Musings

Whither Yacht Rock, Old Sport?

I know March is not my usual time of year for concert reviews. But cover bands don’t count as real concerts, right? Besides, this review isn’t really about the band, nor the venue. I’m here to talk about the song list.

Mustache Harbor, which bills itself as a Yacht Rock cover band, recently came to town.

What’s Yacht Rock, you may ask? Well, as you’ll see below, it’s not the easiest music genre to define. The definition usually starts with a generic description of “Late 70s/Early 80s Soft Rock.” But that hardly does it justice, nor does it differentiate it from many other acts out there. Barry Manilow, for instance, is late 70s soft rock, but he’s not Yacht. Christopher Cross, on the other hand, is.

So what distinguishes Yacht Rock? A little bit of funk, but not too much funk. Maybe a dollop of driving bass line. Electric piano goes a long way. It doesn’t have to have saxophone, but really, it should probably have saxophone. And harmonizing vocals, preferably of the falsetto variety.

The only thing that everyone can agree on is that it must be smooth. Think Doobie Brothers in the Michael McDonald era. Or Steely Dan in the Michael McDonald era. Or Michael McDonald in the Michael McDonald era.

But beyond that, there’s some debate.

Kenny Loggins? His early stuff, sure. But once he became a soundtrack machine,  he was not. Or rather, he was “Nyacht.”

Toto? “Roasanna” is a yes. “I’ll be Over You” is a no. “Africa” is a maybe.

But what about Rupert Holmes? Or Fleetwood Mac? Or Air Supply?

Disagreement abounds. The Sirius/XM channel that comes on the car every summer defines some songs as Yacht Rock, Pandora uses a different definition. Even Alexa can weigh in with a playlist of her own.

The definitive listing comes from yachtornyacht.com. Those are the guys that first coined the term “Yacht Rock” back in 2005 and they now have a podcast where they rank songs from zero to one hundred. The top song on the list? “What a Fool Believes,” by the Doobie Brothers. The lowest song on the yachtornyacht scale is Led Zeppelin’s “Fool in the Rain,” scoring 2.25 on the Yachtski Scale. I don’t even know why that song was rated. I mean, I guess it has a certain bass beat. But it’s Zeppelin. Zeppelin’s not smooth.

Then again, I disagree with yachtornyacht on a regular basis. They have “Escape (The Pina Colada song)” at 35.25. Look, I know it’s cheesy. I know it’s overplayed for all the wrong reasons. I know there’s no way the wife would smile and say, “Oh, it’s you,” when he shows up at the restaurant. She’d say, “OMG, I can’t believe you were coming here to fucking cheat on me, you worthless piece of shit. You’ll be hearing from my lawyer on Monday.” But all that notwithstanding, it still needs to be above the 50% line, which is the cutoff for “On the Boat.”

There are a few other faux pas on their list, if you ask me. Chuck Mangione’s only at a 44.5? I think the last time I was on a cruise, they put that song on constant loop. And sure, a 2015 booze cruise isn’t the same thing as a 1980 yacht, but why you gotta hate on the flugelhorn? And what’s this? They have “Key Largo,” by Bertie Higgins at a 39.75? Come here, Yacht Rock Guys, I need to smack you upside the head. Watch the video! He’s on a fucking yacht. With a white suit and shirt buttoned down to his navel and his shaggy hair and beard are blowing in the wind while his girlfriend isn’t wearing a bra. That might be the most 1982 piece of media in existence. You could find Ronald Reagan orally copulating on Margaret Thatcher while she’s shouting “Where’s the Beef?” and it would only be half as early-1980s as “Key Largo.”

So, before I get into lambasting Mustache Harbor’s definition of Nyacht Rock, I’m being up front about the fact that Yacht Rock is not the most definitive style in existence. Based on their playlist, Sirius/XM probably rates Steely Dan higher than Doobie Borthers. Amazon plays a lot more Fleetwood Mac than I’m comfortable with. A number of people online keep trying to add Jimmy Buffett. And I swear by all that is mighty that every time I hear “Ain’t Even Done with the Night,” by John Cougar or John Mellencamp or John Cougar Mellencamp, I want to rank it a 95 on the Yachtski scale, but I have yet to hear or see it on any playlist. The closest it gets is Sirius/XM’s “The Bridge,” which is Yacht Rock’s evil twin brother, goatee and all.

Oh, and speaking of most definitive videos of a particular year. you can’t get much more 1980 than this. Or maybe this. I really can’t tell which video of the same people performing the same song in the same way is more glorious.

That being said, there are some hard and fast rules. And Mustache Harbor broke many of them. When I went to their concert recently, I decided to…

You know what? One more aside. Mustache Harbor is a Yacht Rock cover band. Regardless of your definition, the height of Yacht Rock was in the late 70s and early 80s. Let’s do the math. If you were, say, ten years old in 1979, you’re turning fifty this year.

Why does the age of Yacht Rock fans matter? Because the fucking concert started at ten o’clock!

Let me repeat that. The concert STARTED… at 10:00! PM! What the hell time do they think us forty- and fifty-somethings go to sleep? Dude, put the Christopher Cross guys on at 6:00 and let us grab a drink afterward and pretend we’re in our twenties again. Then maybe you can follow it up with some dancehall DJ or something. Do they still call it a dancehall DJ? Did they ever? Is the phrase “Discoteque” still in favor?

So anyway, my wife got the tickets for me as a Christmas present. Then we saw the start time. Way too late to get a babysitter, so I was flying solo. Fortunately, we have some other couple-friends who were similarly able to divvy up the chores between concerting and sleeping in the same house as children. But because wife, who also enjoys the genre, couldn’t be with me at the concert, I decided to jot down the playlist.

It wasn’t long before I thought, “This isn’t a wife list, this is a blog post.” By song five, friend and I were upset that we didn’t think to make a “Nyacht” sign.

So, without further ado (or as Yachters say, “adieu”), here’s the list of songs, along with the Yachtski number (when applicable) and my commentary.

Ride Like the Wind. Christopher Cross. Yahtski Scale: 93.75. Smooth start, Old Sport. Christopher Cross is right there at the top of the list. If Michael McDonald is the Jesus of Yacht Rock, Christopher Cross is Saint Peter. The first apostle. The first pope. “Ride Like the Wind” might not be as definitive as “Sailing,” but I’m sure the latter is coming.

You Make My Dreams. Hall and Oates. Yahtski Scale: NR. Hmm. Hall and Oates. It’s hard to be sure if they’re on the boat or not. They are definitely in the right era. And a good portion of their songs are pretty damned soulful for two white dudes, one of whom has a poof of blond hair and the other of which has a molester’s porn ‘stache. And if one of the things that defines Yacht Rock is harmonies, Hall and Oates have got those in spades. But Hall and Oates has a pretty wide range of music styles. They were tough to genre-ize, so you have to take their songs one at a time. As proof, while yachtornyacht hasn’t classified this exact song yet, they have rated twelve other Hall and Oates songs. Most are under fifty, but twelve songs means they keep popping up. You Make My Dreams? Yeah. I’ll allow it.

Somebody’s Baby. Jackson Browne. Yachtski Scale: 49.75. I love this song. This is one of the few songs that I absolutely must sing along to every time it comes on the radio. But this is one that the Yacht Rock world can’t really agree on, as is evidenced by that Yachtski Number. It’s a little too fast-paced for some. A little too mainstream rock. The lyrics are a little too whiny weenie, which is not smooth. And there are two general questions that one must ask to get a song on the boat. 1. If you were at a Yacht Rock Party, would you be okay with this song coming on? Absolutely. 2. Do you think yacht owners were actually playing this song on board in the early 1980s? Unfortunately, I gotta say no. But I don’t give a shit. This song is wonderful and this concert’s going pretty well through the third song.

Rosanna. Toto. Yachtski Scale: 95.75 Yeah. this song would be fine at a Yacht Rock Party. And I’m pretty sure every yacht in the entire world was playing this song in 1982. Soulful. You can sing it at the top of your lungs. Harmonies? Bass? Yeah. It’s the seventh-highest song on the Yachtski scale. I don’t know if I would rank it that high, but it’s definitely, unequivocally, on the boat.

I Keep Forgettin’. Michael McDonald. Yachtski Scale: 98.5 Yaaaaassssss! Starting with Christopher Cross and building toward Michael McDonald. The Yacht is Strong with this one. I Keep Forgetting… that things are about to take a turn for the worse.

Big Shot. Billy Joel. Yachtski Scale: NR I love Billy Joel. If there’s any temporary Sirius/XM station I listen to more continuously than Yacht Rock Radio, it’s Billy Joel Radio. And Billy Joel is capable of a wide variety. He does doo wop. He does a capella. He does rockers. I’m certain if he wanted to emulate Kenny Loggins at some point in his career, he could have without half a thought. But I don’t think he ever wanted to emulate Kenny Loggins. The people he emulated tended to be the 1950s and 1960s act that inspired him. Unlike Hall and Oates, who are routinely left off the boat, but are at least continually put forward as potential, there is only one Billy Joel song on the Yachtski scale, and it ain’t Big Shot. It’s Zanzibar, and it’s below fifty. So yachtor nyacht, which has ranked some 800 songs, has looked at Billy Joel’s entire late 70s, early 80s repertoire of, what, fifty-plus songs, and only one time did anyone ever think, “Huh, I wonder if this is Yacht Rock.” And then the answer was no.

Then again, would a yacht owner in 1982 have “Glass Houses” on the Hi-Fi? Yeah, he probably would. And “Big Shot” is about hangovers, so that fits the motif. But this song is a bit too driving. Too front-beat. It doesn’t even have any saxophone, and I think seventy-five percent of Billy Joel songs have a saxophone. Had they gone with “Keeping the Faith,” I might’ve been a little bit more inclined to put it on the boat. Still, Billy Joel might be classified as Yacht Rock adjacent. At the dock, maybe.

But for the first time, I’m questioning this band’s song selection. Speaking of the first time…

Feels Like the First Time. Foreigner. Yachtski Scale: NR.  I mean, props to them for picking another band I’ve written about before. But no. Foreigner is a rock band, pure and simple. Similar to Billy Joel, there is only one Foreigner song on the Yachtski scale. It’s “Waiting for a Girl Like You,” and it’s not ranked as high as “Zanzibar.” All of the “leaning nyacht” elements from Billy Joel are present in this song, but most of the “leaning yacht” elements are gone. This song was playing at frat parties in 1980, not yachts. If the next song ends up being “Working for the Weekend,” by Loverboy, I’m leaving. After all, it was already past my bedtime when you played “Ride Like the Wind.”

Summer of 69/Boys of Summer. Bryan Adams/Don Henley. Yachtski Scale: NR/NR These two songs came via a medley. A medley of summer. Yachts go out in summer, I suppose. So two songs with summer in the title. I can only suppose they cut “All Summer Long” in the rehearsal. Althoguh, unlike Kid Rock, the two summer songs they chose are bona fide top 40 hits of 1984. But unfortunately, they are in no way, shape, or form, Yacht Rock.

But I’m starting to see what they’re doing here. Maybe Yacht Rock is not enough to sustain a full concert, particularly at 10:00 at night. If they hit us with a steady stream of Gerry Rafferty or Grover Washington or Seals and Crofts, we’re not going to make it to midnight. Yacht Rock is intended to be listened to while relaxing and sipping a cocktail. This band is playing to mid-lifers at midnight. So they’ve got to throw some more upbeat songs in. And while they’re on their third Nyacht song in a row, the songs they’re picking are probably enjoyable to Yacht Rock fans. The timeframe is correct, and who didn’t love some Foreigner and Bryan Adams and Don Henley back in the early 1980s? So if you’re a Yacht Rock band that’s going to dally into Nyacht territory, these are safe dalliances. It’s a playlist catered to people of a certain age. It’s Nyacht, but it’s enjoyable.

Life in the Fast Lane. The Eagles. Yachtski scale: NR. Two Eagles songs in a row. Sort of. I know the last song was technically solo Don Henley, but let’s classify him as Eagles.

The Eagles don’t split the Yacht Rock community as much as Hall and Oates, but they’re still there on the periphery. Yachtornyacht has ranked four of their songs, but this is not one of them. Some of their songs, like maybe “Desperado” and “Tequila Sunrise,” have elements of Yacht Rock. But most of what they produced were straight-up classic rock. I think a fair amount of their later work might’ve influenced Yacht Rock. Pre-Yacht Rock? Pracht Rock? That’s the argument, at least. But nah, I don’t buy it. Eagles are classic rock. Sorry.

But what about the individual members after the breakup? Mmm… Nah, still not seeing it. Don Henley spent the 1980s much closer to a Phil Collins or a Rod Stewart than to a Christopher Cross. I might, MIGHT!, on a very generous day, give thought to “Smuggler’s Blues,” by Glenn Frey, but I’d still probably end up saying, nah, don’t buy it.

But “Smuggler’s Blues” is a bit too hard edged for Yacht Rock. If any former Eagle hit should count as Yacht Rock, I’d be most inclined to give it to Joe Walsh’s “Life’s Been Good.” But even then, I’d say, “Nah, Nyacht.”

Kiss on my List. Hall and Oates. Yachtski Scale: 62. And now we’re back in in the realm of Yacht Rock. Not on the Yacht, necessarily, but in the realm. Maybe you’re even off the dock. You’re stocking up the cooler.  Again, it’s Hall and Oates. And again, we’re facing the question of whether they’re Yacht Rock. I’m still on the fence. But after five Nyacht songs in a row, at least we’re reminded of what we’re here for.

Biggest Part of Me. Ambrosia. Yachtski Scale: 72.5. Okay. Finally, we’re back on the boat. For sure. Ambrosia is a couple of solid 1980-level crooners. Hell, if the whole concert was like this, you wouldn’t be reading a blog post right now. I don’t know if they’re a duo. Probably. If they are, forget what I just said about Air Supply. These guys are yachtier than the Aussies with their       Smooth. Harmony. Don’t bother me now, I gotta sing along. Ooo-Ooo-Ooo-Ooo-Ooo, Baby please don’t go.

Can’t Go For That (No Can Do). Hall and Oates. Yachtski Scale: 42.75. Wait a second, is this a Yacht Rock band or a Hall and Oates cover band? Did they start as the latter and realize that it didn’t really fill the stadiums arenas community centers? Not enough floozies willing to through their panties at a non-mustached Oates replacement? So they decided to Google search similar bands and discovered this new genre of music? And then they decided to slip in a little Eagles and hope no one noticed. And thinking that solo acts and the band they came from are somehow different. Is Method of Modern Love, which I believe is technically listed as a Darryl Hall solo project, coming up next?

As for where this one fits on the spectrum, I feel like it’s not as Yachty as “Kiss on My List,” but it’s better than “You Make My Dreams.” They are more yachty than the Eagles. Way more yachty than Foreigner. But if were going to have three songs from the same duo, would Air Supply kill you?

Go Your Own Way. Fleetwood Mac. Yachtski Scale: NR. Fleetwood Mac. My wife loves them. Both in general, with “Stevie Knicks Radio” as her go-to Pandora Station, and specifically, she feels that they deserve to be in the Yacht Rock genre. I can take them or leave them, generally, and specifically, I don’t think they’re anywhere near the boat. Straight-forward Classic Rock. Tom Petty’s opening act, or maybe it was the other way around. If I were to pick any Fleetwood Mac song as Yacht Rock, it might be “Rhiannon.” I know 1975 is too early, but the beat is right. “Go Your Own Way,” however, is no “Rhiannon.” And my family must not be the only one facing a similar division. Yachtornyacht.com has ranked five Fleetwood Mac songs, but none of them rank higher than 34. This song, however, is not one of the five. Nor is “Rhiannon.”

Hotel California. Eagles. Yachtski Scale: 7.17. Really? Three Hall and Oates songs AND three Eagles songs? But only one solo Doobie Brother and no Kenny Loggins. I’m really starting to think this whole Yacht Rock cover band thing is just a made-up designation because you wanted to be a Eighties band but had too much seventies. Or vice versa. You’re really just scouring the Top 40 lists from 1975 to 1985 and throwing darts.

Bennie and the Jets. Elton John. Yachtski Scale: NR. No. Nuh uh. Never. Next?

You Should Be Dancing. Bee Gees. Yachtski Scale: NR The Bee Gees are disco. Ask any person on any street in any town in the United States. Or the world. I don’t care if it’s a street in Ouagadougou, and the Burkina Fasoan has never even encountered electricity before, he’ll know that the Bee Gees are disco. When a band defines one entire genre, you can’t just sneak them into a cover band for an entirely different genre. That’s why there’s no Jimmy Buffett on the boat, either. He’s got his own genre. Ain’t nobody got no time for that.

Even worse, we’ve no had three of the last four songs be unranked. And the fourth had a single digit, which is probably worse than being unranked. And they’re actually starting to veer away from the “Good dance songs from the Yacht Rock era” caveat I threw them before. I don’t think I’ve ever heard of anyone dancing to “Hotel California.”

Well, let’s spin the random song of the early-eighties-o-meter once again and see what new Nyacht song we can come up with next.

Easy Lover. Phil Collins and Philip Bailey. Yachtski Scale: NR. Hmmm… On the plus side, it’s got Philip Bailey. On the minus side, it’s got Phil Collins. Not that Phil Collins is a negative. For my money, he’s probably one of the best rock drummers in history. And you can’t get very far into a discussion of eighties music without “No Jacket Required.” But smooth would not be in, oh, the top hundred adjectives I would use for Phil Collins. And I haven’t seen or heard this song on any Yacht Rock list before. But now that I listen to it, it does check most of the boxes. Falsetto harmonies. Backbeat. Smooth bass groove. Nice electric guitar solo. Well shit. Has this song been overlooked? If I can hold onto my “Ain’t Even Done with the Night,” then maybe there’s room for some “Easy Lover.” Thank you, Mustache Harbor, for making me contemplate this, and I will overlook the fact that you’re now on five straight unranked, or should have been, songs.

