way. Eternals wasn’t fun. Multiverse of Madness wasn’t fun. Wakanda Forever, ugh, don’t even get me started. 

And I can only assume Echo wasn’t fun. 

Unfortunately, The Marvels failed. Maybe they shouldn’t have released it during the actor’s strike, when the actors could actually promote it. Maybe they should’ve marketed Iman Vellani as a Tom Holland that they actually have the rights to. Maybe they could’ve marketed it as a movie with three female superheores, not a movie for the purpose of having three female superheroes.

Or maybe they set it up to fail so that they could look down their nose at all the misogynists.

Deadpool & Wolverine looks fun. I’m sure it will do well. But the next movie is Captain America: New World Order, which, if it’s anything like Falcon and Winter Soldier, will be crap. Maybe when a Captain America movie fails, they’ll realize it’s got nothing to do with the characters. 

Or they’ll just blame it on racists.

Although if Thunderbolts*, a movie led by a female who plays a minor character, does better than Captain America 4, which I think it might, maybe they’ll finally try to figure out what makes a movie good. What the MCU needs.

Wolverine vs Spider-man!

Why I’m Skipping The Eternals

For the first time in a long time, I’m not planning on seeing the next Marvel movie in theaters. 

Really, I don’t think there’s a Marvel movie I’ve set out not to watch since the Incredible Hulk, which precedes the MCU but is still somehow counted in it. And nobody who had seen the original Hulk, with its horrible opposite of uncanny valley CGI, was hot to see if Ed Norton could pull it off. We were pining for the return of the quality special effects of Lou Ferrigno.

With The Eternals, however, I think I’ll take a pass.

Granted, I don’t actually see them all in the theaters, but the intent is always there. Sometimes real life gets in the way. Wife and I can’t coordinate schedules. To say nothing of a child who probably doesn’t need to see half the superheroes dissolve into dust. 

Or maybe she should see it, based on the Halloween costumes in our neighborhood. Are this many kids really watching shows like the Mandalorian? Sure, Baby Yoda’s cute and all, but I’m steeped in forty-plus years of Star Wars lore and even I found some serious snoozefest episodes. I can barely get my kid to watch anything non-animated. Not to mention the violence.

And was that kid dressed from Dune? I feel like I have to watch it three more times just to figure out what the hell’s going on. Are you telling me this eight-year-old figured out the entire caste system?

Squid Game? Come fucking on.

You know what costumes I didn’t see? Ikarus or Athena or, wait, is that Hyperion in the ads? Is Marvel actually trying to sneak their Superman rip-off into a movie and think we won’t notice?

Okay, I just checked IMDB and no Hyperion character is listed. Perhaps that’s Ikarus shooting lasers out of his eyes. Does he have that power? As a lifelong Marvel reader, I couldn’t tell you. I figured he just flew on wax wings that melted on hot days.

Now that I think of it, maybe they should put Hyperion in a movie. Marvel has the Squadron Supreme, which is a knock-off of the Justice League. Not only does it contain Hyperion, but Nighthawk (a rich guy whose hawk looks suspiciously like a bat), Dr. Spectrum (who has a prism that shoots out multi-colored energy beams like the Green Lantern), Princess Power (from Utopia Isle), and the Whizzer (who either runs really fast or has the power of urination). How great would it be for the MCU to finally bury the DCEU by making a better Justice League movie using only the cheap knock-offs.

So long as they don’t make that movie like Eternals looks to be. 

Not that they need to stick with the obvious choices all the time. Shang-Chi was hardly on anybody’s list of Marvel properties, but the movie was solid. Of course, everybody was skeptical when they went from the Big Four (Captain America, Iron Man, Thor, Hulk) straight to the obscure Guardians of the Galaxy. That skepticism lasted about as long as it took to watch the first trailer. That’s when we realized how much fun they can have with more obscure characters. We don’t need to show origins or stick close to a well-known character archetype. Nobody knew who the hell Star Lord was, so might as well make him obsessed with late-1970s pop music and a Walkman.

Guardians of the Galaxy, in fact, laid the groundwork for the rest of the MCU. Sure, there had been quips and comic scenes in the first few movies, but Thor: Dark World is true to the comics character and boring as hell. Thor: Ragnarok is not, and it is not. Marvel movies before Guardians were more fun than funny. Or maybe I have that reversed. Regardless, post-Guardians, they’ve mastered the sweet spot between the two.

My skepticism returned when Eternals was announced. They’re effectively gods, except not those fun Asgardian gods with their personal foibles and tendency to self-sabotage. More like those gods who have no weaknesses. Or interest.

One of the big draws of superheroes of old, particularly those of the Marvel variety, is their weaknesses and humanity. Human Torch is a hothead, Iron Man is an obsessive alcoholic, Spider-Man always gets in his own way. It got even better, even darker, with the X-Men. Storm can’t be in enclosed places and Rogue can’t touch anybody without potentially killing them. Yikes. 