What a Fool Believes. Doobie Brothers. Yachtski Scale: 100. Thank God for some Doobie Brothers. It’s about fucking time. The only song ranked 100% Yacht on the Yachtski scale. This is it. No, not “This Is It.” That song is only ranked at 98.25. But if we’re back in Doobie territory, Kenny Loggins can’t be far behind. Maybe they’ve finally gotten all of their Disco, Classic Rock, Glam Rock shit out of the way and now it’s all Yacht Rock the rest of the way. After all, we’re nineteen songs into a concert that started at 10:00 at night. There can’t be many songs left. Hey, they totally should’ve done “Hey Nineteen” for their nineteenth song. But it’s too late for that. Come to think of it, I haven’t heard any Steely Dan yet. And I’m fine with that. If Fleetwood Mac’s where my wife and I tend to disagree, then Steely Dan is where I come to blows with BOTH Sirius/XM and yachtornyacht. Yes, I know Michael McDonald was briefly part of Steely Dan, and they do have some Yacht Rock songs, but Sirius/XM plays, like, three Steely Dan songs an hour, and at least half of the Steely Dan songs they play are just plain bad. I mean, if I have to listen to “Deacon Blues” or “Babylon Sisters” one more time, then I might have to, oh I don’t know… Not turn off the radio, but maybe pray a little harder for the return of Billy Joel radio? C’mon, Sirius/XM, play some more Doobie Brothers. Michael McDonald era Doobie Brothers. Something like, oh I don’t know, “What a Fool Believes.”

Oh right. Where was I?

All Night Long. Lionel Richie. Yachtski Scale: 61. I’m actually surprised how high this one is on the Yachtski scale. I thought it was more controversial. I think Lionel Richie might be hurt by the rest of his catalog. He’s often mentioned alongside Barry Manilow. Or Nicole Ritchie, but that’s an entirely different mark on his career. But musically, there’s a lot of straight ballads in his catalog. There’s got a lot of funk in there. There’s a lot of whatever the hell “Dancing on the Ceiling” is in there. But really, what is Yacht Rock if not funkified ballads? And “All Night Long” is way more upbeat than “Easy” or “Hello” or “Truly.” It’s not straight funk like “Brick House.” It’s almost frustrating that Lionel Richie couldn’t fuse his sappy-ass shit with his funk bona fides more often. But he does it here. He does it in “Sail On,” too.

Okay, and maybe “Dancing on the Ceiling.”

Hold the Line. Toto. Yachtski Scale: 56.5. Doobie Brothers, then “All Night Long,” then quintessential Toto? I’m in. We are back on the boat. By the way, there are fully eighteen Tot songs on the Yachtski Scale, and none of them rank below 40. That’s how you determine a Yacht Rock act. If Michael McDonald is Jesus and Christopher Cross is Saint Peter, then the singers of Toto are the rest of the disciples. Like Judas. He’s a good guy, right? I didn’t stay till the end of the movie.

Regardless, it’s smooth sailing from here on out. They faked us out with their Elton John dalliance, but these dudes know what they’re doing. I can safely stop creating my “Nyacht” sign to hold up every time they start a new song. Super excited to see where this cruise stops next.

Maniac. Michael Sembello. Yachtski Scale: 14. What the-? Umm… Well, at least it’s a movie soundtrack. About a stripper. It’s Kenny Loggins, right? Footloose? Wait, are you sure that was Jennifer Beals who did the lean back in the chair with all the water dumping on her? I could’ve sworn it was Kevin Bacon in a tank-top and jeans, twirling through the barn, and then he finishes by pouring water on himself. Those are two different dances in two different movies? I don’t know. I might have to take that under advisement.

Regardless, “Flashdance” isn’t Yacht Rock.

Africa. Toto. Yachtski Scale: 93. Toto, part three. Although, as with the Eagles and Hall and Oates, they’re playing two songs from the same band way too close to each other. Who makes the setlist for these guys? Did he forget to hit the shuffle button at the end? I wish I could find a video poker machine that’s as “random” as your songs, because I’m pretty sure I could get three of a kind all day long.

As for “Africa,” I think it’s a heck of a lot better than “Hold the Line.” Maybe than “Rosanna.” Heck, “Africa” might be one of the most perfect songs ever written and recorded, and quite possibly one of the quintessential songs of the 1980s. But I don’t know if it’s Yacht Rock. I enjoy it when it comes on Yacht Rock playlists. But, even though it was released in late 1982, I associate it more with 1984 and 1985. It had enough legs to last well into mid-decade. It’s almost a genre unto itself. Kind of like “Don’t Stop Believin’.”

And no, Journey is not Yacht. But I’m surprised this band hasn’t gone there yet. Journey’d be more legit that the Eagles.

Baby Come Back. Player. Yachtski Scale: 58.5. Hold on. Can’t comment. Need to croon. ANY KIND OF FOOL CAN SEE! I mean, I do find it odd that they played this song twice in the same concert, but… hold on… my bad, the other song was “Biggest Part of Me.” I guess I was never aware those were two different songs.

Regardless, man, this is my happy place. This is the shit I came to see. I don’t care where yachtornyacht ranks it. I don’t need to listen to the podcast episode where they blaspheme it all the way down to what my students would call a D-minus-minus. And y’all got “Babylon Sisters” at an 89? What is wrong with the people who invented the term Yacht Rock? Y’all got no clue of what you’re talking about. Am I the only one who really knows? Well, me and Mustache Harbor, right? You and me, guys. We know what’s going on. Can’t wait to see how you finish this concert out.

Blinded By the Light. Manfred Mann. Yachtski Scale: NR. I know, I know. I’ve used the same joke multiple times. And I really wanted to start this with another “Ummm….” or a “What the…” But I’m kinda being real about the emotions I went through at the concert. Every time they would get on a roll, I’d start thinking maybe they had to get past the Nyacht and now they’re in the Yacht. I came up with logical reasons why they would throw in a Bryan Adams song. I tried to make a good argument for Phil Collins. I side with this band against the feudal lords on the “Player v. Steely Dan” debate. And then they bust out the Manfred fucking Mann. Forget designations of Yacht and Nyacht. On what planet is “Blinded by the Light” in the same setlist as “I Keep Forgetting”? And unlike “Feels like the First Time,” this isn’t a mood-setter. We are near the end of the concert. We’re building toward your finale, and all I can think is that if this is your best stuff, then my initial suspicions were the most accurate: you were some other type of cover band who only reclassified in a new genre to trick unsuspecting fans like myself. Although what the hell were you covering before? There’s too much seventies to be an eighties band. Too much eighties to be a… well, I guess there aren’t any seventies cover bands, are there? So maybe a white funk band? Fine, if you want funk, then put in some Tower of Power. “What is Hip?” wouldn’t make it on any Yacht Rock list I’ve ever seen, but it’d be no worse than Manfred Mann. Hell, play some Bruno Mars.

Unfortunately, I took a leak during this song, so I don’t know if he sang the alleged lyric, “And little Early-Burly came by in his curly wurly,” or the real lyric – “And little Early-Burly gave my anus curly-wurly.

Easy. Commodores. Tachtski Scale: NR.  Well, shit. I just got finished saying “All Night Long” was legitimate Lionel Richie Yacht Rock, not like his slow-ass ballads. Like “Truly.” Or “Still.” Or… Do I now have to take back everything I said about knowing the fifty year-olds in your audience need some pick-me-up songs for a concert that starts after dinner? Because if that’s the case, then how is this the penultimate song? I mean, I didn’t check the clock. Did you intentionally wait until midnight so that it is now officially Sunday morning? Because 12:01 Saturday night isn’t “Easy like” anything. It’s hard as hell and I’m trying to be a young buck and pound my last IPA, but my daughter’s going to be waking my ass up in five hours because she doesn’t seem to understand the difference between weekday mornings and weekend mornings.

And if they DIDN’T intentionally wait until midnight just to be clever, if they’re just playing some slow-ass Commodores song because they think that’s what the people demand, then I need to make sure I pack that “NYACHT” sign next time.

Still the One. Orleans. Yachtski Scale: 31.25. This is the song they ended their main set with. I mean, I guess it’s more upbeat than “Easy. But is it Yacht? Meh. The timeframe kinda works. It’s a fun song. No harm, no foul. If I hadn’t been questioning your bona fides for the last two hours, if you hadn’t tried to sneak “Hotel California” and “Bennie and the Jets” past me, I’d probably be fine with this. But coming off of the last two songs? I feel like I haven’t heard Yacht Rock in a half-hour.

And regardless of its genre, I don’t really know that I’d call “Still the One” a set ender. This is more of a “Don’t forget to close out your tabs, then come back for the finale” song. Honestly, this is where you might want to stick an “All Night Long” or a “Hold the Line.” Even “Easy Lover” is upbeat enough to build toward.  It’s like you now feel bad for keeping us up past our bedtime and you know want to lull us back to sleep. Except we still need to drive home, so throw us a beat here.

And then they left the stage. But the lights didn’t come on. And we all know what that means. Encore! Boy, I wonder what they’ll play.

Of course, with a standard band, you think back over all their catalogue of hits and try to find that needle in the haystack, that quintessential hit that they haven’t played yet. I’ve seen Mummford and Sons enough times to know that they will usually play either “I Will Wait” or “Little Lion Man” as the second or third song of the concert. Then the other one will be in their encore. See? That’s how you make a setlist.

However, with a cover band, and especially a genre cover band, it’s wide open. And with this particular genre cover band, boy howdy. It could be anything. “All Shook Up” to “Uptown Funk.” Maybe follow up the Orleans version of “Still the One” with Shania Twain’s song of the same name.

But let’s give them the benefit of the doubt. Let’s see what genuine Yacht Rock is still out there.

They still haven’t played any Steely Dan. I’ve got no problem with that particular oversight, but I’m sure some other aficionados might. “Hey Nineteen.” “Peg.”

Still no Kenny Loggins. This seems like a greater oversight. “This is It” seems like a good encore song, but I’d be willing to listen to “Who’s Right, Who’s Wrong.” “Footloose” isn’t Yacht Rock, but it would be a good intro song if you’re doing more than one song.

They only played one Christopher Cross song, and it wasn’t the most iconic Yacht Rock song of “Sailin’.” They’ve got to do “Sailin’,” right? You can’t have a Yacht Rock concert without that song. Seems more of a show-starter than a show-stopper, but maybe if the encore is more than one song.

Who else is missing? Rupert Holmes? Bertie Higgins? Al Jaurreau? Boz Skaggs? Captain n’ Tenille?

Well, they didn’t give us long to muse. I don’t even know if the last band member was off the stage before they were heading back out for their send-off, one song, encore.

What’s it gonna be? What’s it gonna be?

Encore: 

Blink. Blink. My jaw stood agape as the opening hit. Wait, this isn’t-? It kinda sounds like-. It can’t be-. Did they really just-? WHAT THE FUCK AM I LISTENING TO?!?

Come Sail Away. Styx. Yachtski Scale: 7.25.

Seriously? Styx? A song more memorable as a “South Park” bit? Yes. Yes, I know that it says “Sail” in the title, but… What in the Actual Fuck are they thinking?

That 7.25 on the Yachtski scale is being generous. They probably just threw it a bone because it has the word “Sail.” But this song is the opposite of smooth. It’s overdone. It’s baroque brashness.

Yacht Rock goes for fun over dramatic. It’s smooth, unassuming. You WANT to be on the boat.

Want to know a boat you DON’T want to be on? The one where the captain keeps begging and pleading for you to join him. “Come sail way, come sail away, come sail away with me, you guys…”

C’mon… PLEASE?!?

More Crazy Curling

It’s time for the update nobody was asking for.

Seriously, I’ve seen the stats. I could tag “wiping my ass” and have five likes by the morning. But curling sends all the boys to the (other) yard.

But I don’t care, because someone (most likely me), somewhere (most likely here) wants to know how my curling has gone since my last post. Did I play more bonspiels in the second half of 2018? Have I played anything other than lead? Did I ever make it past the 2-2 bugaboo that seems to plague me at every turn?

Well, I’m glad I asked myself!

I might have some new readers since my last update, so here’s the skinny: I started curling (yes, the one with the sweeping and the grunting and the yelling) back in the 2014 Olympics. Or rather, while the 2014 Olympics were going on. Not IN the Olympics, mind you. Now I’m approaching the five-year mark, which technically means I should be getting much better. And there are some games where I totally am better. And then there are games where I seem to have forgotten which direction the stone is supposed to go or how to hold a broom or, really, what the fuck this “ice” thing is that we’re standing on. I’ve never been much of a golfer, but I hear that is response of most golfers: I hit that shot yesterday, why am I in the bushes today? And for the next three months?

In my last post, I wrote about the dream team of new-ish curlers that we put together to take the crown at the vaunted “Five Years of Experience or Less” tournament and how we failed miserably in that regard. We won our first two games and lost our next two games, which has more or less been the hill I tend to die on in most bonspiels. Two wins, two losses, and almost always in that precise order.

Well since then, I’ve curled in two more bonspiels. And the good news is that in one of them I didn’t go 2-2! Huzzah!

I went 0-4!

Just kidding. We actually won four games that weekend! Huzzah! And then I went to another bonspiel and went 2-2 again. In the same fucking order I always do. Except I was kinda, sorta proud of that record this time around. Was it against better competition? No. Not at all. The competition was atrocious. So why was I so tickled at this particular 2-2?

Before I get to that, let’s focus on the 4-1 record. Because that one came first chronologically and I’m a history teacher.

Most bonspiels are run in a standard “bracket” system a la March Madness. Some start with pool play. Others do not. Regardless of whether you played in a pool or bracket, though, you reach a point where the loser goes home. And ideally, that loser-go-home game comes after the teams have been sorted into the haves and the have-nots. Sometimes that can be a little brutal, as you win your first two games and are rewarded with a do-or-die game against some behemoth team with Olympians. Meanwhile those numbnuts who you beat 15-2 in Game One are now playing on Sunday morning, twenty hours after you were eliminated, in the semifinal of the bracket where all the teams started out 0-2.

My home club starts with pool play which then goes into three brackets. We send the top sixteen teams, which ends up being all the first-place teams and most of the-second place teams, into the A Bracket. This seeding has often been the undoing of my team. As I mentioned, we often win our first two games and then lose our third. That usually puts us in second place and then we enter the A Bracket as something like the 15 or 16 seed. And if you follow March Madness, you know what usually happens to the 15 and 16 seeds. Even if you don’t follow March Madness, I bet you can probably figure out what happens when the 16th-best team plays the best team. It’s time to drink!

So when we won our first two games at last September’s bonspiel, we got nervous. The third team we were playing was 1-1, but if they beat us, we’d both be 2-1 and they’d get first place based on head-to-head record. Most of the tiebreakers were established before the third game started, so going into it, we knew that we were either going to be the fifth seed with a win, or the fourteenth seed with a loss. The pressure was on.

We won the third game. Don’t ask me how. And by “don’t ask me how,” I don’t mean that we had no fucking business beating that team. I just don’t remember how we beat them. It was back in September and I’ve played a lot of games since then. Nothing really sticks out about that game. The games we lose? Yeah, I remember every fucking mistake and the number of centimeters each shot missed by. But wins don’t stick in my craw very long.

Wins are forgettable and the losses stick with you forever. Why the fuck do I play this game?

But I do know that, since we finally got past the double-digit seed shenanigans, we also finally won our first game in the A Bracket. Again, though, it was a win, so I got nothing to tell you about that game. All I know is we were 4-0, we had survived until Sunday, and we were in the quarterfinals of the A Bracket. The Elite Eight! And who cares if our potential Final Four match-up happened to have a guy who came in second place at the Canadian Men’s Championships last year and was prominently featured in this John Oliver clip. The one in the hat. Super nice, has come to our club a number of times. Would totally destroy my team. But that doesn’t matter, because the Final Four is the Final Four, baby.

Except you have to make it past the Elite Eight first, and astute readers will note that I already said we went 4-1. So maybe I should stop looking ahead at a match that would never happen.

What happened in our fifth match? Well, since it was a loss, I can tell you in excruciating detail. Again, why the hell do I subject myself to this mental torture?

In Game Five, we made two key mistakes. Our strategy was solid. We hit our shots. We curled well. We swept well. We took advantage of the other team’s mistakes. From a curling standpoint, we did pretty much everything you would need to do to win the game.

So where was our problem? Walking.

The first faux pas came when we had a two-point lead. They had one point in the house, and we were taking the final shot. There was a little bit of a port between guards where we could get to their rock, so we decided to go for it. Worst case scenario, we figured we’d give up one and still have the final shot in the next end. Well, our shot didn’t make it through the port. It clipped the guard. No biggie, the shooter and the guard should have rolled out and everything in the house stays where it is.

Except it didn’t roll out. The other sweeper on my team happened to have his foot there, so the rock cushioned up against his inseam. And since his foot was in the process of walking forward, the rock shifted its momentum, too. It spilled into the house.

The rules say that the opposing team gets to decide what happens to a stone that is “burned” (ie touched). Usually this means putting the stone back or removing it from play. But you can let it stay where it ended up after the other team touched it. The unwritten rule is that you do your best to determine what the rock would have done if it wasn’t touched.