The DC heroes have their drawbacks, too, but they aren’t as integral to their characters as most of them were added after the fact due to changing societal norms. And better Marvel writing. Flash is always late to everything. Superman, like Captain America, is unwavering and overly optimistic. And Batman, of course, is an asshole. So is Green Lantern. 

It’s no crippling claustrophobia, but it helps move the story along.

Newer heroes don’t tend to have the pronounced weaknesses anymore. And a lot of the old ones don’t crop up as often anymore. Thor never gets stuck in human form for being unworthy anymore. Iron Man kicked the booze close to fifty years ago. Storm never manages to find herself in closed areas and even Rogue has managed to get married and have sex. The only character who seems destined to never lose his weakness is Cyclops, because if he could control his eyeblasts, he wouldn’t need the visor anymore and would cease to be Cyclops.

Oh, and Batman’s still an asshole.

Origin stories seem to be lacking these days, too. No more gamma explosions or radioactive spiders, no more exploding alien planets or parents killed in crime alley. While the X-Men have been great for diversifying the Marvel Universe, but for a thirty year span, whenever they wanted to make a new character, there was just a general shrug about how. Make them a mutant. Mutant, mutant, mutant.

Then Marvel sold the movie rights to mutants and stopped making new mutants. Then came the Inhuman push, which was even worse. At least with mutants, the powers usually manifested during puberty. So you might not get an in-depth “how they got their powers” story, but you’d still get the occasional “how awkward the first manifestation was.” Remember when you popped that awkward boner in the middle of fifth grade and didn’t know how to hide it? Now imagine that boner was starbursts of light that knocked out half the class.

The Inhumans didn’t even get that origin story. Instead, a mist covered the entire Earth causing some people to go into a cocoon and come out with powers. No awkward classmates, no stand-in for systemic racism. Just wake up one day with powers and everybody’s cool with it. 

The new Ms. Marvel is one of the characters introduced during this glut. A lot has been made recently about a promotional photo for her upcoming Disney+ show implying she has a different power from the comics. I’m more curious as to the origin story. If she spends the entire first episode in a cocoon, not sure I’ll be coming back for episode two.

Come to think of it, Inhumans was the last major MCU flop. They might claim it’s not a flop because it was a tv show, not a movie, but make no mistake, the intent was for that to become the flagship property of the future. They released the first episode or two in IMAX theaters, but the plug was pulled before they made it to episode six. 

The basic problem with the Inhumans tv show was that it was based off the Inhumans characters, which are pretty friggin’ boring. Their “leader” can’t speak and the queen’s power is prehensile hair. The only interesting character is a dog. Plus they live on the moon, so they virtually never interact with supervillains, or Earth and humanity in general. These are the main reasons, when they realized Inhumans were the only way to introduce new characters that were eligible for the MCU instead of Sony, they knew they had to make a slew of new Inhumans.

In the end, Disney bought out Sony, which was much more feasible than making Crystal a worthwhile character. 

Unfortunately, Eternals seems to be doubling down on most of the mistakes of Inhumans. Uninteresting characters, far removed from the rest of the Marvel characters. Uninspired powers. If I wanted a bunch of Greek mythology, I’ll watch Wonder Woman.

Seriously, is their only flaw that they’re arrogant a-holes who don’t get involved with humanity? How is that fun to watch. It’s made even worse by the fact that, according to the trailer, they sat on the sidelines through the whole Thanos snap and Endgame. But they’ve decided that now is the time to make their presence known? It’s like watching a History channel documentary about aliens who showed up the day after the Egyptians finished the pyramids.

That trailer was the clincher. Unlike Guardians, the Eternals trailer didn’t make me any more inclined to watch it. If anything, it verified all my skepticism. Is there a single joke in any of the three trailers? Do we get any glimpse of characterization other than “attractive”? It feels bloated and confusing and, worst of all, boring.

You can tell by the casting that they knew it was a snoozer even before filming. Angelina Jolie AND Selma Hayek? Clearly they’re there for the mass audiences. But Kit Harrington proves they were worried about losing geekdom, too. Unfortunately, if the buzz I’m hearing is any indication, I don’t think it’s going to work. The only one of my geek friends who’s planning on seeing it has an annual movie pass that he’s desperately trying to get worth from before the end of the year. My non-geek friends aren’t even aware a Marvel movie is coming out.

I’m just glad that the first flop won’t be Shang-Chi. That was a worthwhile reach into an obscure character. Had it failed, we’d be in line for ten different Wolverine & Spider-Man buddy movies. If there’s going to be a flop, let it star big Hollywood names. Let there be no doubt that characters and story matter more than the name on the marquee.

Wait a second, isn’t the name of the movie on the marquee, not the actors? Meh. Story matters more than the name on the IMDB.

Don’t worry, though. I’m sure I’ll watch it once it’s out on Disney Plus. And the good news is Spider-Man is only a month away.