I can say, without equivocation, that there is absolutely no way this particular rock was going to end up in the house. It was leaving the guard area on a route that was parallel to the house. The other team said it would’ve hit one of the other guard rocks, which is true. There were two rocks just past my teammate’s foot, which is why his foot was in the evacuation path in the first place. But there were two stones there that the stone in question would have transferred its momentum to, and the front one would’ve trapped it there. There’s no way it would have taken the right turn that it took unless it came up against an object already moving in that direction. Such as a foot.

Think of marbles. Or billiard balls. When a ball strikes another ball, it stops. It might roll a little bit one way, but it’s lost most of its momentum by then. Especially if there’s another ball there after it rolls a bit.

Anyone who knows anything about how curling rocks behave knew that the stone would not have ended up in the house. Hell, had the opposing skip actually been watching, he would have admitted that, but I don’t think he saw what happened. I think he all of a sudden looked up and saw two of his rocks in the house and just said he’d take the two points.

And the rules say it’s up to the other team and, shocker, they take the second point. I can’t be certain I wouldn’t do the same thing in his position.

But no biggie. It’s a tie game and we’ve been outplaying them the whole game. As long as we don’t make any other stupid walking mistakes.

The next snafu was mine. The good news is that my feet didn’t kick any stones into play. The bad news is that gravity can be a bitch.

I’ve fallen plenty of times while curling. Most curlers do at some point or another. When one of the primary actions of the sport requires walking on ice, it’s bound to happen. But most of the falls are harmless. It’s only bad if you fall over backwards and hit your head. That’s why we encourage people to always lean forward. That way the worst you can do is fall on your knees.

But oh man, I never realized how gnarly falling forward could be. I don’t know what the hell I was thinking. I was too far behind the rock. I knew I was too far behind the rock. I could see the trajectory of the rock, which is something I really shouldn’t have been able to see if I had been in the proper position. That’s why there’s so much screaming in curling, because the people who are sweeping can’t tell where the rock is going. But because I was out of position, I knew it was starting to curl earlier than it was supposed to, and I knew that my skip was going to start yelling soon. So when the shouting came, I was already overextended, my front foot far away from my back foot. When I lifted my broom, I looked like Superman shouting “Up, up, and away.”

Hey, did you know Superman leaves the ground when he goes horizontal?

I flailed out like a motherfucker. But I didn’t burn the rock! Huzzah for five years of curling instinct, telling me to sacrifice my body instead of touching the rock. I did some Matrix shit in mid-air to ensure that neither my broom nor my hand nor my arm would make contact with the rock.

Unfortunately, that meant that I was going to hit hard on my shoulder and my hip.

Hey, did you know you can get a concussion from hitting your shoulder too hard? It turns out you can. And I can’t guarantee I had a concussion after that, but I’m pretty sure the NFL wouldn’t have let me back out on the field. Luckily there are no field sobriety tests on the curling ice.

That’s how they check for concussions, right? Follow my finger, touch your nose, say the alphabet backward. They’re just trying to catch you saying, “Dude, I couldn’t even do that with a horizontal brain.”

Anyway, the important part of my fall turned out to be neither my ability to avoid the rock nor the state of my brain inside my skull. No, the reason I remember this fall so much is what I saw the rock do from wonderful new vantage point on the floor.

You see, the usual purpose of sweeping a curling rock is to keep it straight. The rock wants to curl. And sometimes we want it to curl. But there are other times we want to keep it straight. And the important sweeper for this endeavor is the sweeper on the inside of the curve. If the rock is curling from right to left, then it’s the sweeper on the left that matters. He needs to seep across the rock, trying to convince the rock to follow the path of the broom, not the path it’s currently on.

The rock I fell on (not fell ON, mind you, but fell DURING) was traveling from right to left. I was on the left. Then I was no longer on the left. The other sweeper, the one whose foot had fucked up a half-hour earlier, was on the right. When he realized that his teammate and friend had crashed down in a concussive force and was sprawled out on the ice behind him, he did what any decent human being would do. He completely ignored me and concentrated on getting into position to sweep the rock.

Oh sorry, did I say decent human being? I meant good curler. He did what any good curler would do. If I sacrificed my health for the greater good, he better not waste my effort.

Unfortunately, to get into the best position to sweep, he had to stop his own momentum, step over the rock, then step forward again to get into the position I had failed to obtain, so that he could sweep from left to right. By the time my teammate was in position to sweep, our rock’s trajectory had gone from hitting the target stone at the 11 o’clock position to hitting it at the 1 o’clock position. By the time my teammate got a proper sweep in, a point in time where I should have already had ten sweeps in had I been able to stay on my feet, it was desperately hanging on to the three o’clock position. And before I knew it, there was no way it was making contact with the target. It was going to crash a meaningless stone sitting two feet to the left. I mean, yay, we held the other team to scoring one instead of the two they might have gotten. But had I swept it the whole way, they weren’t scoring any.

Want to know the final score? We lost by two. How many walking mistakes did we have? Two. So even assuming nothing else changes, the two points they got off those mistakes were the two points they won by. But in reality, it wouldn’t have been that close. Had we been up by three after my friend’s foot incident, we would’ve played the game differently. Had I swept the second rock the whole way, then we have the lead going into the final end instead of down by one.

Two walking mistakes. Two points. Ugh.

To be fair, we would’ve gotten destroyed by the professional Canadian in the semifinal. The team that beat us got destroyed. But then they went on to win the third-place game pretty handily. I’m pretty sure we could have, too. And third place sounds a hell of a lot better than “lost in the quarterfinals.”

But don’t mind me, I’ll just be sitting here watching all the 0-3 teams playing in the “C Bracket Semifinal” after my 4-1 team was eliminated.

Dammit. At the end of it all, I can’t say that 4-1 feels all that much different from 2-2. Or even from 1-4. Because I’ve had one of those bonspiels, too. We always say that the first goal is to stay alive until Sunday. But when you’re eliminated in your first Sunday game, you say, “Dammit, why did I have to drag my ass here an extra day for this?”

Oh well, maybe my next time would go better.

Which leads me, a month later, to the beautiful resort town of McCall, Idaho for a 16-team bonspiel on the shores of a mountain lake. I mean, we technically weren’t curling on the lake. We were in an ice rink right across from the lake.

1007181023They do have an outdoor bonspiel on a frozen lake in Idaho, but that’s in January, not October. The outdoor bosnpiel, called the Sawtooth Outdoor Bonspiel because it’s in the Sawtooth Mountains and because it seems like it would be a real SOB, continually runs on and off my bucket list. It usually sounds like a good idea in the middle of summer, but when my California-born-and-raised ass bundles up at fifty-five degrees, I’m not sure if athletic activity outdoors at 7:00 in the morning of a day that will top out at ten degrees sounds like a great idea.

Don’t worry, if I ever do it, I will live blog it. Assuming my fingers don’t fall off. But in the meantime, you have to muddle through my indoor Idaho curling.

McCall marked the furthest I’ve ever traveled to curl. Every other place I’ve curled has been in the Pacific Time Zone. I really need to get to one of those Wisconsin bonspiels someday. I’ve heard many of them have all-you-can-drink beer included. How the hell have I not set up permanent residency there yet?

Speaking of time zones, not only is McCall far away in miles, but I’m pretty sure it’s still 1983 there. They have a video rental store.

And an arcade.

1006181334

And deer might randomly walk through your front yard.

1006181740bAnd you can smoke in bars???

1006182018

But the town itself was a beautifully quaint mountain town. Check it out:

And the curling itself… well, I’ve already spoiled my record. Two wins, followed by two losses. But in my spoiling, I also teased that I am much prouder of this 2-2 record than most. Because this time I was skipping.

What is skipping? The skip is the person who holds the broom, does all the screaming, and then takes the final two shots when it’s all on the line. If you watch “Curling Night in America” on NBC, you might be fooled into thinking the skips are the only people on the team who take shots, because that program is pre-recorded and edited for content. As a result, the poor leads and seconds, the roles I usually fill, are rarely shown delivering a stone. Boo. Hiss.

The team I cobbled together for this trip were based primarily on who could take a day off work. The full team didn’t come together until the weekend prior. And without one of the usual skips in our club on the team, I seized the role from the members’ cold, dead hands.

Okay, maybe they weren’t dead, just cold. And really, that was only before they put their gloves on. My point is that I said I was fine with skipping and they all said they were fine with me skipping, so I skipped.

Skipping’s a different animal. I’ve done it before. Sometimes our skip is gone for a league game and the rest of us rock-paper-scissors for it. Other times I’ve been hurt and couldn’t sweep. Of course, on those times, I usually take the first two shots, then just do the holdy-broomy, shouty thing, which is only one part of skipping.

The thing that really separates most skips, and the reason we continually see John Shuster or Nina Roth when we’re watching the American teams at the Olympics, is because they’re taking the last shots. Oftentimes, these are the toughest shots. But even if they aren’t tough, they are the shots that matter. If I’m a little bit short when I take a shot as the second or vice, I shrug my shoulders and say, “it wasn’t horrible, and I’ve put it in a good position for the people after me to do something with.” But when I’m skip, there’s nobody after me. And if I’m supposed to get it to the button (the middle of the “target”), but I end up on the outer ring, then the other team just scored some points.

Mike McEwen made one of the best shots I’ve ever seen, but if he had been a vice skip, then the skip on the other team would’ve just put another rock into the middle of the house, negating most of his good work. When a vice makes a good shot, it’s like that defensive lineman who celebrates tackling the running back for a loss on second down, only to see the QB convert the third down thirty seconds later.

So while Matt Hamilton has a much better porn ‘stache, John Shuster’s the guy who hit the double takeout to score five in the gold medal game. And in most bonspiels, I’m like Matt Hamilton, but with less cool facial hair. In McCall, I was John Shuster.

Which doesn’t mean I won. Trust me, if you followed curling before last February, John Shuster’s name was hardly equated with winner.

So how’d I do?

I mean, how’d we do?

(But really, how’d I do?)

We dominated the first game. Wasn’t even close. The other team had at least one new curler, and the others had never played with their skip before. I mean, we had a new curler and most of my team hadn’t played with me as skip before. But the other team had been onsite, and drinking, since morning and were really sloshed, whereas we had just flown to Boise then driven for two hours to get there. So I guess that’s all it takes.

Game two was a little bit closer, but it still didn’t raise much of a sweat. I think after three ends, we were up 3-2. They had scored one twice, we had scored three points in the second end. Then I don’t think they scored again till the final end. If I were to guess at the final score, I’d assume 7-3 or 8-3. Pretty comfortable, and we were feeling good about ourselves. With only 16 teams in the tournament, we were already into the semifinals of A Bracket. And if we lost the next game, we’d drop down to B Bracket. So either way, we’re through to Sunday. Goal #1: Accomplished.

I’m not sure what Goal #2 might have been, but it wouldn’t end up mattering.

Game three was bad. They had a Canadian. I think we were down 5-0 before we even scored. Then we got it back to 5-4, as in the words of Robin Williams’s golf bit, “just ta give ya hope.” Then they scored in the next two ends, and we managed to put up a respectful 7-5 loss. Afterward, the Canadian complemented us, said he told his team not to rest easy when they went up big, because we were really close on a lot of our shots. If only we had an experienced skip who knew what the hell he was doing.

The Canadian didn’t say that last part. Canadians are way too polite. And, to his credit, maybe he wasn’t even thinking it. But I was.

That whole game, I felt like we were chasing. We could never get to playing the game I wanted us to play, the style of play from the first few games. I knew at the time that this was happening, but I couldn’t figure out how to stop playing from behind. Even on the ends that we scored, we were still scoring on their terms.

Oh well. On to B Bracket. Still two wins away from taking home a trophy. Or maybe just getting our picture taken with a trophy. Wait a second. Did they have trophies? Well, I’ll never know.

That night was the banquet, which took place in one of the smoking bars. Then there was a pub crawl, which is not easy to do in a town with one major road and only two or three bars. The team we were playing the next morning kept trying to get us drunk. We kept trying to get them drunk.

Hey wait, I finally figured out why I still play this infernal game!

Our final game was a back and forth affair. I still felt like I was playing the other team’s game a lot, but we were at least able to keep the score close. I figured out early on that this team didn’t like hits and takeouts. They always wanted to draw. They could put the rock the proper distance into the house almost every time, although not always on the right line. My team? Exact opposite. We could throw the correct line each time, but our weights were nothing to be relied upon. And I was the worst of all. My weight was off all weekend. But man, give me something to hit, and I’m in my happy spot.

So if I can always hit their stone, I just need to make sure there’s nothing behind their stone, right? So dammit, why was I faced with their stone on the button, right in front of two of my stones every damn time I’m heading down to take the final shot?

But we persevered. We entered the final end tied, and we had the hammer (final shot), which is totally the position you want to be in.

At least we thought it was the final end.

You see, at most bonspiels, and in most leagues I’ve experienced, they usually ring a bell to signify you’re getting close to the end of the game. It’s usually about 20-30 minutes before the time limit, and the rule is (usually) that you can finish the end you’re on and play one more. At McCall, there was no bell, just instructions to not start any new end after the one hour, fifty minute mark, so that we could be off the ice by two hours. Most ends take between 15-20 minutes, so I felt like ten minutes was cutting it a bit close, but whatever.

And in my defense, I was saying that before we lost our last game.

We started the “final” end with about 25 minutes to go until we had to be off ice, meaning about 15 minutes until we couldn’t start another end. So I played the whole thing as if this was it. We put a stone near the button with one of our first shots. They missed it and then it became a series of guard, guard, guard. The other team kept pouring stones into the house, but they couldn’t get to the one we had buried. All I needed to do was score one, and that one wasn’t going anywhere. The opposing skip went down and delivered his first stone, and then it was my turn. As I’m walking down the sheet, I glanced up at the clock. It was 10:45 AM.

Wait, what the fuck? How have we delivered the first thirteen stones in only ten minutes? And how can I waste five minutes for the final three stones? If this was an NFL game, I could fake a hamstring injury or something. Can I throw the flag for an instant replay?

Okay, don’t freak out.

“This is the final end, right?” I asked my sweepers when I got into the hack.

They looked back at me like the metaphorical deer in the headlights. They had just been having a similar conversation. And none of us really liked the answer we were coming up with.

I delivered the stone, and their skip practically runs down to deliver his next stone. He isn’t even trying to go after my rock. He’s… he’s guarding me from putting another one in there? What the fuck kind of wicked sorcery is this?

So I stall. I discuss my shot with my vice, not only to waste time, but because all of a sudden, for the first time this end, I’m like “Shit, how do we score two here?” Because I’ve spent the last four rocks trying to close that shit off.

But I can’t just run out the clock. There are unwritten rules, and if I was going to break one of these unwritten rules, I needed to be less obvious. I needed all of my teammates to take an extra thirty seconds for each of their shots instead of me taking an extra five.

At 10:47 AM, I let go of my final rock. Twenty-something seconds later, it came to a rest. I take off my glove in order to shake some hands, but the other team’s hearing nothing of it. Their lead is in the hack and ready to deliver.

Could I have still won? Or tied? Sure. But we were shellshocked. Just like after AJ Piersynski cheated to get on base in the 2005 ALCS. Could the Angels have gotten the next guy out? Sure. But it’s pretty fucking hard to get your head back in the fucking game when you realize that Doug Eddings is a fucking dipshit umpire that doesn’t know his ass from a hole in the ground, much less the difference between a catch and a drop.

Sorry. Angels fan here. Not still bitter thirteen years later or anything.

But we were in a similar situation. We thought the game was won.Each person on my team felt they had thrown their last stone. We were focused on playing in the finals. Preparing our acceptance speech. And now all of a sudden we had to play one more end, without the hammer, against a team that could out-draw us. The good news is they still had to make their final shot. The bad news is they did.

So there you have it. My last six months or so of “competitive” curling. And even though I haven’t won any big ones, I’m still pretty happy with how things have gone. My competitive team went farther than it’s ever gone, and then I skipped a team to a respectable finish. Two bonspiels in a row where my team ended up in fourth-or-fifth place range, whether I’m calling the shots or sweeping the shots. Not too shabby. Maybe I’ve finally figured this shit out.

Check back in three months, when I can’t hit the broadside of a barn.

Kinder is Coming

Yesterday, my baby daughter was born. I remember, quite distinctly, when she opened her eyes, seeing the world for the very first time. She wasn’t much of a crier, didn’t scream a peep. She just looked around. Large irises that bordered on purple looked left and right, constantly blinking, absorbing and adjusting to this newfangled light thing.

The nurse took baby and me off to our first crash course in diapering, bottling, burping, swaddling. Mama was out of commission, so the first twenty-four hours or so was all daddy. Figure it out, daddy. There’s a reason they don’t call it a paternal instinct.

I remember it all so clearly. The water breaking at 1:00 in the morning after I had been scorekeeping at a minor-league baseball team until past 10:00 PM. The “to pitocin or not to pitocin” question, when neither Wife nor Husband (not yet Mama and Dada) didn’t know what the fuck a pitocin was. The “Hey, I’m going to go home and shower and get dressed because the doctors say you’re still hours away from delivery.” Followed by the “Holy shit, I was only gone an hour and baby’s already on its way? Is that what the fuck pitocin is?”

I remember it like it was yesterday.

Because it was just yesterday. Wasn’t it?

Because today, I registered my daughter for kindergarten.

So clearly, one of my internal timestamps is inaccurate.

I know I’m far from the first parent to lament the acceleration of time. And I’m pretty sure I’ll be posting the “she’s going off to college” post any day now. Will blogging still exist in 2032?

But the really weird thing about my soon-to-be-kindergartner is that, while it totally feels like she only showed up a few days ago, I also can’t really remember what things were like before. I’ve always been a parent, right? There was never a time when Wife and I could just plan a weekend trip to Reno without securing promissory notes from seventeen institutions, was there? I seem to remember, back in some amorphous prehistory, the existence of an hour of happiness at bars and restaurants, when alcohol and appetizers were cheap. And all it took was a text to Wife that I’d be home by 6:00 and should I pick up some take-out. Pretty sure if I tried that now, Daycare would call CPS.

Then again, there were thirty-eight years of my life when I didn’t even have a wife to text. Back then, I believe, happy hour might extend beyond an hour. But I’m not entirely sure. Perhaps I only saw that in a movie.

Not that I’ve seen a non-animated movie or TV show in four and a half years.

Life has a funny way of doing that. What seems so normal one year is all but forgotten the next. Something that happened five years ago feels like it happened yesterday, and yet at the same time, it feels like it’s always been there.

Like cell phones. There was a time before cell phones, when I couldn’t text anyone anything. I’m positive of it. I actually remember a twenty-something Gen Xer saying he’d never get a cell phone. Why the hell would I want to be reachable at any time of the day? Why in the world would I want to let some future wife and daughter know that I was picking up dinner at a place that might or might not have a happy hour special?

So I know there was a time. I know for a fact that I didn’t get my first cell phone until I was in my late twenties. And yet…

When I think back on things that happened, I can’t fathom how it happened without a cellphone. New Year’s Eve, 1999, me and four friends were going to a huge radio station-sponsored party at the Convention Center downtown. I had to work the dinner shift at Old Spaghetti Factory, so the others went to the party before I got off work. When I got off work, I went home to change, and went to the convention center to meet my friends, who had already been drinking for a couple hours.

As I think back on that scenario, I can’t fathom how I found them amongst the milieu of thousands. Nowadays, I would send out a text as I walked into the convention center. “I’m @ entrance. Where r u?” And then I would stand there, within feet of where I sent the text, until one of them either texted me back or came to get me at the entrance.

Clearly, that didn’t happen in 1999. So what did happen? Did we set up a meeting place and time? Except we didn’t know what the layout would be. Nor when I would be arriving. Was one of them supposed to check a general area every fifteen minutes? Or did we all just figure we’d meet up in the drink lines? I’m not being funny when I say I can’t remember. It almost seems an impossible task to do without cell phones. But I know it was done.

The way we coordinate play-dates with my daughter and her friends seems something that couldn’t have happened before. Daughter wants to go to the neighborhood park, so Wife instant messages parents of neighborhood kids and when we get a positive response, we head to park and, lo and behold, neighbor child is there.

Something similar happened when I was growing up. I always seemed to be having friends over or going over to friends’ houses or going to the park with friends. And I’m not talking the birthday parties that are planned for months. I’m talking on a whim. Let’s go to the beach and meet up with friend X. One time in high school, I organized a softball game with 10-20 friends on a Saturday afternoon. How the hell did I do that? Did we coordinate it at school during the week or did we call everyone that morning? And how did we know if people were running late or just not showing up?

And don’t get me started on how teachers taught before Google. I would’ve flamed out in one year.

Hey, didn’t someone once write about becoming overly dependent on new technology and forgetting how to do things the old way? Hold on, let me google it…

The Unabomber? Are you sure? Okay, moving on.

Let’s see, where was I? I’ve always been a parent, even if it seems like she was just born yesterday. And then today, I…

Right! Kindergarten! Coming soon to a suburbia near you.

There are times I feel like she’s totally ready for kindergarten. She’s making wonderful observations and connections between disparate items.

“I have a surprise for you when we get home,” she said in the car the other day.

“Okay,” Mom responded, “but dinner will be ready as soon as we get there, so we can’t be running off to get engaged in something else.”

“Don’t worry,” Daughter responded. “It’ll be faster than a horse can run.”

An interesting concept. “Did you hear that phrase somewhere?”

“No. I just made it up.”

Which makes sense, because “faster than a horse can run,” while an acceptable metaphor, is not exactly a colloquialism that I’ve encountered before.But who knows what sort of mischievous language quips those hoodlums at daycare are making up. Criss-cross, applesauce? What the hell is that? Why don’t they just keep calling it Indian Sty… ooooh, I see what I did there.

The surprise, by the way, was an impromptu dance to “Pup, Pup, Boogie,” from Paw Patrol. Making the horse reference even farther fetched.

A few months ago, we pulled into the Starbucks drive-thru and she counted two cars in front of us. “Two cars plus us makes three,” came the commentary from my back seat. “If one more car comes behind us, it will be the same number of cars as how old I am.” Four is currently her favorite number, for obvious reasons.

“Good job, Miss,” I responded. Then on a lark, I asked, “If there were five cars in line, what would we have to do to get to four?”

She stared out the window for a moment, then returned her attention to me in the front seat and responded, “take one car away.”

Holy shit. I’m pretty sure I teach teenagers who couldn’t have maneuvered that complicated of a word problem.

But then there are other days when I wonder how in the world she’s going to sit still long enough to read or write or learn anything. The pouting didn’t stop after Christmas was over, and now we can’t threaten her with anybody “comin’ to town” for another eleven months. You can’t correct her for shit.

“Hey, honey, ‘the’ isn’t spelled t-e-h. Move the e to the end.”

And then she stands up, walks away from her artwork and curls up in the corner like a dog that’s just been smacked with the newspaper. She’s about to commit hara kiri after disgracing herself and the name of her family by spelling a word wrong at the age of four. Have fun with that level of bat-shit, kindergarten teacher.

In December, my daughter performed in “The Littlest Nutcracker,” which is way better than the actual “Nutcracker,” because each dance only lasts two minutes instead of the usual twenty. Each group had about five kids, each of whom had to do a routine of five or six steps. Plus the teacher was on stage doing the steps, so all they really had to do was copy the teacher. My daughter hit about seventy percent, because she’s the self-immolating perfectionist type. And the video clearly shows a shocked and mortified look on her face on every move she misses. Even if the other kids in her class were barely aware that they were on a stage and that there were set moves they had been working on for four months that they were supposed to be performing.

And these are the kids that are going into kindergarten with her. Not all into her class, of course, but at the same time. Again, how the hell do kindergarten teachers do it? A mixture of kids with no emotional, and only partial physical, control, some of which take their development way too seriously and others who are barely aware that there is a world around them.

And holy crap, there’s going to be, like twenty-five of them in the room. More power to you, kindergarten teacher. I’ve supervised my daughter playing with neighbors, and I max out at about three children. And all I’m in charge of is keeping them from impaling themselves, not teaching them anything about letters or numbers or, I don’t know, potty training. What are the kindergarten standards these days? Pretty sure it’s way more than it was forty years ago, when a successful day in the classroom meant a little bit more paste went onto the paper than into the stomach.

And of course, there was the kid that didn’t make it to the bathroom in time. He was still hearing about that in sixth grade. Kids remember the darndest things, don’t they?

Sure, the same could be said for the high schoolers I teach. But at least mine have bowel control. Sort of. Now that I think of it, I notice how many times I have the following conversation with one of my students:

“Can I go to the bathroom?”

“Student X is there. You can go when he/she comes back.”

“But I really, really, really need to go. Like, I’m about to pee my pants.”

“Student X only left two minutes ago.”

Blink. Blink.

“You didn’t have to go at all two minutes ago, yet you’re going to pee yourself now?”

Blink. Blink.

“Invest in some diapers.”

But whether she’s overprepared or underprepared, socially or physically or educationally, the tallyman is coming to capture all of the little kids to indoctrinate all the free-thinking children into good little automatons for the state. Winter is coming. Or maybe it’s autumn. Actually, these days school starts in the middle of summer.

Maybe it’ll be a good thing. There are weekends where I really, really, really wish she had some fucking homework or the ability to read, so that she wasn’t constantly hanging on Mommy and Daddy. On the typical weekend day, she spends the day pushing buttons and pushing buttons and pushing buttons, giggling and giggling and giggling, while we say stop, stop, stop in an escalating matter until one of the three of us has had enough. Then she goes into the corner to prepare for self immolation. Then, ten minutes later, the process begins again.

“Scoop me.”

“I’m busy making you lunch.”

“Scoop me.”

“You weigh forty pounds.”

“Scoop me.”

“I have gout. I can barely hold up my own weight.”

“Scoop me.”

“Here’s your wakizashi sword.”

They assign term papers in kindergarten, right?

Actually, the school she’s going to doesn’t assign homework. I’m not sure how I feel about that. While I understand that many schools go too far, giving hours and hours of homework to kids still in the early developmental stages. However, I think it’s important to send a message early on that education does not stop when you leave the classroom.Some sort of carry-over or throughline from the school to the home probably goes a long way to encourage growth. You can read at home, too, kids.

And no, I’m not saying this just because I teach high schoolers who are completely incapable of turning in a single homework assignment.

“Why do I have a D? I did all the work.”

“Yes. You have a ninety percent in classwork, a sixty-eight percent in tests, and a zero percent in homework.”

“What can I do to improve my grade?”

Blink. Blink.

And let’s be honest. Most of those horror stories of fourth-graders paining their way through three hours of homework every night probably only had one hour of homework plus the two hours’ worth of classwork that they didn’t do in class because they were too busy talking to their friends or generally being as unaware that they are in a classroom for the purpose of education as the three-year olds in “The Littlest Nutcracker” were that they were on a stage for the purpose of dancing. And, another honesty check here, that three hours of homework was probably an hour of work interspersed with two hours of whining, complaining, texting friends, video games, and the other sorts of distractions that the child faced in the classroom, which is the reason he has “three hours” of make-up classwork in the first place.

And yeah, that second observation DOES come from my fifteen years of teaching students who will do anything in their power to avoid doing the task at hand.

So yeah, I’m a little bit worried about a no homework policy. I understand it in theory, but if the child hasn’t figured out that home is a vital part of the educational process by the time she’s in sixth grade, I worry that something is amiss. And when seventh grade hits, that’s going to be a learning curve from hell. Thirty minutes of tracing letters in second grade might be an easier gateway drug than quadratic equations.

Then again, the principal at Daughter’s future school was just shit-canned. And all indications are that it wasn’t an amicable split. Maybe the teachers were finally fed up with actually having to teach their students at school and not pawning their job off on beleaguered parents at home and demanded a change.

Did I just successfully malign both sides of the homework argument? Yes, I did. It takes a special talent to play the cantankerous asshole on both sides of an argument, huh? Good thing I don’t take on politics in this blog or else everyone would hate me.

So who knows. Maybe homework will be part of the curriculum by the time my baby gets there. Maybe the new principal will help stem the tide of desperate housewives in my neighborhood who are trying to get special dispensation to have their students go to a different school than the one we are mapped for. IN FUCKING KINDERGARTEN!

And no, it’s not because of the homework policy. It’s because our current school funnels into the above-average high school in the area, and not the uber-rich high school. Because your child should definitely have to go across town for the first nine years of his education in order to raise his chance of going to a four-year college from sixty-eight percent to seventy-one percent. I mean, I guess if you’re a stay-at-home, then you don’t have to worry about transportation. And I suppose if you’re a stay-at-home, you’ll be five martinis into the day by the time your child gets home, making it too difficult to engage him in his education or his future prospects.

But here’s the truth: it doesn’t matter where you go to school. If you apply yourself, and ideally are helped out a bit by a parent that’s more interested in your well-being than in keeping up with the joneses, you should be able to get into most colleges. I teach at an inner-city school, and we’ve sent students to ivy league schools regularly. Our valedictorian two years ago had three to choose from, and was a little bummed he didn’t get into Yale and had to settle for Columbia. If only his parents had gotten him into the right kindergarten.

So now the only question is where my daughter will fit into the grand scheme of things. Will she be the mopey perfectionist, the teacher’s pet with only-child syndrome, or will she follow the popular kids, the nascent cheerleaders and woo-girls, around in an attempt to Single White Female them? In her first four-and-a-half years, she’s shown aspects of every clique. But as we all know, the time for equivocation will shortly pass. School ain’t for numbers and letters. School’s for pigeon-holing and rounding out square pegs to fit into the grand round hole that is American society.

So put down the unicorn pictures and prepare to be whacked down with a mallet, kid. Now once again from the top. Twelve times twelve equals…?

I Am Gout

I have gout.

Maybe I could have come up with a better hook. Some quip or background story about the course and curse of my life. But nah. When your foot’s swelled up like a goddamned softball and the thought of walking fifteen feet to the bathroom brings on a bout of shakes and sweat like day three of a detox, necessitating a military-style gameplan complete with analysis of terrain and supposition of barriers and where-the-fuck-is-the-dog-because-as-soon-as-I-get-up-she’s-going-to-plop-herself-right-in-front-of-my-route, well, you learn to just keep it simple. I have gout.

Besides, it’s a phrase I have to repeat twenty times a fucking day when I’m having a flare-up. You get used to it.

“Why are you limping?”

“I have gout.”

“What happened?”

“I have gout.”

“Hey… Umm.. Are you…”

“Yes. I have gout. I am gout. I am Groot.”

Because nothing devolves into a one-line talking tree more quickly than a seemingly healthy forty-something hobbling around like Yoda in Return of the Jedi, right before his cloak withers around his flesh dissolving into the ether. Is that my best pop-culture old man reference? Yeah it is. What, should I have gone with Citizen Kane gasping out about his stupid sled? Well that movie sucked. I don’t care if it ranks #1 all-time. It was boring and can’t hold the jockstrap of Casablanca and The Godfather, the other two that it usually muscles out for the top spot. Yoda’s a better reference, because every Star Wars movie is better than Citizen Kane.

(Editor’s note: By “every Star Wars movie,” I mean episodes four through eight, and maybe Solo and Rogue One. The others don’t count.)

(Editor’s postscript: I can make editor’s notes that say “I” because the writer and the editor are the same person in this masturbatory act of self-publishing.)

My first bout with gout (hey, a rhyme) came in my mid-thirties. I was still single and living alone meaning, unlike now, I couldn’t ask my wife to take the trash can out to the curb just this once. Hoo boy. I remember that Lawrence of Arabia-esque trek toward the curb.

“Aqaba! From the land!”

“Trash can! To the curb!”

“You are mad, sir!”

BTW, Lawrence of Arabia is also a damn fine movie and should be hundreds of places higher than Citizen Kane.

The journey to the curb was bad enough, because at least I could use the trash can as a pseudo-walker. Hobble, hobble, move the trash can six inches. Hobble, hobble, move the trash can six inches. Fifteen minutes later, I turned around with horror to see the wide open expanse of my driveway leading back to my front door. Nary a stabilizer nor support lay betwixt myself and my goal. The December ground was wet with light drizzle that was ongoing, yet still the prospect of getting down on all fours and crawling back into my abode seemed a perfectly viable alternative, and if my pants became shredded and knees bloody, it seemed a small price to pay. After all, I could always shower once I… wait, showering requires standing. Never mind, I guess I’ll just hobble back for twenty minutes and risk pneumonia. They hospitalize you for that, right? Bedridden for the next week sounds like an excellent gameplan during a flare-up.

That flare-up was a particularly bad one. It had started in one ankle, but after a few days of favoring the other foot while walking around, I now had two ankles the size of softballs. Walking around with one painful foot is difficult. Walking around with two painful feet is a simultaneous exercise in futility, frustration, and misfortune. I believe Chasing Amy refers to that as a Chinese finger trap.

That trash night was followed by my first ankle-related doctor visit. Which is saying something, because as a mid-thirties American male, I didn’t believe in going to the doctors for shit. There’s a reason any plan to make insurance affordable starts with making young men pay for it, because everyone knows they’ll never use it.

The doctor brought up this newfangled diagnosis called gout, but she was hesitant to classify my current condition as gout. First she had to run a thousand tests, which required my gimpy ass to drive all over town to different medical offices and hospitals, most of which had parking lots over a block away from the institution. I had to go to the x-ray guy to see if anything was broken, and the ultrasound guy to see if my leg was pregnant. Or maybe she was looking for a blood clot. Regardless, my leg was neither clotted, nor knocked up.

So then the doctor gave me a pill that I had to take once every hour until one of two things happened. Either the pain would go away, meaning I have gout, or I’d get sick as hell. And how about another “Hoo Boy” for that one. I said “sick as hell” instead of “sick as shit” for a reason. Because all of a sudden I was spewing out of both ends like Old Faithful. And believe me when I say it was “all of a sudden.” I went from zero to a million in the time it took me to crawl the ten feet from the couch to the bathroom. What started as a vague sense of “something’s not right” quickly became a pinwheel spinning from ass on the seat to face in the seat to ass on the seat and praying that there would always remain a split second between the two phenomena. But as I kneeled next to the porcelain goddess after the seventh flush, I remember wiggling my toes and still feeling the pain and thinking, “well, at least I don’t have gout.”

It would take five years, and at least three doctors, before that “not gout” designation was reversed. And no, I wasn’t doctor shopping or anything, I was just going from one insurance plan to the next based on whichever one was cheaper. It’s not like I was going to use it, anyway. Although when the second doctor only diagnosed me with a case of “you walk funny, get some orthotics,” I decided to find something more permanent. Plus, I switched to Kaiser, because then if I had to go through another bout of tests, they’d at least all be in the same building,

So now, a decade later, I can just say I have gout. Well, sort of. Because my form of gout doesn’t fit any of the normal descriptions. The only thing that made me finally admit, begrudgingly, that I may in fact have this particular affliction is that gout medicine usually helps me get better.

Gout is a form of arthritis. A flare-up happens when there’s too much uric acid in your blood. The uric acid usually falls toward your foot, creating a dull pain in the toes. And there are a few times I feel that. It’s a deep discomfort, almost a stiffness, that appears in my toes. It makes walking more difficult, but it doesn’t necessarily get better or worse if I walk. It’s always there. And at those points, I think, “Yep, that’s what WebMD and Wikipedia tell me gout is.”

But those textbook gout feelings are rare. My usual modus operandi hits my ankles, not my toes, and causes them to swell up to the point that flip-flops are the only footwear that can contain them. Sometimes, but not always, this is accompanied by a sharp pain in the arch of my foot or my heel, like plantar fasciitis. But usually I chalk the arch and heel up to continuing to wear shoes, and oftentimes an ankle brace as well, which bruises my swollen foot.

Are you uncomfortable yet? Grab some Advil.

Gout is usually caused by diet, and a flare-up usually happens after eating something bad. But mine is usually caused by rolling my ankle. It can be slight or severe. Sometimes I step on a rock and my leg kicks out while my foot stays still, and I know that three or four  days later, my ankle’s going to be spherical in shape. Other times I feel the twinge and try to think back as to what I did over the last few days and can’t pinpoint what exactly I did. Even if I can’t pinpoint the incident, I don’t think it’s usually tied to food.

Except maybe salt. I’ve definitely noticed an increase in discomfort, and even an occasional outbreak, after I overindulge in salt. Whether it’s dinner at Panda Express or processed lunchmeat sandwiches or hitting the sunflower seeds too hard at a ballgame, you can bet I’ll be wearing an ankle brace the next few days.

Oddly enough, though, salt isn’t listed as one of the key ingredients that brings on gout. The magical elves at Wikipedia list red meat and shellfish as the cause. Do I like red meat and shellfish? Sure. Do I eat them a shit ton? Not really. Sure, I love me a hamburger, but my pasta sauce and homemade tacos are just as likely to have chicken or turkey. And while I’m definitely the guy at the crab feed that the organization doesn’t come out ahead on, I can’t afford to eat crab or scallops or shrimp more than once or twice a year. And the type of red meat they they usually reference on the gout sites are the nasty shit – livers and kidneys. And sweetmeats, which I’m pretty sure are fucking brains. Eww. Never ate that shit and probably never will. Definitely never will, now that I know it’ll inflame my gout.

What’s that? Beer is also listed as one of the irritants? Because of the yeast? Why are you bringing that up? Seems completely irrelevant…

So let’s go down the checklist.

Dull ache in my toes? Nope.

Eat a lot of cow brain? Nope.

Discoloration of the gap between tiles? Oh sorry, that’s grout.

After years of reading all of the descriptions of gout and thinking, “that’s not what I’ve got going on,” someone saw me hobbling along and asked if I had bursitis. I said, “No, I have gout,” then immediately looked up bursitis. Well, not immediately, because it probably took me ten minutes to go the fifteen yards to a computer. But “immediately” in gout world.

Bursitis is the swelling of the bursae fluid sacs at the joints. Symptoms include a stiff ankle, swelling of the heel, hot skin, red skin, veins popping out, pain when wearing shoes.  Ding, ding, ding! Winner, winner! I mean, not really a winner, because it’s not exactly a prize, but at least the symptoms sounded a lot closer to what I had experienced off and on for years. Why the hell does everyone want to diagnose it as gout when it’s clearly bursitis?

Hold on, let me read a little further. Causes of bursitis may include… gout. Well, fuck a duck. They might want to add that little footnote to all of the gout descriptions that say it’ll hit your toes first.

I also got it in my knee once. That was fun. While curling (actually, while sweeping), my lower leg went the wrong direction, and three days later, I could barely put on pants. The left knee is still a little bit tender, but at least it has the decency to confine itself to one side of my body, a concession my ankles rarely make. Still, nothing makes me feel quite so alive as those days that I’m wearing two ankle braces and one knee brace. I’m like Cyborg or Robocop, mostly machine with only a trace of humanity remaining.

I’ve become more adept at predicting when these outbreaks will occur. I’ve even been able to avoid a few major flare-ups. I usually feel a twinge in one or both of my ankles, and I immediately cut down on its usage. Sleep on the couch with my foot propped up above my heart for a couple nights, maybe a little ibuprofen and some ice, and a few days later, I’m fine. The acronym for a hurt ankle is RICE: Rest, Ice, Compression, Elevation. I repeat it over and over like the episode of Family Ties where Mallory learns the acronym for SCUBA.

If the twinge is a little bit worse, I can take my indomethacin prescription pills for a couple days. But not more than a couple days. Because if I have to get a refill more than once every two years or so, my doctor might want me to come back in for a closer look. And while I’m now in my mid-forties, I’m still male. Besides, you can’t drink alcohol with these pills. And it’s not just a suggestion, it’s a vomit-fest.

But whenever that happens, whenever I feel the gout coming and can avoid it with a little bit of precaution, I think to myself, “Whew, I’ve finally nipped this thing.”

Then the gout responds, “Oh yeah? You think you’ve got me under control? I hope you weren’t planning on going upstairs anytime soon. And have fun honing your cruise control skills.”

Because if I’m distracted or unable to take it easy for a few days, the gout hits a tipping point, and then it’s going to take a week of indomethacin and ibuprofen, not a day. Or longer. My current discomfort’s been going on for a few weeks. I thought I was getting better after four days and quit the pills for a day or two. Oops.

The last major incident before my current stroll down no-stroll lane came last February. It was the week of the Mock Trial competition at my school. I am the Mock Trial coach. Not much I can do to avoid being out and about for fifteen hours a day. Oh, and the parking garage is a block away from the courthouse, because they used the same ableist, piece-of-shit civil engineer as the hospital. I resorted to using my wife’s grandfather’s cane. Nothing says hip, with-it, and in control of one’s faculties quite like a circa 1970s wooden cane that looks straight from a Tijuana street vendor. Can I get a pimp cane to go with my pimp walk?

What made it even more sublime was that the Mock Trial case involved the defendant’s walking stick being used to bludgeon the victim. Some of the opposing teams joked that I was bringing in an inadmissible prop. Until they saw me walk. Then they asked me what was wrong.

“I have gout.”

But the cane did little to help me walk. It helps when I’m standing in front of the classroom, because then I can lean on it. But when I’m walking, it does virtually nothing to alleviate the basic problem of moving my foot through the air and placing it upon the ground. The amount of weight I put on the foot might doesn’t really affect the amount of discomfort. If anything, the cane makes it a little worse,  because in addition to pain, my foot also lacks strength. The cane fixes the latter, meaning I can walk faster, but does nothing to alleviate the pain, which is now happening more often. I’m sure, with more experience, I could be more effective with the cane, but at this point, I’m still a neophyte. Hell, I can’t even figure out if I’m supposed to use it in the hand that’s on the hurting side or the strong side.

This week, I finally broke down and bought one of those knee scooters. You know the one? You cock your leg and rest the lower half on a raised scooter. Totally fancy, and even moreso, it allows my infected foot to never touch the ground. Of course, it also puts pressure on my knee and must do something wonky with my bloodflow, because when I do finally put the infected foot down, it’s a dazzling shock to the system. A sharp pain from an appendage that thought it was getting the day off.

Oh, and the knee scooter doesn’t help with stairs.

Oh, and it looks really silly. I know, I know. That totally shouldn’t matter. If I’m already gimping around, why am I worried about appearances? Because I’m a vain motherfucker. And generations of badasses from John Wayne to John McClain to John… umm… McCain? have told me that walking with a limp can be manly. Swagger! But only pussies would ride around on a scooter.

Wait, Fonzie drove a motorcycle, right? So all I need to do is invest in a leather jacket! Unfortunately, I just bought a knee scooter, so there’s no fucking way I can afford a leather jacket.

I’ve had a few other flare-ups at bad times. They always seem to happen at bad times, because if it’s a time where it’s convenient for me to slow down, it doesn’t go into Full Gout Mode. They also tend to happen when I’m distracted. When I can feel the twinge and think, “Oh, that’s not the gout. It must just be the…”

One time was in England. I blamed it on all of the traffic circles, because driving a stick-shift on the wrong side of the car is bad enough, but needing to slam out the clutch to go from zero to fifty in a half-second in order to negotiate the two-yard gap in a continuously streaming cross-traffic is not beneficial for somebody with traditionally wonky ankles.

Sorry. Two-meter gap. Yards are outlawed in Europe.

It coulda been the salty Nando’s, too. Mmm… Nando’s. I’d chop off my ankles if it meant I could get a Nando’s here on the west coast.

The ankle got worse and worse, and by the night before we left, it was horrible. And the Bristol airport puts their rental car lot even further away from their terminal than do northern California hospitals.

When we got to the counter, my wife told me to ask for a wheel chair. I was very reticent for the same reasons I don’t want to use my knee scooter. I hate looking like an invalid. I hate needing others to push me around. I’d rather have to let little old ladies pass me than to throw in the towel. Because if I’m in a wheel chair, people will avoid eye contact with me. But if I’m limping, they’ll ask me what’s wrong.

“I have gout.”

But Wife insisted, and there I was, being pushed around by my wife, who was four-weeks pregnant at the time. And a little bit hungover, because we didn’t know she was four-weeks pregnant at the time. Makes me feel like an abusive husband. Barefoot, pregnant, and pushing my ass around an airport.

But it’s a good thing we did that. Because the airport staffers called ahead and when we got off the plane in Atlanta, there was a wheelchair waiting for me. This time it was pushed by an airport employee, because evidently capitalist America hires people for those roles, whereas socialist Britain tells you to do it your own fucking self. The wheelchair pusher had some clout. He pushed me past the milieu and, most importantly, to the front of the customs line. Holy shit, I should ask for a wheelchair more often. Then he took me out of the international terminal onto a tram and all the way to my domestic gate. Had I attempted this journey by myself, it would have taken me three hours. I would have missed my connecting flight. So fuck you, John McClain. If you missed your connecting flight, then Hans Gruber wins. And if Hans Gruber wins, then there’s no incentive for him to get a job at a wizarding school and not one, but two movie franchises are ruined.

“You feel that, Butch? That’s pride fucking with you. Fuck pride.”

Did I just go full Bruce Willis circle on that? I did!

My other experience with wheelchairs came two summers ago when the gout stuck while we were vacationing in San Diego. San Diego in summer. Totally the time one would expect to get hit with a form of arthritis that is exacerbated by the cold. And there’s not even any cow brain on the menu there!

The two places we wanted to take our child in San Diego were the zoo and Legoland, two places not known as favorites of the immobiles. Wife again insisted I get a wheelchair at both places. And good God, y’all, did you know they have hills in San Diego? The San Diego Zoo must have at least ten different elevation changes of a thousand feet or more. The polar bear exhibit is halfway down a hill that is approximately a mile long and at a seventy percent incline (I’m not a geometrist), so if I wanted to see them, my options were either to start at the bottom of the hill and relive the story of Sisyphus or else start at the top of the hill and run some fun experiments on terminal velocity.

And then there was that whole pride thing, again. I didn’t want to make the bus stop for me and take the time to load and unload my wheelchair. I didn’t want to ask for help from strangers, and Wife was busy single-parenting a three-year old who wants to see all the animals at the same time. So there I was, going up a steep incline using the poles of an iron fence to pull myself up, which I had quickly realized was much easier than pushing the wheels uphill. So yay for leveling up in wheelchair faster than I did in cane. But holy crap, if I had to be in a wheelchair every day, I’m pretty sure my upper torso would look like Rambo’s.

The following day, we went to Legoland. Again, we rented a wheelchair. There are fewer steep hills at Legoland, but it seems like the whole damn place is on a slight slope. There were very few places that I felt comfortable taking my hands off the wheels without worrying about gravity pulling me slowly away from my family.

But I did find out one pretty cool thing. Most Legoland rides have a separate line for disabled people. I don’t know if I technically counted as disabled, but I was definitely mobility-impaired, which was the main thing they were concerned with. Or maybe they just felt that since I paid $50 to rent the wheelchair equivalent of rental skis, I shouldn’t have to stand for long periods of time in line.

So I got to go to the super secret disabled entrances to rides, which aren’t really all that secret, but are very, very super. For most of them, you go the then end of the line or the end of the ride, where people get off the ride. And then, just like customs at Hartsfield-Jackson, you’re magically next in line. There were a few rides at Legoland that had a Fastpass-style disabled entrance, where you’d sign up for a time to come back. But unlike the real Fastpass, the time is twenty minutes from now, not two hours. And twenty minutes turns out to be just enough time to skip the line at the ride next door and come back.

Hey, wait a second. We’re taking our kid to Disneyland in March. Maybe I can rent me a wheelchair and become Dad of the Year. I remember all those stories a few years ago that wealthy families were hiring disabled people to skip the lines for them. Can I hire myself out? I assume Disneyland is a bit more scrutinizing than Legoland, but I’ve gotten the royal treatment once before.

Then again, at the rate my last week has gone, it might be wiser for my family to keep me at the hotel. Or leave me at home.

I guess in the meantime, I’ll do what I do best at times like this. Sit in pain and wait for the drugs to go into effect.

Say it with me: Rest, Ice, Compression, Elevation. Rest, Ice, Compression, Elevation. Self-Contained Underwater Breathing Apparatus.

My Wine Post, Part II

Last week I finally got around to writing a post about wine. I touched on pairings and varietals, and I was getting ready to delve into the best wine region, but I thought I’d hold off. Because I’ve got quite a few things to say about the wine-producing regions of California. And what should, and should not, be considered “wine country.” And this needs a post of its own.

My curling club is called “Wine Country Curling Club.” We were founded in Vacaville, about 30 miles southeast of Napa. But in 2011, the club moved to a suburb of Sacramento. This has occasionally led to some debate. Sacramento, the argument goes, is nowhere near wine country. Sure, there are a few wineries that dot the landscape in and around Sacramento. You can wine taste for an afternoon in Clarksburg, and maybe the better part of the day in Lodi. Midtown Sacramento has a few tasting rooms but no grapes, and  Placer County, where our curling club is actually located, finally threw in the towel and renamed their wine trail a “Wine and Ale Trail,” which includes a microbrew every other block, just like every other city in America these days. It’s great for curlers, who tend more toward beer than wine, anyway.

Some people think we should change our name to avoid confusion or disappointment. And while we’ve unofficially gone with a generic “Curl Sacramento” route, the name that has been floated the most often is “Gold Country Curling Club.” Because gold was discovered in the foothills near here and Sacramento was the main destination for most of the 49ers heading west. The area around highway 49 (named for the gold rushers) from Auburn (about thirty miles northeast of Sacramento) to Placerville (forty miles east of Sacramento) calls itself gold country, and Coloma, where gold was first found, is smack dab in the middle.

But here’s where they lose the argument, and here’s where I get riled up. Because Placerville, old Hangtown, is pretty much the capital of Gold Country. And if we’re naming ourselves after Placerville, then we need to call ourselves Wine Country. Because Placerville is at the north end of what is, in my estimation, one of the best wine regions around. And more than the best wine region, it’s, hands down, the best winery region.

Some people say Amador County is what Napa County was in the eighties. And what Sonoma County was in the nineties. A nice, bucolic masterpiece of rolling hills with wineries who are happy to see you visit and employees who can talk to you about the wine they are pouring beyond the tasting notes that were printed by some conglomerate. Heck, the person pouring your tasting on any particular day might be the winemaker himself.

Last September, we found an out-of-the-way winery near Plymouth, California. Which is a pretty impressive feat, considering that Plymouth itself is already about as out of the way as something can get. You have to go through twelve different dead spots in cell coverage to get there. The town has one restaurant. And, as I found out at my last anniversary, if the one bed and breakfast owner in the town has had a cold in the past month, you’re pretty much sleeping under a tree or hoofing it back to Sacramento for the night.

But this particular winery is even out of the way for Plymouth. It’s not on either of the two or three main winery loops in Amador County. The only reason we found it at all was that we were looking for a back way into Fiddletown. And no, that’s not a euphemism. There’s a town called Fiddletown. Okay, “town” is being generous. There’s a place called Fiddletown. There are only two ways to get there. You can take Fiddletown Road or you can take the back road. And on the back road, way at the top of a hill, hidden from view of just about every human being in existence, is a winery called Distant Cellars. Get it? Distant! As in “no cell service.”

Anyway, when we stopped by this particular winery on a September midday, we were greeted by a spectacle of an employee. Or maybe he was a drifter. Dude was dirty and sweaty, wearing a beat up t-shirt. Wife and I pass a little bit of a look between us. I mean, I don’t need my sommelier to be wearing a tuxedo or anything, especially at a winery that only one customer stumbles upon per day. But Jesus, dude, would it kill you to bathe a little bit before you come into work? We’ve all had those hungover mornings, but you gotta fake it till you make it.

Except this wasn’t a rando employee suffering from too much Friday night. And it wasn’t a hobo, either. This was the owner. Sort of. He was the caretaker, the guy who ran the winery. His sons are firefighters and they bought the winery land as a retirement plan. Only they’re not retired yet, so it’s up to pops to run things in the meantime.

And of course, the reason he was dirty and sweaty and wearing a beater was because it was September, and September is harvest time. He had been up since 5:00 that morning picking two tons of grapes. And now he was preparing for a six-hour stint in the tasting room.

That’s more or less what you can expect from Amador County. Allegedly Napa was this way in the seventies and eighties. I’m not old enough to remember that, but nowadays, the winemaker at a Napa winery is probably housed in some secret bunker behind five layers of computerized and DNA-based security, his child being held at gunpoint until he can verify the proper tannin level of the cabernet-syrah blend.

Oh, and did I mention you don’t pay to taste in Amador? You used to not have to pay in Napa or Sonoma either. I’m old enough to remember that practice, but barely. It started to go by the wayside in the mid-nineties. First it was just a few wineries charging a nominal fee that would be refunded with a purchase. Kinda makes sense. They’d rather have you buy a bottle, but if not, you don’t get something for nothing.

And of course, if you were friendly enough with the pourer, you might not get charged for the tasting fee, anyway. The tasting fee was basically just there to dissuade the people who are only looking to go from winery to winery trying to get a cheap buzz with no interest whatsoever in actually making a purchase. But if you talk to the pourer about wine, or about their lives, or about current events, or pretty much treat them in any way other than, “Hey, fuckface, give me free booze,” then they’d probably “forget” to charge you. Or maybe they’d think you’re purchasing from the other guy. Or maybe they’d legitimately forget, because maybe they’re now splitting their time between you and a group of assholes that have no interest in purchasing.

Regardless, the initial tasting fees were primarily there to discourage douchebags, not a legitimate money-making device. Of course, back then the pourers were usually connoisseurs themselves. They moved to Napa or commuted to the valley for the day, because they wanted to be able to take a sip from time to time and be able to talk to like-minded individuals about oakiness and complexity. Kinda like Amador.

By the turn of the century, a few of the wineries in Napa were starting to charge for tasting whether you purchased any wine or not. I initially assumed they would lose a lot in their wine sales. One of the stories in the original “Freakonomics” book was about a daycare center that started charging people if they picked their kids up late, then were astounded when the number of late pick-ups increased. Because charging took away the guilt of showing up late. Now a parent could justify coming in late. Similarly, I’ve been to plenty of wineries where I thought the wine was mediocre, but bought it anyway out of a general obligation for the hospitality of their few sample pours.

But clearly, bottle sales didn’t drop enough to stop the practice, because by 2005 or so, you couldn’t go anywhere in the Napa Valley without paying for tasting. And they aren’t five dollars anymore. It’s twenty bucks now, and that twenty bucks doesn’t get you closer to purchasing. Not even the fancy cheese they’re all running out of their deli. Sorry, charcuterie. Deli’s aren’t nearly hip enough for Napa.

Now they charge you up front, before they’ve even gotten a glass out for you. Some places, like the Castle, you’re charged by somebody up front before you’ve even met your pourer. And the pourers, in kind, are not interested in making a sale or talking to you about wine or really anything other than pouring the properly-allotted volume of predetermined liquid. Ask them what their favorite is, or how that unopened bottle tastes, and they’ll shrug and tell you it’s not in the script.

In Amador, if you ask how that wine in that bottle back there is, the owner will probably open it right then and there and take a sip of it first before pouring some for you.

And look, I’m not taking anything away from Napa. I mean, if you can charge someone for something or offer it for free and not have your sales impacted enough to matter, then more power to you. And I guess I never realized how many people went wine tasting without purchasing or ever intending to purchase. In my opinion, anyone that gets free tastes with no intention to buy is a piece of shit. If you don’t like their wine, fine. But if you like it, but only want to take it for free, then you’re the one who ruined it for the rest of us.

And Napa absolutely had to do something, because they were becoming a destination for cheap buzzes. Party busses, party limos, party trains. They all descend upon a winery, pushing the rest of the customers off to the side or, more likely, to another winery. Then they spend a half-hour being obnoxious, not engaging the staff nor purchasing any product, then they’re back into the bus or limo or train and on to shill the next winery out of its hard-earned product. Even the Amador wineries have taken to charging these groups, because they are clearly only there for the “experience.” And usually they cost a winery in lost customers. Any time I see a limo out front, I drive to the next winery.

But when a winery charges you to taste, regardless of whether you buy or not, then they’re in the same business as the limo tours. It’s all about the tourists and day trippers, not the wine drinkers. As a result, Napa now markets itself more as an Adult Disneyland experience than a wine region. And the quality of their wine has suffered now that they cater to customers who are there for the experience.

I mentioned the Castello de Amarosa earlier. They are the most egregious and most epitomal example of what Napa has become. It’s a castle. Like, a legitimate castle. Not a replica. The owners purchased a run-down medieval castle from some defunct principality in Germany and paid to move it, brick by brick, to the Napa Valley. It’s… well, I was going to say beautiful, but only fake castles are beautiful. (See above: Disneyland) The real castles were more concerned with “workable for purposes of defense” than beautiful. But the Castello de Amarosa is majestic, if not beautiful.

They charge you to get in. There are a variety of tickets available. One just allows you entrance to see the grounds to peruse on your own.  Another ticket will grant you a guided tour, but still no wine. If you want to actually taste the wine, you have to buy a separate ticket and find your own way to the dungeon tasting room. And no, I’m not being facetious. They literally have the wine tasting in the bowels of the castle, with a ceiling that a six-foot tall person would have to duck under. There’s no ventilation and a lot of people being jostled about as an automaton fills their glasses with all the regularity and grace of an assembly line worker. The Model T only comes in black and the castle only pours four tastings.

How was the wine? Well, as wine tasting goes… they have a very nice castle.

I suppose they’ve done a very wise thing to accentuate the winery itself, and not the wine. Because the wine was quite unpleasant. It was very young. They were serving a red wine with a harvest date two years earlier. And I don’t think they were the only Napa wines I saw that were eighteen months past harvest. Four years used to be the minimum, but now it’s all about turn-and-burn, baby.

Then again, I highly doubt the castle wine was going to cellar well. I’ve tasted some young wines, and done some barrel tasting, that age well. They are usually very smooth, probably even more accessible to a random non-wine drinker. The grape is the dominant flavor early on. The complexity comes with age. The Castle wine, on the other hand, tasted a little bit sour. Like maybe it’s best future would be mixed into a sangria. Or like its average customer has partaken in some of the two hundred wineries that lie closer to the Napa Valley entrance than it. And really, nobody’s here for the wine, anyway. Taste the good stuff first, then come look at our snazzy castle.

But hey, at least I got a good idea for a key scene in my novel, which is great, cause I sure as shit didn’t buy any wine. Nice to know the entry fee wasn’t a complete waste.

And that’s why I’ll also put the Amador wine up against most of what’s coming out of Napa these days. It isn’t just the experience and the hospitality that are better. These days, Napa is catering to Bay Area new-money newbies or travelers from afar, neither of which really want good wine. They might want expensive wine, but they want it to be consumed like craft beer. Chug, motherfucker, chug.

The typical winery in Amador County will have more varietals available for tasting and purchase. Napa’s pretty much doubled down on Cabernet and Chardonnay. Go to an Amador winery and you’ll see Barbera and Zinfandel and Primitivo and Syrah and Petit Syrah and Mouverdre and Grenache and Tempranillo. And there are white wines, too.

Their varietals have variety, too. Last September, we went to a Barbera Festival, where over fifty wineries were literally pouring only one varietal. But it didn’t get tiring, because the babera grape can go in a lot of different directions, especially with all of the micro-climates that occur in volcanic foothills. Far from the Napa Valley (and to a lesser extent, the Pinot-rich central coast), where they try to mimic the agreed-upon flavor as much as possible and the only variance is spectacular, good, mediocre, or castle.

So there you have it. My wine post, parts one and two. Now you can all dismiss my well-informed enlightenment and go back to your tannic cabernet and try to pretend it doesn’t feel like someone just scratched your mouth with a brillo pad. Or your buttery chard with its aftertaste of aftertaste. And hey, I didn’t mention it before, but a lot of pinots taste like Band-aids.

And when you’re done doing all that, check out an Alicante Bouchet from the foothills.

My Wine Post, Part I

I’ve been promising a wine post for a long while. Well, not really promising one, but it seems like every time I write about coffee or beer, I throw in a “Maybe I should write about wine someday. So I suppose that day is today.

And sorry, this is as far as I go. Weed may be legal in my state, but I’m hardly a connoisseur. I’ve heard there are different types of marijuana. Okay, if you say so. Is it the taste? Or the high you get? Or whether you crave Cheeto’s or Tollhouse afterwards? Someone probably knows, but not me. I hit the wacky tabbacky once every three of four years, so it’s hard to judge consistency or differences. And if I do more than one hit, I’m pretty much down for the count.

So wine, it is. What would you like to talk about?

Food pairings? Fuck that. If you want wine with your fucking food, then drink wine with your fucking food. And don’t get me started on the restaurants that are now suggesting beer tastings with food. Oh, you think this salmon pairs with a hefeweizen? Well, hefeweizen tastes like it’s been strained through soiled underwear, so that doesn’t pique my interest in how you prepare your salmon. If I order it with an IPA, are you going to look down your nose at me and clap for your sommelier to come arrest me and put me in posh jail? Wait a second, do sommeliers even make up the bogus beer tastings or did you just ask Fred, the resident lush at the bar? Because I think I’d trust Fred first.

Best varietal? Again, it’s up to you. I personally go for zinfandels when I get to choose, especially a zin from the California foothills. Zinfandels used to have one primary taste profile, but a decade or so ago, I started to see more variety. You can get a jammy zinfandel or a peppery zinfandel. Peppery used to be the norm in the foothills because of all of the volcanic rock up there. But then they started planting more zin vines in the north-facing valleys that get less sun because that’s what was sells better. I don’t mind the jammy, and just like with the IPA craze, I know when I’m bucking the trend in the market. I also like stick shifts  and time travel TV shows, but that ain’t what sells. So I’ve learned to just sit there, drinking my hoppy IPA and my jammy zinfandel while watching the series finale of Timeless, and shut the fuck up.

But man, when I encounter a place that still holds one of their zinfandels back for a bit o’ spiciness, it’s a little slice of heaven.

I know. I know. Who in the world would want to sully their grape juice with a nuance of cracked black pepper, right? You’re not alone. Pepper is for steak, not for alcohol. But, I ask you, what are you drinking WITH your steak. And you don’t have to have steak with your zin. Just think about steak while you’re drinking it, like a vegan who eats tofacon while dreaming of the real thing. If you imagine it hard enough, you can conjure the flavor. If I were a vegan, I’d stick to the booze to remind me of what meat was like. And I’d be one of the weepiest drunks in existence.

If I can’t have or don’t want a zin, though, I’ll probably turn to a syrah. Not a petit syrah, mind you. Syrah and petit syrah are entirely different grapes. You would think the latter would just be a smaller version of the former, but no. That would be too logical, and not intimidating enough for noobs. So a syrah’s got nothing to do with a petit syrah. A syrah is, however, the same thing as a shiraz. Sommeliers gotta sommelier, right?

Petit syrahs are probably the prettiest red wine. A good one is inky, almost violet. And they’re dense. My wife’s a big petit syrah fan. She’ll drink it by itself. I’m usually pretty good with them, but only paired with a steak or a meaty pasta. And yeah, ignore what I just said about no generic food pairings. You should only drink petit syrah with red meat.

My white flavor profile switches around a bit. Depending on the food or the weather or the time of day or my mood, I might want a fume blanc, a roussanne, a vermentino, a suavignon blanc (which, unlike the syrahs, is the same grape as a cabernet sauvignon). If it’s dry enough, I’ll take a Viognier, but most of those are way too sweet. And by dry, I mean the wine, not the weather. Dry is the opposite of sweet. Well, really they never use the word “sweet.” They say off-dry, just to be snooty dicks. Then again, some wineries call their off-dry wines dry because they tend to sell better.

This trend is going on with roses, as well. Roses are pink wines, which used to only be white zinfandels. But over the past few years, a number of the wineries we like have started to make dry roses which are quite refreshing. They’re like red wines that you can drink cold.  Then again, many places just recycled their old white zinfandel recipes and slapped a rose label on it. When we were in Denver last year, Wife ordered two different roses at two different locations, one of which called itself a wine bar. The server listened toWife’s complaint about the residual sugar in the first one she had tried, then brought one out with pretty much the same damn taste.

You’ll note there were two varietals I didn’t reference: those creamy chardonnays and robust cabernets. I don’t mind the latter, if it’s paired right, but any food that tastes good with a cab probably tastes better with a petit.

But that famous white varietal? Pass the chardonnay, please! Seriously. Please pass it right the fuck past me.

And yes, I know all about oak aging and stainless steel and malolactic fermentation and the magic egg that leaves the liquid in constant motion. I’ve tasted the creamiest of chards and the tangiest. And while there are a scant few that I can tolerate, as a general rule, I’ll just skip past that varietal and go right on to the pinot grigio, thank you very much. Unless I’m in Napa and chardonnays are the only whites on the tasting menu and I just paid twenty bucks and only get to taste four.

One time we went wine tasting with a friend and her husband. Wife’s wine tasted with the friend often, but we were a bit skeptical about his wine acumen. He’s a sales guy, so I’m never a hundred percent sure if he has any real reactions to anything. His answer to most question seems to have been play-tested for audiences of strangers who you are trying to build a rapport with. When we asked him what kind of wines he liked, he paused for a second, looked up the answer in his mental rolodex and said, “I really like full cabernets and buttery chardonnays.” Wow, is that what Madison Avenue thinks of California wines? Well, unfortunately for this dude, we weren’t going to Napa Valley that day, so he was shit out of luck on rich cabernets or buttery chards. Hopefully the tasting notes you cross-referenced and committed to memory last night know what to say about a barbera.

You know what? That’s what I should be talking about. Wine regions. Forget pairings and varietals and proper storage techniques.

Wait, did I talk about proper storage techniques? Bottle down. Not straight down, but at a slant. Most wine racks are built for the proper angle, but most people put their wine slanting upwards. Cause it makes the label prettier, I suppose. But the cork needs to stay hydrated, you see. Dry corks crack, and can break when you open them. Even worse, dry corks contract, which lets oxygen in to the bottle long before you try to open it. And once you’ve got oxygen in there, you’re no longer aging wine, you’re making vinegar.

So I guess it’s time to focus on the wine regions. I’ve been to most of the ones in California, and a few more besides. Napa Valley, Sonoma Valley, Paso Robles, Lodi. I’ve sampled some near Walla Walla, Washington and Willamette Valley in Oregon. Each has their own positives and negatives. I don’t think there’s one that can properly be called the “best” region.

That being said, I do have a clear favorite. If you want good wine in a laid-back atmosphere where the winemakers and wine pourers like your company and your business, there’s really only one option. It’s a county in Northern California with acres and acres of vineyards planted on rolling hills. But the county ain’t named Napa, and it ain’t named Sonoma.

Hold on, I’ve got a lot to say on this. Check out Part II if you want to know about the hidden gem that should be considered the “real” wine country.

Got Yer Published Work Right Here!

Hey!

So, I know some of you have enjoyed some of my “loser” flash fiction entries. And more of them are coming in the next week or two. But did you know that I don’t always lose? For copyright reasons, I couldn’t post the winners because they were going to be published along with the other winners.

Well, now you can check them out. And if you’ve liked some of my non-winners, you owe it to yourself to see the good ones, don’t ya think?

Although, let me say up front that I don’t get any royalties from these sales. The money all goes to the company that put on the contests so that they can hire interns to be totally wrong about all of my other entries (but totally right twice, just like the blind squirrel on the VCR clock). The main thing I get from being published in these anthologies is that I can now expose myself in public without… hold on, I’m starting to think that’s not what they meant by “exposure.” Hmm. Good thing it’s too cold for me to test my theory this time of year.

The first story, which appears in “72 Hour of Insanity, Vol. IV” is called “Those who Rule the Stars and the Universe,” and it’s the first one with that title. They gave us the title and we had to run with it. It’s a historical fiction. There were a few other options to choose from, such as a sci-fi story called “The Cartographer” and one that I really, really wanted to write, which was a romance called “Beating the Boardroom.” Hoo boy, mine woulda been sticky. But instead, I decided to go with the Trial of Galileo, as the question at its heart was, quite literally, about who rules the stars and the universe. Oh, and there are some distinct nods to “Assassin’s Creed.” See if you can find them.

In the second round of contests, I again placed one story, although this one was only a third place finish. I don’t care. I’ll take it. The story in “72 Hours of Insanity, Vol. 5” (yes, they went from Roman numerals to Arabic – something about Amazon publishing being less user-friendly than CreateSpace was) is titles “Over the Top.” It’s another work of historical fiction. Hey, I’m seeing a trend. We were given five options. My first inclination was the Gunpowder Plot, but then I focused in on the Spanish Flu. This was a major epidemic that started at the tail end of World War I. It ended up wiping out more people than the War did, at least in the United States. So I went with that motif, a soldier who escaped the trenches but couldn’t escape the Flu.

So out of ten events, I won one and came in third place once. They gave out five places for each event, so let’s see, two times out of fifty places. I’m four percent of a writer, now! Although I technically couldn’t place more than once per event, so two out of ten? Twenty percent? But then something, something, third place out of the number of entries, and carry the four, and…

You know what? I think I’ll stick to historical fiction.

Thanks for all of your support, peeps.

2018 Concerts, Part 2

Thanks for coming back. Earlier this week, I wrote about my trip to Red Rocks Amphitheater to see Drive-by Truckers and Tedeschi Trucks Band. Today we look at…

Concert Two:

After a concert of bands we’d never heard of, we went the complete opposite for concert number two: Foreigner, Def Leppard, and Journey. From “There Will Be Rock” to “There Will Be Stool Softeners.”

Once again, we missed the first band. Not due to any parking lot fiasco, because the concert was at AT&T Park in San Francisco, and there’s no parking there. And I don’t just mean at the baseball stadium, I mean in the whole city. Probably the better part of East Bay and South Bay, too. Parking is frowned upon in the Bay Area, because if cars could park then they couldn’t all be crossing the fucking Bay Bridge at the exact same time I’m crossing it every fucking time.

Oh, and probably some reason relating to the environment, as well.

Our delayed entry into this concert was twofold. First, as with Red Rocks, we once again encountered the dreaded long line. I kinda understand the long line at Red Rocks, which only has two entrances, but AT&T Park should have at least five or six. And I would think they have an infrastructure accustomed to processing tens of thousands of fans in a short period of time. Sure, it’s been four years since the Giants won the World Series, and their fans are notoriously fickle, such that the stands were only thirty-percent full most nights this season, but still, institutional memory’s got to have a shelf-life beyond three years, right?

Is this just what concerts are in the NSA States of America? If you want to see a band live, you must be suspect enough to have to go through a full body cavity search. And sticking your fingers up the assholes of fifty thousand screaming fans takes time. Got to be thorough.

But hey, Mr. Concert Security, would it kill you to change gloves once every ten customers or so? And one finger would’ve been plenty to find my IED. Be honest, the second finger is just for you, isn’t it.

But lines weren’t the main reason we missed the first band, and could only listen to hits such as “Cold As Ice” and “Hot Blooded” and “Double Vision.” And “Head Games”… And “I Want to Know What Love Is”… And, holy shit, Foreigner sings “Urgent,” too? Wow, this has been a great security line soundtrack. I had no idea Foreigner was so prolific. Why the fuck are they the opening band?

Sorry, where was I? Oh yeah, the main reason we were late to the concert. Because it started at six o’fucking clock on a Friday.

Who the hell starts a concert at 6:00? I know that the average age of their fans are more in line with happy hour than closing time. And sure, the new lead singer of Journey might have a curfew, but this is the Bay Area. Even if you count mass transit, I’m pretty sure it is impossible to get anywhere in the Bay Area by 6:00 on Friday. Like, even the bar around the corner from your work is occasionally a bridge too far. And quite literally a bridge too far, because you will probably have to pay a toll to go a block and a half.

So yeah, we knew we were going to be late, anyway. We already knew we’d be late when the Muni we were on, chock-full of the musk of aging rock fans, delivered us in front of the stadium at 6:15. Maybe, we hoped, there would be an opening band BEFORE Foreigner, and that’s why the concert starts so early. But nope, that’s definitely Foreigner rocking out on the other side of the brick facade. Or a damned good cover band.

Hey, I just thought of a great idea. Have a cover band open for the real band. Then you get to hear the songs you like twice, and hopefully (HOPEFULLY!) it’s better the second time around. Maybe the cover band could open with the real band’s finale, then work backward until you hear the final song of the cover band’s set twice in a row. Trademark this shit. Wait, I can’t trademark an idea? Can I patent it? I’m going to be a motherfucking millionaire with this shit.

I mean sure, I could be a millionaire by taking pretty much any cut of a multi-platinum tour. I don’t really need to be the master of the “Two-You/U2 Snake Draft Concert” to become rich. If Bono just wants to send me one percent of his next tour, cover band or no, I’d be cool with that.

We finally made it into AT&T Park during Foreigner’s last song. Which, coincidentally, is probably the last song I would’ve wanted to see live. I guess hearing it live through the throng of people in the walkways is good enough, because the people who built AT&T Park built it to look good on TV, not necessarily with the idea of tens of thousands of people attending. Hence the, I think, ten urinals in the entire park. Oh, maybe there are more, but you wouldn’t know it when you have to pee at a concert or sporting event and you miss half of said concert or sporting event.

But we eventually found our seats in time for Def Leppard to come out. I’ve always been kinda meh on Def Leppard. The old joke used to be “What has seven arms and sucks? Answer: Def Leppard.” But you know what? Now that I’ve seen them in concert, I realize how wrong I was. I take back every time I ever told that “seven arms and sucks” joke.

Because, it turns out that there are five members in Def Leppard, not four. So that means they have nine arms and suck. I apologize to the Academy and will never again say “Seven arms and sucks,” even if alliteration makes it way funnier.

Anyway, the band was fine. Nothing to write home about. Or a blog.

The drummer did look like he was going to keel over and die at any given moment. Of course, that could just be because he’s missing an arm and thus always looks like he’s lilting at an angle usually reserved for last call. But I don’t think it’s just that. He also wears industrial strength earmuffs, like he’s working on the tarmac at O’Hare or next to a steel furnace. And while proper ear protection is probably a good idea for someone who works around rock concert amplification on a nightly basis, it doesn’t really help the motif. You’re supposed to be a rockstar. This one goes to eleven, motherfucker. If you don’t want to hear your own shitty music, why the fuck would I want to?

They were cohesive, too. I think all five of them have been together since the beginning. The only lineup change they’ve had in forty years is the removal of one arm. That’s rare in a rock band, and it ought to be acknowledged.

So there, I’ve acknowledged it.

Also, I guess it was kinda cool to see “Unter, glieben, glauben, globen” said live. Something I never knew was on my bucket list.

Now onto the greatest thing about the Def Leppard show, which had nothing to do with the musicians on stage. It was the kid next to me. Maybe he was pushing thirteen or fourteen, but if I had to wager an over-under on his age, I’d say the kid couldn’t be much beyond twelve. But dude screamed at the top of his lungs and knew every fucking lyric. Pulled out his phone at the proper spot, ie “Love Bites.”

Little kids at old-fogey concerts aren’t new, of course. I once went to an Air Supply concert with eight-year olds who crooned “Making Love Out of Nothing at All” with absolutely no clue of the entendres. I don’t know if one can have a single entendre, but that song isn’t opaque enough to call it a double entendre. And I’ve forced my kid to listen to a certain temporary Sirus/XM state so much that when I was whistling a Christmas song a few weeks ago, she asked, “Daddy, is that you whistling or is it Billy Joel?”

The difference with Def Leppard kid was that his father seemed about as uninterested as one can be. He looked like I will look in a few years when my daughter forces me to the 2022 equivalent of Taylor Swift or the Jonas Brothers or Justin Bieber. Like, “Oh Jesus, can this torture go on any more?”

But this raises the question of where the hell this pre-teen came up with his love for a mid-eighties pseudo-rock/proto-hair-band? Is this going to happen to me? Is my daughter going to discover bands from my youth that I  didn’t like then and still don’t like know?

“Daddy, Daddy, Pantera is coming to town.”

“Okay, just make sure you wait until the second verse of “Cemetery Gates” before you take out the cigarette lighter app on your phone.”

Of course, it didn’t take long to figure out what chaperone dude was getting out of the show. Because when Journey hit the stage, hoo boy, those two had their roles reversed. Twelve-year old couldn’t give less of a shit. Cell phones are made for Candy Crush, not illuminating the air for a ballad. Which again raises the question of how the kid loves Def Leppard and the adult loves Journey, but never the twain shall meet. Maybe they weren’t father and son. Maybe Def Leppard Boy’s parents were all too happy to pawn him off on Uncle Journey for the evening. But this again raises the question of HOW THE HELL DOES THIS KID LOVE DEF LEPPARD?!?

I know, I know. Get over it, Wombat. Move on to…

Journey. How was that quintessential Bay Area rock band fronted by a karaoke singer half their age?

Hoo boy.

Yeah, maybe I shouldn’t bank on that whole “cover band” idea. That, after all, is what Journey has become. But it’s the worst kind of cover band, because it’s a cover band with all of the original artists sans one.

And look, it’s not fair. A band is a band, and that includes all of its members. It’s totally not fair when a band comes to town, having replaced their drummer and their bassist, and nobody bats an eye. Heck, I think everybody in Lynyrd Skynyrd died, and their still touring to this day.

I mean, if Steve Perry grabbed four musicians off the street and went on stage calling himself “Journey,” I wouldn’t bat an eye. But the reverse is not the same.

Because there’s something about the lead singer, where you can’t really replace them. I know the Eagles are now touring with Vince Gill since their lead singer died, and I gotta tell you, I’m skeptical of that one, too.

The only band that replaced the lead singer successfully was Van Halen. But the key with Van Halen was that Sammy Haggar wasn’t trying to be David Lee Roth. He had a different voice, and the band had a different sound with him as their lead singer.

And there’s one more thing about Journey that doesn’t affect latter day Glenn Freys or David Lee Roths or Sammy Haggars, and that is that Steve Perry has one of the most iconic voices of all time. The only other person in history with as unreplicable voice as his is Frankie Valli. I can’t wait for “San Francisco Boys” to come out in another twenty years to give Journey the Four Seasons treatment.

And here, I want to be fair to Journey’s new singer. He’s got a damn good voice. He’s very, very close to Steve Perry. He’s almost too close, and we’ve got the auditory equivalence of that uncanny valley shit that made Tom Hanks so creepy in “Polar Express.”

And I think this is where the biggest problems come in. Unlike Haggar, the new Journey singer is trying to be Steve Perry. The phrasings, the stylings, the timing. I wasn’t kidding when I called it a karaoke band. Dude is singing it as if it’s on a teleprompter in front of him. And I’m not knocking him. He does a spot on karaoke version of Steve Perry. Which is saying something because, trust me, there’s a lot of really, really terrible Steve Perry karaoke singers out there. Myself included. Holy crap, that shit’s hard to sing. How the fuck does he do it? And Phil Collins is tough as shit, too. He’s just in between my normal and flasetto range.

And it’s totally understandable why they got this guy who can (almost) nail Steve Perry. Nobody’s going to go to a Journey concert if they can’t close their eyes and pretend. If Journey went the Eagles route and picked up, I don’t know, Garth Brooks or Toby Keith to sing lead, and said star-in-his-own-right tried to re-imagine “Don’t Stop Believin’,” they’d be lucky to sell out a county fair. So Journey pretty much had to do a YouTube search for the world’s best Steve Perry impersonator.

But at the same time, the new dude didn’t earn the lifestyle. He’s running around on stage, giving high fives to all the fans in the front row, despite the fact that those fans don’t have a clue who he is and are only here because he sounds like something else. His stage presence was just a little bit off. Part of it was his youthful energy compared to the rest of the aging rockers in the band. But part of it is a little of the “Freaky Friday” syndrome, where he’s a guy that went from the smalltime to the bigtime in a heartbeat. I know, I know, his Wikipedia entry says he was a big thing in the Philippines and I am thereby racist to say he’s lucky as balls to be in his current situation. But regardless, he hasn’t gone the normal rockstar route. He went straight to arena rock band. He was never a “singer in a smoky room, smell of wine and cheap perfume.” He just sort of sounds like the guy who has.

And that’s where the real problem comes. The dude is singing songs he doesn’t own. Somebody else wrote those lyrics. Somebody else put his emotion into them. And it’s not that I’m opposed to remakes. The Beatles did “Twist and Shout” better than the Isley Brothers and, as I stated last week, Bruce Springsteen has the only listenable version of “Santa Claus is Comin’ to Town.” But in most of those instances, the new singer has put their own spin on it. They might phrase something different. Hold out this word a little longer, hit this note a little louder, because that’s what they feel when they sing it, as opposed to the original recording. If you aren’t doing that, then you’re doing a cover, not a remake. And cover bands don’t play baseball stadiums.

It was most obvious in the song “Lights.” And maybe it’s particularly noticeable when it’s being sung in the city that the song is about. But look, I’m not a San Franciscan, and that city annoys me more often than it amazes me. But dude, how the fuck dare you have the balls to stand on the stage at AT&T Park and sing, “I wanna be there in my city”? Do you even know which team plays there? And of course, he stresses the word “my,” because he has to, because Steve Perry did.

What made it even more awkward was that they referenced Steve Perry before they sang one of that song. They referenced the fact that he lives in the area, and that he regularly comes to this very park to watch his favorite baseball team play. Said team used his song, and gave him a cush seat, for a good portion of their three World Series runs.

And when they referenced Steve Perry, they said “Maybe he’s here tonight,” at which point we all hoped he’d come out on stage. But they followed that up, hand like a visor on their foreheads, looking out at the audience with a “Steve, are you out there?” We all looked around as if maybe the person who’s the reason we’re all here might be sitting next to us. Maybe he’s the Journey fan next to me that brought his neighbor’s Def Leppard-fan son with him. But then Neal Schon just continues with, “We hope so. If you’re here, we love you, Steve.”

Wait, you don’t even know if Steve Perry is here? I know there’s some bad blood, but did you invite him? Leave him a ticket at willcall in case he shows up at the last minute? Does he even know you’re in town? Maybe he’s not on the Foreigner mailing list and he didn’t know.

And if you did leave him a ticket, where was the seat? Because when you asked if he was here, you looked way up in the nosebleeds. You couldn’t give him a better seat than the Giants do during the playoffs? How does Steve not merit a backstage pass? Maybe you shouldn’t have left the new lead singer in charge of checking on Steve Perry’s availability.

And all of these various drawbacks and oddities were rather obvious on the stage. It was as if there were two entities on the stage, the band and the lead singer. Both tolerated the other as a meal ticket, but neither really cared about being a cohesive unit. The band members introduced all of the songs, complete with the stories of how and when they were written. Then they’d walk to the back of the stage, and the lead singer would run up to the front and belt to his karaoke heart’s content, all the while prancing around the stage and high fiving the sloppy-second hands raised up to him at the precise moment he saw Steve Perry do the same thing on the 1982 tour video.

The last time I saw a singer and band this much at odds with each other, this distant and uninterested in each other, was 10,000 Maniacs. I saw them in Monterey on Memorial Day weekend, 1993. They split up in August of that year.

But hey, 10,000 Manics did a great cover of Bruce Springsteen’s “Because the Night.”

And I don’t see Journey going their “Separate Ways.” They all have that look. The one that says they know precisely which cash cow they are milking, and they will be doing that until the arenas stop filling. Which, based on the sales figures for Steve Perry’s recent solo album, is pretty much never.

2018 Concert Reviews, Part 1

In what has become something of a Yuletide tradition, because I’ve done it twice, I’m ending the year with a recap of the concerts I saw this year. Three times makes a streak, so here you go.

(Now I just need to plan a concert or two for next year)

This year, I only went to two concerts, but each of them featured three bands. So that’s, like… crap, more than one hand’s worth.

Three of the bands I had pretty much never heard of before, but it was a venue I had always wanted to go to. The other three bands I have known about for forty years, but never saw.

Since it’s two concert, and it’s 5,000 words, I’ll split it up into two posts. Come back later this week for Part Two. It’s what the business people call “synergy.”

Concert One:

One day, my wife stood at our Echo Dot and had a moment of indecision.

“Alexa, play… something.”

Yes, we are those people that only use this wonderful piece of technology for one thing. Weather alerts and alarms? Pshaw. Smart lights? What are those? It’s all about the portable DJ, baby.

“Okay,” Alexa responds. “Here’s something you might like. Shuffling songs by the Tedeschi Trucks Band.”

What the fuck is a Tedeschi Tru… Hey, this is pretty good. Alright then, let’s just ignore the fact that this AI knows what we want better than we know ourselves. I think this is how “The Terminator” starts, but what’s a little Singularity when I can discover new music? And how much do I have to pay Amazon to have Alexa suggest my book to people?

Fast forward to spring of this year, I was trying to come up with gift ideas for my wife’s birthday. She’s always wanted to go to Red Rocks amphitheater outside of Denver. So on a whim I decided to check the venue’s website to see if I could find an excuse to take her there, and who happens to be playing the weekend after her birthday? Why, it’s Alexa’s favorite band!

So the next thing we knew, we were flying into an airport that serves as the headquarters for the New World Order in order to watch a band we only liked because our robot overlords made us like them.

Hey, more synergy!

Of course, the real reason we were there was for the venue, and it’s not like I know any specific Tedeschi Trucks Band songs, nor can I tell you which riffs come from the album and when was either Ms. Tedeschi or Mr. Trucks (yes, that’s their names) improvising. Nor could I tell you which one plays which instrument. Because Alexa doesn’t show me videos. Alexa tells me to go sit in the corner until my chores are done or I’m going to bed without dinner because she won’t read the recipe to me, and the instructions on the Macaroni & Cheese are too complicated for a mere human to follow.

So yeah. Red Rocks was beautiful. Seriously, it was sublime. I wish I could make a joke, some reference to the Native Americans or the ancient Greeks with their outdoor auditoriums or whatever, but I really can’t. Hearing the naturally amplified sound while watching the setting sun reflect off a red and orange and tan mosaic rising out of the earth like the sinking Titanic, only with better music than Celine Dion playing, was worth the trip. I can’t complain about much.

But who comes to my blog to read platitudes? I think I’ll complain a little bit.

The hike up to the auditorium is a little bit of a “Holy Christ, I’m going to die.” You’re already up at, like, a million feet elevation, where the air is only, like, one percent as much as at sea level. And then they put the parking lot maybe seventy-five miles away. And ten thousand feet below, so you have to hike the last seventy-five miles directly uphill. Barefoot in the snow. Both directions.

Okay, maybe it wasn’t as bad as all that. I mean, according to my FitBit, my heart only stopped nineteen times during the hike.

The real problem, though, came after the hike. The line to get in stretched practically back to the parking lot.

And look at how it’s so precariously suspended in midair. Why, there’s nothing wrong with milling about on a free-standing structure with thousands of your human brethren for the forty-five minutes it’s going to take us to get up the stairs. I’m sure they built it with millions of pounds of stationary American girth in mind. But hey, can we maybe not stand four-wide the whole way up? They don’t have earthquakes in Colorado, do they? Or tornadoes? Or wind?

And although I have a tendency to exaggerate for comedic effect, the forty-five minutes we were stuck in line was, if anything, an underestimation. We missed almost the entire opening set. So sorry, Marcus King Band, but you sounded wonderful from my vantage point clinging to the other side of rock encampment that’s playing as nature’s own reverb machine for you.

Okay, maybe the Marcus King Band didn’t sound wonderful. But they were definitely passable.

The worst part about the long line to get in was that we had stopped for a couple of drinks in town, not wanting to be those people who showed up too early for a concert. Little did we know that, at this particular venue, arriving early means parking closer and actually getting into the venue. Damn you, Colorado. Have you never seen when your Rockies play in San Francisco or Los Angeles? Arriving on time is so gauche.

No, you know what? The wine bar wasn’t the most annoying part. The really annoying part was that we had at least three friends who had been to Red Rocks before.Each one of them discussed the majesty and the splendor and the truly breathtaking spectacle that was to be greeting us tucked away in this Rocky Mountain Garden of Edens. But not a one told us to get the fuck there early because it would take two hours to get from the parking lot through security.

Once we were through security, it was another hike up to the top to get food. Fortunately, the beer was a lot close, which was good because that wine bar seemed a month ago by now. And I needed a beer for fuel to get me up to the top to get food. You need to get calories to burn calories, people. This body doesn’t happen by chance.

Plus the opening band had just finished, so what better time to get in a food line? Oh I’m sorry, did I say what better time? I meant what worse time. Maybe we should have tried to find some seats during this intermission. But nah, why would we want to compound a mistake with a success, when there are so many other things to compound it with.

The food was good.

The seats, on the other hand…

The concert was mostly general admission. There were a few seats in the middle of the seventy or so rows that had reserved seating, but everything down by the stage and everything near the back was general admission. The typical row was a bench with approximately 140 seats. So there should have been somewhere around five thousand general admission seats. And we couldn’t find a fucking one.

“I’m holding that spot.”

“You mean those ten spots?”

“That’s why there’s a blanket there.”

“Can you scoot closer?”

“No.”

So much for Colorado people being polite.

So we watched the second band from a raised tree planter off to the side of the seating, near the stairs. And we weren’t the only ones. There were maybe ten planters, one every five or six rows, each standing ten feet high. Each planter had anywhere from five to twenty patrons, either leaning against the tree or dangling their feet off the ten-foot drop between the front of the planter and the passageway below.

Seriously, how many tickets did they sell to this thing? You might think they keep selling “general admission” because there’s no way to accurately count the number of seats. But no. Because this concert had been sold out when I searched for tickets. I had to pay extra on the Ticketmaster-sponsored ticket exchange, because if they can’t fuck you over with the initial purchase, then by golly, they’ll fuck over both the original purchaser and the secondary purchaser.

So they clearly only sold as many tickets as there are seat. It’s just that the fat fuck in row sixty-two is clearly taking up one-and-a-half seats. And the blanket cuddle orgy over to the left is looking for more lebensraum than the goddamned Schlieffen Plan.

But I can’t complain too much. From my vantage point all the way stage left, I had a beautiful panorama of those eponymous red rocks rising out of the earth stage right. In fact, from this angle, those rocks made a wide v-angle with the stage that continued to change as the sunset approached and then passed.

I never would have noticed this natural wonder had I been in the seats, able to focus my sight on something quaint like the video screen or the stage. And it’s not like I knew what the band members looked like and needed to see their facial expressions as they put emotion into lyrics I’ve never heard.

Besides, those benches were probably uncomfortable as hell.

Hey, speaking of singers and songs and shit, how was the band?

The second band that played on the evening was Drive By Truckers. With the Tedeschi Trucks Band, I’m noticing a trend.

But let me tell you, the Drive By Truckers kicked ass. I didn’t know what to expect, but they were tight. With their name, I expected something in the country-western vein. Maybe one of the hard-edge country bands, like… actually, I’m not really up on my country bands these days. Is Alabama still a thing? Were they ever edgy? How about Skynyrd?

Yeah, let’s go with Skynyrd. The Drive By Truckers were reminiscent of Skynyrd. They even reference Skynyrd in one of their songs, so they must approve of the comparison. But I’d also add in some Allmann Brothers. Or Jeff Healey. Part southern rock, part jam band. Laid back, conversational style but some great drive in their play.

I’ve become a bit of a fan since then. I mean, once I figured out which band we were actually listening to, because I don’t think it was ever announced which order the bands were going, and we couldn’t see the stage for any telltale indications of band name. For all I knew, this could be the actual Tedeschi Trucks Band, and they just weren’t letting the lady sing tonight.

But I remembered a lyric that went “I never saw Lynyrd Skynyrd” and was able to track down to the song “Let There Be Rock,” by the Drive-By Truckers, so then I knew who I had seen. Thanks, Google!

So now I’ve found myself listening to them a few times since. More often than Tedeschi Trucks. Even a few times on my Alexa. I wonder if think she knows that it stemmed from her initial recommendation? Thanks, Amazon!

Boy howdy, am I ready for our new AI overlords or what?

Speaking of Alexa’s original suggestion, how was the Tedeschi Trucks Band? Pretty good. Most of their recordings, and most of their YouTube videos, are from their concerts, so they sounded pretty much like I had heard and expected. Which is great. I mean, that’s what we were there for, right? Aside from seeing the amphitheater which, let’s be honest, was the real reason we were there.

But regardless of that, the Tedschi Trucks Band was solid. Very enjoyable. But they broke the number one rule of showmanship, which is to not be upstaged by the opening band. Or in this case, the second band.

In the end, we were tired of standing by a tree and not being able to see the actual band, and were mindful of getting to and out of the parking lot before the next presidential election, so we left before their set was over. Which doesn’t seem fair. You’ve got to wait until the finale and the encore to really judge a concert, right? Heck, “Let There Be Rock” was Drive-By Truckers’ last song, and it’s the one that finally pushed me over from enjoyable to kick-ass.

But meh, wife was over it, and I needed another beer, so we might as well get one on the way out. And I might or might not have still been able to hear the finale from the parking lot seventy-two miles away. Those red rocks can really reverberate, baby.

Come by later this week to hear about my second three-band show. I’ll give you a hint: One of the bands had a Filipino lead singer and the other has a one-armed drummer.

The Humbug is Strong

I’ve never really been a fan of Christmas music.

I’m sure that’s not an entirely true statement. If we could find a time machine back to the Carter administration, I’m sure we could find a little tyke doing all the fun calls and responses from “Rudolph the Red-nosed Reindeer.” What kindergartner doesn’t love to follow up a lingering statement like “used to laugh and call him names” with, “Like Columbus.”

What? Columbus wasn’t used as an insult? You’ll go down in history, like Columbus? I mean, sure, genociders are historical and all, but what, was Hitler unavailable? Honestly, the only thing that went down in history around Columbus was the population of Native Americans. But whatever, Montgomery Ward, let’s just stick with the moron that thought the world was a third the size that it really is.

Oh yeah, for those of you who don’t know, Montgomery Ward invented Rudolph as a marketing ploy to differentiate their mail-order catalogs from Sears in the 1930s. That’s why he’s not listed in “The Night Before Christmas.” Rudolph didn’t exist yet. It was just… um.. Vixen? Nixon? Dixen-sider? Wait, I know one of them is named Blitzen. See? Hitler!

And of course, beyond Rudolph are some of the other great hits. About snowmen and nights spent in sensory deprivation chambers. And bells, of both a chromatic and auditory nature. And, of course let’s not forget the annual debate over what does and does not constitute date rape.

Then there’s the song about… no, I think that’s pretty much it. There are only five Christmas carols, right?

That’s really where my disdain for Christmas music began. It’s not that the individual songs, in a vacuum, are bad songs. Except for maybe “Away in a Manger.” That shit’s horrible on listen number one or listen number infinity. Whereas the rest of the songs only become intolerable as they approach infinity. Which is about how many times I’ve heard “We Wish You a Merry Christmas.” And, by extension, that means I’ve heard “And a Happy New Year” one-third of infinite times. Aren’t you glad to know that the subject I teach is not math?

My mom was one of those people who listened to Christmas music on a more-or-less continuous loop for the last part of every year. Most years she would wait until the day after Thanksgiving to start, sometimes she’d sneak it in around Veteran’s Day. My wife is in that same vein. I believe that, were I not in the picture, she would feel like the Fifth of July is a perfectly acceptable time to start signing about snow and bells.

Hey, speaking of Christmas in July, did you know Hallmark Channel did that promotion this year? Because I’m pretty sure they get eighty percent of their viewership when they run those crappy love stories, where Candace Cameron is about to hook up with some hockey player, but then Santa shows up at the end to kill the hockey player get some strange for himself. Wait, that’s not how the movie ends? Santa gets the two together? Shit, I’m super glad I never stay awake till the end.

Anyway, I know that Hallmark Channel does this because when I told my four-year old it was July, she said “Christmas in July,” because whenever she’s visiting grandma and grandpa, they have the Hallmark Channel on. They’re part of the twenty percent that watch year round. Including on Thanksgiving. Did you know there’s football on the TV on Thanksgiving? Because my in-laws don’t. When I explained this dilemma to my co-workers, they responded with, “Wow, that’s got to suck for your father-in-law,” to which I respond, “He’s the one putting on the fucking Hallmark movies!”

But at least there’s a variety of Hallmark movies. Not only can you watch has-beens from “Full House,” but “Party of Five,” too. I think I even saw a “Days of Our Lives” alum this season. Whereas with the Christmas music I listened to endured in my youth, it was the same three records over and over. And by records, I actually mean records. Oh, maybe one or two of them were on 8-track, but by and large, they were vinyl records. You know, the ones where you can’t skip a song?

As an aside, am I the only one who feels unfinished when “Yesterday” ends and it isn’t immediately followed by the opening riff of “Dizzy Miss Lizzie”?

My mom played those records like broken records. Over and over and over again. Which is pretty much what the seventeen different holiday channels on Sirius/XM are doing right now. “Hey, that was a great Bing Crosby song. Coming up after this John Denver song, we’ve got some Bing Crosby on the way.”

Because every Christmas song, it seems, was recorded in a three-year span by three artists. Oh sure, they’ve been redone by every Jewish musician known to mankind. Seriously. Barbara Streisand, Bob Dylan, Neil Diamond, and Barry Manilow have all recorded songs about the glorious birth of Christ. Hell, when Rod Stewart released a Christmas album last year, my first thought was, “I didn’t even know he’s Jewish.”

So somewhere around the age of seven, listening to “It’s Beginning to Look a Lot like Christmas” for the two-hundredth time, I realized that I was kind of over all of the Christmas songs. It was probably a balmy 82 degrees in Southern California on this particular listen of “It’s Beginning to Look a lot like Christmas” when I realized the absurdity of it all.

But when they go away for eleven ten nine months at a time, I sometimes forget the inanity. Somewhere around Thanksgiving or, knowing my wife, closer to Halloween, I’ll hear my first Yuletide song of the year. And I’ll hum or whistle along, because most of them are festive as shit. A little “Rockin’ Around the Christmas Tree” goes a long way in mid-November.

But by the time December 1 rolls around, I’ve once again heard every song multiple times this year and I’m reminded that I still have another four weeks to go.  I try to grin and bear it, but the Stockholm Syndrome just won’t stick.

For a while, I was happy when new versions of songs, and even an occasional new song entirely, came out. I think my eyes went wide the first time I heard Bruce Springsteen’s “Santa Claus is Comin’ to Town.” Like, “Holy shit, they can do that?” Hell, The Boss isn’t even Jewish, unless his grandparents changed the spelling from Springstein.

And of course, when Mariah Carey’s “All I Want for Christmas is You” came out, I was in college, so I was perfectly fine to watch her traipse around in her little Santa suit on VH-1 once per hour.

But before too long I remembered that Bruce Springsteen is a communist that hates consumerism and Mariah Carey is bat-shit crazy.

And don’t get me started on that “Believe” crap from “Polar Express.” Holy fuckdoll, is there any way I can gouge my ears out a la Oedipus’s eyes by the end of that song? Shit, I’ve got time, the song has to be forty-five minutes long, right?

That’s the problem with hearing the same things over and over. You start to notice every single nuance and intricacy of it. You start to think, “Really, Beach Boys? Christmas comes this time each year? When the fuck else would it come? What was the B-side of this calendar dumbfuckery: Saturday is at the End of the Week?

Hell, I’d probably find reasons to hate “Layla” if I had to listen to it on constant loop for six straight weeks.

Scratch that. “Layla” is perfect. But the acoustic version is on a strict no-more-than-once-per-month diet.

But the last few years, I’ve tried to make my peace with Christmas songs. There’s something about the joy in a child’s face. Especially when that joy appears when she’s in the car with mom, who has Christmas songs on her radio, and I only have to see that joy through a rolled up window.

Wife is usually kind enough to hold her pre-December Christmas songs out of my earshot. I did my part by ignoring all of the changed pre-sets on her car radio. But all good things must come to an end, and the last week or two, I’ve endured.

Until yesterday. When my daughter said, and I quote, “I don’t want to listen to this song.”

My heart grew three sizes that day. I became Darth Vader at the end of “The Empire Strikes Back.”

Yes, child, I am your father.

“Why not?” Wife asks.

“They play it too much.”

A smiled pursed my lips. Forget Darth Vader, I’m going full Emperor Palpatine on this one.

Goooood. Let your hate flow through you. Fulfill your destiny and take your father’s place. The Humbug is strong in this one.

The song that turned her toward the Dark Side?

“Santa Claus is Comin’ to Town.”

Meh, not the first choice on my hatred hierarchy, but I’ll take what I can get. Maybe I should make her listen to the Bruce Springsteen version and then explain how it’s a subtle dig at the imperialistic evil of the United States.

Unfortunately, my four-and-a-half year old wasn’t really enunciating her feelings properly. Shocking, I know. What she really meant was that she enjoys when mommy and daddy sing it to her, and doesn’t want to hear docile pre-recordings. Why does she love mommy’s and daddy’s rendition? Because if there’s one motif for the month of December in a house with a pre-schooler, it’s “You better not pout, you better not cry.”

In other words, “Shut the fuck up! You’re supposed to be fucking happy!”

Seriously, what is it about this month? I know a big part of it is the shorter days and the lousy weather. In the summertime, after I pick her up from daycare, we can go to the park or ride bikes or play in the yard until the sun sets well past 8:00 PM. This time of the year, the sun has usually set by the time I can pick her up. And sure, there are street lights, but it’s fifty degrees outside, which in California is practically arctic. The best we can do is drive around the neighborhood looking at Christmas lights. Otherwise, it’s a steady stream of Disney, Jr while I wrack my brain about ways to expend one million joules of pent-up, four-year-old wiggles in a two-hundred square foot jail cell without damaging the prison walls and furniture that mommy and daddy put a lot of effort into.

And dammit, child, I have a very important blog with seventy followers, at least ten of which might not actually be bots, so just sit there and watch the same goddamned “Vampirina” episode for the seventieth time. It’ll prepare you for a life of Christmas music.

But there’s also the compensatory factor of our stories about Santa Claus and his Gestapo powers of spotting every naughty action the child has ever committed. Not that said child can identify what action is naughty and which is nice, but she’s pretty sure that Big Brother Santa knows her deepest darkest demons. After all, he’s watching her sleep. After we made her sit on his lap. Nothing creepy about that.

And don’t get me started on the Elf on the fucking Shelf. Trust me, that NSA-inspired bullshit will get its own post from me at some juncture. And if that post doesn’t materialize by December 2019, assume I’ve been placed into a Christmas concentration camp. By the time I come out, I’ll be Winston Smith saying, “two plus two equals Happy Holidays.”

But all of this, the cabin fever and the fact that she isn’t entirely sure how the whole Christmas morning thing is going to work, leads to lots of whining. And lots of temper tantrums. And, oh my GOD, the pouting. I ask her what she wants for lunch, she’s reacts like I asked her to sever her arm. She runs to the couch, doubles over and buries her head like Burt the fucking Turtle facing a nuclear attack.

So props to the writer’s of “Santa Claus is Comin’ to Town,” because they’ve nailed the essence of what it is to actually have a child during this “Most Wonderfucked Time of the Year”. Because we’ve had to hit the first verse often. And early. Like, before Thanksgiving. Of last year. Because “Jingle Bells” and Parson Brown marrying some motherfuckers who just met ain’t getting this family through the Donner Pass of Christmas time any easier than watching “Fancy Nancy” learn the true message of Christmas for the seventeenth time.

And there I had to be an asshole and ask her if she needs to go potty again. Cue the histrionics and the psychiatrist bills. Maybe I need to get an Elf to blow cigarette smoke into her face and scream, “Ve haff vays of making ju grin.”

But in the meantime, we just sing. “You better shut up. You better not pout. No seriously, don’t pout. You better not fucking… hey, where are you going? Why are you burying your head? Seriously, Spring is still three months away, can you fucking work with me here? I’m telling you why.”

And the result of our subliminal reinforcement? It certainly hasn’t stopped the whining. But at least it’s made her not want to hear the song. Except that, if you dig a little deeper, she does want to hear one rendition. Not Bing Crosby’s. Not Bruce Sprinsteen’s. Only…

“Sometimes I pout just so you guys will sing it to me.”

Oh, fuck my life.

And here I thought I was raising another Grinch. A young padawan to carry my Sith-mas traditions into the next generation. A burgeoning naysayer who could listen to her Bruce Springsteen music and rail against the consumerist tendencies of a bourgeois society.

But nope. Looks like I’m just raising another child who can play her parents like a fiddle and can’t wait to see where that crazy elf has hidden himself today.

Pass the eggnog.

Maybe “Santa Claus is Comin’ to Town” was a bridge too far. Next year I can try again with some low-hanging fruit to get her to hate Christmas music.

Sing it with me everyone. “We’re simply having a Wonderful Christmastime.”